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    人像攝影后期必學(xué)的PS技巧(人像攝影后期必學(xué)的ps技巧)

       2023-01-13 15:06:15 admin1150
    核心提示:1. 人像攝影后期必學(xué)的PS技巧人像精修1、人像磨皮是Photoshop在商業(yè)領(lǐng)域運(yùn)用的一個(gè)經(jīng)典技能,無(wú)論是廣告修片還是各種書刊雜志、印刷品設(shè)計(jì)、電商設(shè)計(jì)、影樓攝影等,都需要進(jìn)行對(duì)人像精修及磨皮

    1. 人像攝影后期必學(xué)的PS技巧

    人像精修

    1、人像磨皮是Photoshop在商業(yè)領(lǐng)域運(yùn)用的一個(gè)經(jīng)典技能,無(wú)論是廣告修片還是各種書刊雜志、印刷品設(shè)計(jì)、電商設(shè)計(jì)、影樓攝影等,都需要進(jìn)行對(duì)人像精修及磨皮處理。而照片的不同應(yīng)用場(chǎng)景決定了不同的修片風(fēng)格,這里僅介紹廣告級(jí)專業(yè)人物修片技巧。

    2、什么是廣告級(jí)人物修片?首先,廣告級(jí)人物修片就是對(duì)運(yùn)用在各種廣告中的人物照片進(jìn)行精修,這些廣告會(huì)投放在各種媒體平臺(tái),包括戶外大型燈箱廣告、高精度的印刷品雜志媒體、大型電商平臺(tái)等,這就意味著照片的任何一點(diǎn)細(xì)節(jié)都會(huì)被極度放大,任何地方如果出現(xiàn)瑕疵都會(huì)被很容易發(fā)現(xiàn)。

    另外,除了精細(xì)的處理照片的瑕疵,還需要盡可能的保留人物細(xì)節(jié),比如肌膚的紋理、毛孔等。避免照片在放大后會(huì)因?yàn)槿笔Ъ?xì)節(jié)而帶來(lái)粗糙的效果,所以廣告人物修片的宗旨就是:細(xì)致、真實(shí)、質(zhì)感。

    雙曲線磨皮法

    為了達(dá)到廣告級(jí)效果,盡量保留細(xì)節(jié),我們就需要人像是無(wú)損肌膚肌理的磨皮技術(shù),所以在諸多磨皮方法中,這里選擇雙曲線磨皮法。

    主要思路分3步:

    第一步:處理皮膚細(xì)節(jié)

    第二步:處理五官

    第三步:整體調(diào)整

    處理皮膚細(xì)節(jié)

    1、處理皮膚細(xì)節(jié)是整個(gè)雙曲線磨皮中最重要的環(huán)節(jié),第一步通過(guò)觀察發(fā)現(xiàn)模特膚質(zhì)其實(shí)還算不錯(cuò),只是在鼻子周圍有不少明顯的粉刺,少數(shù)地方有些膚色不均,眼角額頭有一些少許的細(xì)紋,這些都需要進(jìn)行處理。

    2、建立觀察器

    打開人像文件,新建圖層,填充黑色,圖層模式選擇“顏色”,這樣可以避免顏色干擾我們的觀察。

    3、再新建一個(gè)圖層,同樣填充黑色,圖層樣式選擇“柔光”,加強(qiáng)黑白對(duì)比,方便觀察。

    4、新建曲線蒙版,進(jìn)一步加強(qiáng)畫面對(duì)比,這樣可以明顯的觀察到臉部的粉刺和細(xì)紋。

    5、新建圖層組命名為“觀察器”,把之前的三個(gè)圖層拖進(jìn)去。

    這樣就完成了“觀察器”的設(shè)置,通過(guò)“觀察器”可以更好的輔助我們調(diào)整雙曲線,來(lái)達(dá)到廣告級(jí)的人物修片效果。

    建立雙曲線

    1、建立雙曲線調(diào)整,新建曲線調(diào)整,命名為“加深”,用于加深人像色調(diào)。

    2、再次新建調(diào)整圖層,命名為“減淡”,用于減淡人像色調(diào)。

    3、接下來(lái)進(jìn)入最耗時(shí)也最關(guān)鍵的細(xì)節(jié)修復(fù)階段,基本思路是利用觀察層,在雙曲線蒙版中用畫筆工具一點(diǎn)一點(diǎn)的涂抹顏色,達(dá)到磨皮的效果,當(dāng)然也可以結(jié)合圖章工具磨皮,這樣會(huì)快一點(diǎn),千萬(wàn)不要破壞人物原有的肌膚紋理。

    4、這是一個(gè)非常耗費(fèi)時(shí)間的環(huán)節(jié),也是雙曲線磨皮法的精髓所在,當(dāng)然在整個(gè)過(guò)程中,第一我們要注意,不要破壞人像原本的肌理,第二為了追求真實(shí)的效果,人像上的痣不要修掉,經(jīng)過(guò)慢慢調(diào)整后,效果如下:

    調(diào)整皮膚

    1、調(diào)整照片整體的色調(diào)和模特的膚色,先建立曲線調(diào)整整體色調(diào)。

    2、填充一個(gè)皮膚顏色圖層,選擇“顏色疊加”,這樣就可快速統(tǒng)一臉部細(xì)節(jié)處不均勻的顏色,隨后用畫筆工具圖層調(diào)整蒙版,擦去頭發(fā),嘴唇等部位,完成后,皮膚細(xì)節(jié)就基本處理完畢了。

    3、下面進(jìn)入五官的處理 同樣也是使用圖章工具和雙曲線,處理嘴巴和眼睛邊緣的細(xì)紋,但是要注意,大的皺紋處理起來(lái)要慎重,因?yàn)槿魏我粋€(gè)大皺紋都會(huì)影響模特的微表情。

    4、調(diào)整眼袋 完成皺紋處理后,發(fā)現(xiàn)模特眼袋很重,這就需要進(jìn)行調(diào)整。首先同樣通過(guò)曲線模板,先調(diào)淡眼袋的顏色,然后用畫筆工具涂抹蒙版選取調(diào)色范圍,最后調(diào)整眼袋的色調(diào)。

    5、調(diào)整眼球

    選擇出眼睛的范圍,也是通過(guò)圖章工具去掉一些雜質(zhì)后,整體提亮,注意:一般眼白處容易出現(xiàn)的紅血絲一定要修掉。

    這樣就完成了眼部的細(xì)節(jié)處理,看一下整體效果。

    6、整體調(diào)整

    到這里本教程最苦的部分基本完成了,下面進(jìn)入整體調(diào)整階段,這也是非常重要而且也是出效果的部分。

    選擇人物圖層,做USM銳化處理。

    調(diào)整數(shù)值:數(shù)量500%,半徑1.0像素

    完成銳化后,皮膚會(huì)出現(xiàn)比較明顯的紋理,當(dāng)然之前的一些未完全修掉的瑕疵也會(huì)顯露出來(lái),這時(shí)就需要借助Portraiture插件來(lái)幫我們完成整體的磨皮效果。

    7、Portraiture是一款使用率極高的磨皮軟件,其實(shí)在大部分要求不是很高的修片磨皮都可以用這款軟件解決,如果完成安裝后,選擇濾鏡菜單下Imagenomin-Portraiture

    調(diào)整數(shù)值如下,當(dāng)然也可以根據(jù)具體人像效果做調(diào)整。

    2. 人像攝影后期必學(xué)的ps技巧

    PS一般指Adobe Photoshop,是由Adobe Systems開發(fā)和發(fā)行的圖像處理軟件。修圖也即修改圖片,將圖片進(jìn)行一定的處理,修調(diào),從而達(dá)到需要的效果。

    了解界面

    菜單欄

    頂部區(qū)域是菜單欄,將Photoshop所有的操作分為九類,除了【幫助】選項(xiàng),共九項(xiàng)菜單。如編輯、圖像、圖層、濾鏡。

    工具屬性欄

    藍(lán)色部分稱為工具屬性欄,左側(cè)工具欄中的每個(gè)工具選項(xiàng)都對(duì)應(yīng)不同的工具屬性(如下圖),所以選擇不同的工具或選擇不同的對(duì)象時(shí)出現(xiàn)的選項(xiàng)也不同。

    工具欄

    紅色區(qū)域中的豎長(zhǎng)條稱為工具欄,也稱為工具箱。對(duì)圖像的修飾以及繪圖等工具,都從這里調(diào)用。幾乎每種工具都有相應(yīng)的鍵盤快捷鍵。

    浮動(dòng)面板

    PS的的右上方是浮動(dòng)面板區(qū)域。浮動(dòng)面板是Photoshop中非常重要的輔助工具,它為圖形圖像處理提供了各種各樣的輔助功能。每個(gè)浮動(dòng)面板都可以用鼠標(biāo)進(jìn)行拖拽隨意放置符合你工作慣性的地方。

    標(biāo)題欄

    標(biāo)題欄顯示的是對(duì)工作區(qū)命名。

    狀態(tài)欄

    包含四個(gè)部分,分別為:圖像顯示比例、文件大小、浮動(dòng)菜單按鈕及工具提示欄。

    圖層工具欄

    包含:圖層關(guān)聯(lián)、圖層樣式、蒙版、濾鏡、圖層組、圖層、刪除圖層,這7大功能。

    工作區(qū)

    Photoshop可以同時(shí)打開多幅圖像進(jìn)行制作,圖像之間還可以互相傳送數(shù)據(jù)。在打開的圖像間可通過(guò)菜單【窗口】底行的圖像名稱切換,也可以快捷鍵【CTRL+TAB】完成圖像切換。

    工作區(qū)灰色的區(qū)域稱為工作區(qū),用來(lái)顯示制作中的圖像。Photoshop可以同時(shí)打開多幅圖像進(jìn)行制作,圖像之間還可以互相傳送數(shù)據(jù)。在打開的圖像間可通過(guò)菜單【窗口】底行的圖像名稱切換,也可以快捷鍵【CTRL+TAB】完成圖像切換。

    小竅門

    具體每一個(gè)工具的名稱,只要把鼠標(biāo)移動(dòng)到該工具上,旁邊就會(huì)出現(xiàn)工具名稱。

    修圖方法

    使用多個(gè)圖層

    在工作中盡可能地使用多個(gè)圖層,圖層的作用,就是為了方便后期更改,否則Photoshop后期的修圖和合成很難一次成型,為了讓作品更完美,創(chuàng)作過(guò)程中會(huì)反復(fù)修改,因而最好在每一個(gè)關(guān)鍵的部分都新建一個(gè)圖層。

    圖層透明度的修改,一般都是在圖層上方有個(gè)透明度,拉下圖層上放的透明度滑塊就可以修改了,還有更快的方法,就是選擇圖層,按下鍵盤數(shù)值可以直接修改透明度,按下數(shù)值1就是修改10%的透明度,按下數(shù)值2就是修改20%的透明度,按下數(shù)值3就是修改30%的透明度,以此類推,可以快速改變圖層透明度。

    多使用蒙版

    能想到刪除和擦除這兩個(gè)動(dòng)作的地方,都可以用蒙版來(lái)代替。

    刪除和擦除是一種有破壞性的編輯,它們對(duì)于圖層內(nèi)容的傷害是不可逆的,而蒙版只是暫時(shí)隱藏選中的圖像部分。好處在于,可以隨時(shí)地對(duì)該部分圖像進(jìn)行繼續(xù)隱藏或恢復(fù)等操作,并且無(wú)論操作多少遍,都對(duì)原圖沒(méi)有任何的破壞,蒙版是一種無(wú)損的編輯方式。

    蒙版的使用方式

    首先第一步打開素材,點(diǎn)擊快速蒙版按鈕。

    使用畫筆工具,大致選中照片中人像。

    再次點(diǎn)擊快速蒙版,退出快速蒙版模式,按住Ctrl+shift+I鍵進(jìn)行反選。

    在頂部菜單欄中執(zhí)行“選擇”-“選擇并遮住”(老版本PS叫做調(diào)整邊緣)。

    接下來(lái)我們把透明度設(shè)為100,邊緣檢測(cè)半徑設(shè)為60,移動(dòng)邊緣設(shè)置為15,選中凈化顏色數(shù)值設(shè)置為57。

    接下來(lái)選中調(diào)整邊緣畫筆工具,涂抹帶有背景圖層的位置,設(shè)置數(shù)值和效果。

    多利用智能對(duì)象和智能濾鏡

    在對(duì)圖像進(jìn)行放大、縮小、扭曲、旋轉(zhuǎn)和變形等操作時(shí),都會(huì)有或多或少損失一部分畫質(zhì),而將普通圖層轉(zhuǎn)化為智能對(duì)象后,再進(jìn)行上述操作時(shí),將保留圖像一切的原始特性,不會(huì)對(duì)圖像的原始畫質(zhì)造成任何的破壞,因而,智能對(duì)象也是一種無(wú)損的編輯方式。

    右擊圖層,跳出來(lái)的窗口之后,選擇“轉(zhuǎn)換為智能對(duì)象”。

    一些濾鏡沒(méi)有預(yù)覽功能,只能設(shè)置一次參數(shù)看一次效果,如果不滿意就得從頭開始,使用智能濾鏡后就可以很方便地修改濾鏡的參數(shù),不透明度和混合模式等。

    多利用調(diào)整圖層

    當(dāng)需要對(duì)圖層的色階、亮度,曲線和顏色等做出調(diào)整時(shí),如果直接在原圖上修改,那么后期將很難再進(jìn)行調(diào)整,調(diào)整圖層是一個(gè)獨(dú)立圖層調(diào)整,圖層是一個(gè)獨(dú)立圖層,在這個(gè)圖層上可以反復(fù)進(jìn)行多次的無(wú)損調(diào)整,最終效果不滿意,還可以直接刪除這個(gè)調(diào)整圖層,然后重新添加一個(gè)調(diào)整圖層,就可以繼續(xù)對(duì)原圖層進(jìn)行調(diào)整,這個(gè)過(guò)程對(duì)原圖層是沒(méi)有任何影響的。

    多使用快捷鍵

    使用快捷鍵,是最能提升工作效率的操作,這就好比設(shè)置的特殊電話號(hào)碼,按“1”直接就是打給父母,按“2”就是直接打給妻子。

    快捷鍵位置:

    點(diǎn)擊打開之后,界面如下:

    摳圖技巧

    1、鋼筆工具摳圖

    鋼筆工具適用于外形復(fù)雜、不連續(xù)、色差不大的圖,加工精度高、純手工放大邊界點(diǎn)來(lái)?yè)笀D,先將需要摳圖的素材拖到ps中。

    利用快捷鍵“Ctrl+J”復(fù)制一層圖層。

    選擇“鋼筆工具”。

    接著在需要摳圖的地方描點(diǎn)。

    將需要摳出來(lái)的部分都圈住后點(diǎn)擊鼠標(biāo)右鍵,選擇“建立選區(qū)”。

    調(diào)整羽化半徑,根據(jù)描點(diǎn)距離圖片的距離選擇,勾選“消除鋸齒”后點(diǎn)擊“確定”。

    然后建立好選區(qū),可以利用快捷鍵“Ctrl+C”復(fù)制選區(qū)的圖層。

    在一個(gè)空白圖層利用快捷鍵“Ctrl+V”粘貼即可完成摳圖。

    2、魔術(shù)棒摳圖

    魔術(shù)棒摳圖適用于圖像和背景色色差明顯,背景單一,圖像邊界清晰的素材,首先將圖片素材利用ps打開

    接著點(diǎn)擊“魔棒工具”

    然后調(diào)整容差值為“32”,勾選“連續(xù)”和“消除鋸齒”

    然后利用魔棒工具點(diǎn)擊圖片的背景區(qū),選擇一個(gè)區(qū)域后點(diǎn)擊鍵盤上的刪除鍵

    把背景全部刪除后即可完成摳圖

    3、色彩范圍摳圖

    色彩范圍摳圖適用于背意景色單一,圖像分明、背景無(wú)色彩的素材。首先利用Ps打開圖片素材

    接著點(diǎn)擊“選擇”選項(xiàng)卡

    然后在彈出的選項(xiàng)中選擇“色彩范圍”

    然后用顏色吸管拾取背景色

    接著勾選“反相”并點(diǎn)擊“確定”

    然后會(huì)建立一個(gè)選區(qū)

    最后利用快捷鍵“Ctrl+J”復(fù)制一層圖層即可完成摳圖

    4、磁性索套工具摳圖

    磁性套索摳圖適用于圖像邊界清晰,磁性索套會(huì)自動(dòng)識(shí)別并黏附在圖像邊界上,如果邊界模糊處放大了再放置這樣就更精確,首先利用ps打開圖片素材

    然后選擇“磁性套索工具”

    接著將鼠標(biāo)移到圖像邊界處,然后磁性套索工具自動(dòng)識(shí)別并黏附在圖像邊界上

    等磁性套索工具閉合后就將整個(gè)圖像都選中了

    然后利用快捷鍵“Ctrl+J”復(fù)制一層圖層即可完成摳圖

    5、羽化法摳圖

    羽化法摳圖適用于邊界清楚的素材,首先利用ps打開圖片素材

    然后選擇“套索工具”

    接著利用套索工具將圖像選中

    然后點(diǎn)擊鼠標(biāo)右鍵,選擇“羽化”

    根據(jù)套索與圖像的距離調(diào)整羽化半徑,距離較近就調(diào)小點(diǎn),如調(diào)整羽化半徑為“5”后點(diǎn)擊“確定”

    然后就將圖像摳出來(lái)了,但是周圍有不需要的部分,可以利用橡皮擦工具擦去

    點(diǎn)擊選擇“橡皮擦工具”

    將周圍多余的部分擦去即可完成摳圖

    6、蒙板摳圖

    蒙板摳圖快速并直觀適用范圍廣,首先利用ps打開圖片素材

    然后利用快捷鍵“Ctrl+J”復(fù)制一層圖層

    然后選擇“圖層1”并點(diǎn)擊“添加圖層蒙版”

    接著將前景色調(diào)為黑色,背景色調(diào)為白色

    調(diào)好后選擇“畫筆工具”

    調(diào)整畫筆工具的顏色為黑色,并選擇圖層蒙版

    接著利用畫筆工具將背景擦去即可完成摳圖,如果不小心將圖像擦掉了,可以交換前景色和背景色在擦除即可還原

    7、通道摳圖

    通道摳圖適用于色差不大,外形復(fù)雜的圖形,像毛發(fā)及樹枝等。首先利用ps打開圖片素材

    然后利用快捷鍵“Ctrl+j”復(fù)制一層圖層

    接著點(diǎn)擊“通道”

    選擇并復(fù)制一個(gè)圖像清楚的通道,如“藍(lán)色”

    然后點(diǎn)擊“圖像”選項(xiàng)卡

    選擇“調(diào)整”下的“色階”

    然后調(diào)整色階以增強(qiáng)圖像對(duì)比度,調(diào)整好后點(diǎn)擊“確定”

    接著選擇“快速選擇工具”

    將圖像選中,邊界處可以放大在選擇

    選擇好后點(diǎn)擊“編輯”選項(xiàng)卡

    在彈出來(lái)的選項(xiàng)中選擇“填充”

    將圖像填充為背景色即為黑色,點(diǎn)擊“確定”

    然后選擇“圖像”選項(xiàng)卡

    選擇調(diào)整下的“反相”將背景設(shè)置為白色

    接著利用快捷鍵“Ctrl+J”復(fù)制一層圖層

    接著將圖層1和背景的“小眼睛”關(guān)閉即可查看摳出來(lái)的圖像

    8、反向摳圖

    找到圖片,點(diǎn)擊打開。

    點(diǎn)擊使用魔棒工具。

    點(diǎn)擊外部空白區(qū)域。

    點(diǎn)擊右鍵,點(diǎn)擊“選擇反向”。

    再點(diǎn)擊右鍵,選擇通過(guò)拷貝(剪切)的圖層。

    刪除背景圖層。

    如圖,摳圖完成。

    去水印技巧

    1、使用仿制圖章工具去除

    使用仿制圖章工具去除文字這是比較常用的方法,具體的操作是,選取仿制圖章工具,按住Alt鍵,在無(wú)文字區(qū)域點(diǎn)擊相似的色彩名圖案采樣,然后在文字區(qū)域拖動(dòng)鼠標(biāo)復(fù)制以覆蓋文字。

    要注意的是,采樣點(diǎn)即為復(fù)制的起始點(diǎn)。選擇不同的筆刷直徑會(huì)影響繪制的范圍,而不同的筆刷硬度會(huì)影響繪制區(qū)域的邊緣融合效果。

    2、使用修補(bǔ)工具去除文字

    如果圖片的背景色彩或圖案比較一致,使用修補(bǔ)工具就比較方便。

    具體操作是:選取修補(bǔ)工具,在公共欄中選擇修補(bǔ)項(xiàng)為“源”,關(guān)閉“透明”選項(xiàng)。然后用修補(bǔ)工具框選文字,拖動(dòng)到無(wú)文字區(qū)域中色彩或圖案相似的位置,松開鼠標(biāo)就完成復(fù)制。

    修補(bǔ)工具具有自動(dòng)匹配顏色的功能,復(fù)制的效果與周圍的色彩較為融合,這是仿制圖章工具所不具備的。

    3、使用修復(fù)畫筆工具去除文字

    操作的方法與仿制圖章工具相似。按住Alt鍵,在無(wú)文字區(qū)域點(diǎn)擊相似的色彩或圖案采樣,然后在文字區(qū)域拖動(dòng)鼠標(biāo)復(fù)制以覆蓋文字,只是修復(fù)畫筆工具與修補(bǔ)工具一樣,也具有自動(dòng)匹配顏色的功能,可根據(jù)需要進(jìn)行選用。

    4、應(yīng)用消失點(diǎn)濾鏡法

    對(duì)于一些透視效果較強(qiáng)的畫面(如地板),可以應(yīng)用“消失點(diǎn)”濾鏡進(jìn)行處理。

    操作方法是,框選要處理的文字區(qū)域,(防止選區(qū)以外的部分也被覆蓋)執(zhí)行菜單命令:濾鏡——消失點(diǎn),進(jìn)入消失點(diǎn)濾鏡編輯界面。

    1)選取左邊工具欄中的創(chuàng)建面板工具,由地板磚縫交匯處開始,沿著縫隙,依次點(diǎn)四個(gè)點(diǎn),連成一個(gè)有透視效果的矩形。然后拖動(dòng)其邊線向右方及下方擴(kuò)展,令面板完全覆蓋文字。

    2)選取左邊工具欄中的圖章工具,按住Alt鍵點(diǎn)擊選取源圖像點(diǎn),待顏色變化后,在文字區(qū)域拖動(dòng)便完成復(fù)制。

    人像磨皮

    首先通過(guò)快捷鍵Ctrl+O鍵打開一張人物圖片,然后通過(guò)Ctrl+J鍵將圖片復(fù)制一層,在濾鏡菜單下找到“Neural Filters...”單擊打開。

    先開啟“皮膚平滑度”按鈕,再調(diào)整“模糊、平滑度”數(shù)值,最后點(diǎn)擊確定,以智能對(duì)象方式輸出。

    ps2021新增的平滑度濾鏡可以一鍵識(shí)別人物臉部,并進(jìn)行磨皮,還可以通過(guò)智能濾鏡進(jìn)行修改,效果與美顏相機(jī)類似。

    圖片上色技巧

    首先我們用ps打開圖片。

    然后新建一個(gè)圖層。

    將圖層混合模式設(shè)置為顏色。

    接著選擇畫筆前景色。

    然后在圖層上使用畫筆上色即可。

    %3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"PS一般指Adobe Photoshop","id":""},{"type":"text","text":",是由","id":""},{"type":"text","text":"Adobe","id":""},{"type":"text","text":" Systems開發(fā)和發(fā)行的","id":""},{"type":"text","text":"圖像處理軟件","id":""},{"type":"text","text":"。修圖也即修改圖片,將圖片進(jìn)行一定的處理,修調(diào),從而達(dá)到需要的效果。","id":""}],"text":"","id":"doxcnYAMW0C6mMOQwQhP0dNL28g"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"了解界面","id":""}],"text":"","id":"doxcnOG0EkeiIAMyaaQpPmd3yS9"},{"type":"image","attrs":{"height":826,"note":[{"type":"text","text":"了解界面","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e79f7d6afb7345a9b971c63c30e95ea5","width":1596},"text":"","id":"doxcnUKg0GGgAsoiOAdDp0sfnsg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"菜單欄","id":""}],"text":"","id":"doxcn8YcU8m8IWoQScj6Ky9k5We"},{"type":"paragraph","children":[{"type":"text","text":"頂部區(qū)域是菜單欄,將Photoshop所有的操作分為九類,除了【幫助】選項(xiàng),共九項(xiàng)菜單。如編輯、圖像、圖層、濾鏡。","id":""}],"text":"","id":"doxcn86KQmYaKwg280GZe0wJKBe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具屬性欄","id":""}],"text":"","id":"doxcnSyGWIQk8cAGWQH8T3c5w0g"},{"type":"paragraph","children":[{"type":"text","text":"藍(lán)色部分稱為工具屬性欄,左側(cè)工具欄中的每個(gè)工具選項(xiàng)都對(duì)應(yīng)不同的工具屬性(如下圖),所以選擇不同的工具或選擇不同的對(duì)象時(shí)出現(xiàn)的選項(xiàng)也不同。","id":""}],"text":"","id":"doxcnQmewCaWYgWsCC8fXskrnXf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具欄","id":""}],"text":"","id":"doxcnygaE8sK6SeEwWcDB4HzNSe"},{"type":"paragraph","children":[{"type":"text","text":"紅色區(qū)域中的豎長(zhǎng)條稱為工具欄,也稱為工具箱。對(duì)圖像的修飾以及繪圖等工具,都從這里調(diào)用。幾乎每種工具都有相應(yīng)的鍵盤快捷鍵。","id":""}],"text":"","id":"doxcnyOycekuwMOEg0AlRpZq3Db"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"浮動(dòng)面板","id":""}],"text":"","id":"doxcnWemImGoIEa08kNVt4MCJSd"},{"type":"paragraph","children":[{"type":"text","text":"PS的的右上方是浮動(dòng)面板區(qū)域。浮動(dòng)面板是Photoshop中非常重要的輔助工具,它為圖形圖像處理提供了各種各樣的輔助功能。每個(gè)浮動(dòng)面板都可以用鼠標(biāo)進(jìn)行拖拽隨意放置符合你工作慣性的地方。","id":""}],"text":"","id":"doxcnCaGmO2C8ieaIC9sLdArsfb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"標(biāo)題欄","id":""}],"text":"","id":"doxcnKoKeoMSkgoU8shBS9SRb0b"},{"type":"paragraph","children":[{"type":"text","text":"標(biāo)題欄顯示的是對(duì)工作區(qū)命名。","id":""}],"text":"","id":"doxcnGsKaAK6eAEgAWizJsn9jIb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"狀態(tài)欄","id":""}],"text":"","id":"doxcno6QqC8YsGCeGERK1QSddhb"},{"type":"paragraph","children":[{"type":"text","text":"包含四個(gè)部分,分別為:圖像顯示比例、文件大小、浮動(dòng)菜單按鈕及工具提示欄。","id":""}],"text":"","id":"doxcnAeEgCGwwEMQKEz7raWlC9g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"圖層工具欄","id":""}],"text":"","id":"doxcnicwgMqUgKU2YaAjZcIqKPc"},{"type":"paragraph","children":[{"type":"text","text":"包含:圖層關(guān)聯(lián)、圖層樣式、蒙版、濾鏡、圖層組、圖層、刪除圖層,這7大功能。","id":""}],"text":"","id":"doxcnwEUkys2KW6QESYm96yJESf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工作區(qū)","id":""}],"text":"","id":"doxcnsYekI4YIWemuWU1kJgM3He"},{"type":"paragraph","children":[{"type":"text","text":"Photoshop可以同時(shí)打開多幅圖像進(jìn)行制作,圖像之間還可以互相傳送數(shù)據(jù)。在打開的圖像間可通過(guò)菜單【窗口】底行的圖像名稱切換,也可以快捷鍵【CTRL+TAB】完成圖像切換。","id":""}],"text":"","id":"doxcneKoKMgaaqS6qglwQt3yo2e"},{"type":"paragraph","children":[{"type":"text","text":"工作區(qū)灰色的區(qū)域稱為工作區(qū),用來(lái)顯示制作中的圖像。Photoshop可以同時(shí)打開多幅圖像進(jìn)行制作,圖像之間還可以互相傳送數(shù)據(jù)。在打開的圖像間可通過(guò)菜單【窗口】底行的圖像名稱切換,也可以快捷鍵【CTRL+TAB】完成圖像切換。","id":""}],"text":"","id":"doxcnww2s66uysCQeI1UqdNLhIf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"小竅門","id":""}],"text":"","id":"doxcnymiqCKK6qGgsYrInYD9s4g"},{"type":"paragraph","children":[{"type":"text","text":"具體每一個(gè)工具的名稱,只要把鼠標(biāo)移動(dòng)到該工具上,旁邊就會(huì)出現(xiàn)工具名稱。","id":""}],"text":"","id":"doxcn8K4CsceWySeWQTQQJwfYre"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"修圖方法","id":""}],"text":"","id":"doxcnSqI6MIge4WCckd5FxWi8Ze"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"使用多個(gè)圖層","id":""}],"text":"","id":"doxcnC6O8AS6c22sUXJbbq2mVog"},{"type":"paragraph","children":[{"type":"text","text":"在工作中盡可能地使用多個(gè)圖層,圖層的作用,就是為了方便后期更改,否則Photoshop后期的修圖和合成很難一次成型,為了讓作品更完美,創(chuàng)作過(guò)程中會(huì)反復(fù)修改,因而最好在每一個(gè)關(guān)鍵的部分都新建一個(gè)圖層。","id":""}],"text":"","id":"doxcnaqE2CwScgQyewWbb1aAgZu"},{"type":"image","attrs":{"height":762,"note":[{"type":"text","text":"使用多個(gè)圖層","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d0feea9466654f1397b26fb65971b919","width":1368},"text":"","id":"doxcnU0EKmauyOGeCofXXHSxy9e"},{"type":"paragraph","children":[{"type":"text","text":"圖層透明度的修改,一般都是在圖層上方有個(gè)透明度,拉下圖層上放的透明度滑塊就可以修改了,還有更快的方法,就是選擇圖層,按下鍵盤數(shù)值可以直接修改透明度,按下數(shù)值1就是修改10%的透明度,按下數(shù)值2就是修改20%的透明度,按下數(shù)值3就是修改30%的透明度,以此類推,可以快速改變圖層透明度。","id":""}],"text":"","id":"doxcnOOK2AkICcCA4UfNQ5n0GJg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"多使用蒙版","id":""}],"text":"","id":"doxcnC8WEIciu02I6mAeTSA7X6g"},{"type":"parag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yīng)用消失點(diǎn)濾鏡法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/eb168b57d34c41eab16d53ea0a8387f2","width":1104},"text":"","id":"doxcnUgqsCSIE22M8AdH9jb2FGg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"人像磨皮","id":""}],"text":"","id":"doxcnAcAiOqw4I2ogqSAK4J9Caf"},{"type":"paragraph","children":[{"type":"text","text":"首先通過(guò)快捷鍵Ctrl+O鍵打開一張人物圖片,然后通過(guò)Ctrl+J鍵將圖片復(fù)制一層,在濾鏡菜單下找到“","id":""},{"type":"text","text":"Neural Filters...","id":""},{"type":"text","text":"”單擊打開。","id":""}],"text":"","id":"doxcneWwwGyCmoQqAeYgfsygQGf"},{"type":"image","attrs":{"height":783,"note":[{"type":"text","text":"人像磨皮","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/38dc2d7825a841e6a04a474188ad1632","width":1115},"text":"","id":"doxcnIKS8A8sIYyqcaKA65mXP8d"},{"type":"paragraph","children":[{"type":"text","text":"先開啟“皮膚平滑度”按鈕,再調(diào)整“模糊、平滑度”數(shù)值,最后點(diǎn)擊確定,以智能對(duì)象方式輸出。","id":""}],"text":"","id":"doxcnq6kwiu6AC4WkC8TBIKASah"},{"type":"image","attrs":{"height":753,"note":[{"type":"text","text":"人像磨皮","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/27bd234ea61244c7aab36316d4175d95","width":1092},"text":"","id":"doxcnqM6KOigAUISSOuOso7VVmg"},{"type":"paragraph","children":[{"type":"text","text":"ps2021新增的平滑度濾鏡可以一鍵識(shí)別人物臉部,并進(jìn)行磨皮,還可以通過(guò)智能濾鏡進(jìn)行修改,效果與美顏相機(jī)類似。","id":""}],"text":"","id":"doxcnYAk8s2iES6uSaArclZ65Ng"},{"type":"image","attrs":{"height":753,"note":[{"type":"text","text":"人像磨皮","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1d3da714f3ee4d1796c03e522687224c","width":1092},"text":"","id":"doxcnoKoAkGS0qQeQ4Ah54hrkId"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"圖片上色技巧","id":""}],"text":"","id":"doxcniAKCuGii8qK8vHXZleNPm7"},{"type":"paragraph","children":[{"type":"text","text":"首先我們用ps打開圖片。","id":""}],"text":"","id":"doxcnaUouuiCqQAc0UxyRVH7Wef"},{"type":"image","attrs":{"height":550,"note":[{"type":"text","text":"圖片上色技巧","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b7c6583ebb77460f91afa35dcfe234c5","width":1200},"text":"","id":"doxcnQa0IuigSQUkKs2PHjmfIYH"},{"type":"paragraph","children":[{"type":"text","text":"然后新建一個(gè)","id":""},{"type":"text","marks":[{"type":"strong"}],"text":"圖","id":""},{"type":"text","text":"層。","id":""}],"text":"","id":"doxcnUgkaKsc2gqiko9PNa1Cclg"},{"type":"image","attrs":{"height":502,"note":[{"type":"text","text":"圖片上色技巧","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/8cf4b7ae364247e5bd144e8ef3e188f5","width":1100},"text":"","id":"doxcn0kwGouWeY2ww8X3qZekIBd"},{"type":"paragraph","children":[{"type":"text","text":"將圖層混合模式設(shè)置為顏色。","id":""}],"text":"","id":"doxcn0MsM0Q8A4MSCK6iCIwwDsh"},{"type":"image","attrs":{"height":433,"note":[{"type":"text","text":"圖片上色技巧","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/243c4bafa0114133850533e635781fed","width":670},"text":"","id":"doxcnuw0yGc4iyIKaEdMQKrjTPd"},{"type":"paragraph","children":[{"type":"text","text":"接著選擇畫筆前景色。","id":""}],"text":"","id":"doxcnoiE6ISsQyUOSEEtfNbN4Yf"},{"type":"image","attrs":{"height":548,"note":[{"type":"text","text":"圖片上色技巧","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/7ee989baaa2041ed8fac6547906ae43f","width":1200},"text":"","id":"doxcn684O2qgIW8cSusMinAkiQc"},{"type":"paragraph","children":[{"type":"text","text":"然后在圖層上使用畫筆上色即可。","id":""}],"text":"","id":"doxcnMSicoEMmoyAeycrBK4i8ed"}]%3C%2Fhowto_content%3E

    3. 人像攝影后期ps教程

    PS如何修拍花的照片?

    秋天到了,又到了拍花的季節(jié)。受制于光線、相機(jī)本身這些客觀因素的影響,可能拍出來(lái)的照片并不是非常符合自己內(nèi)心的要求。那么怎么去用ps做一些調(diào)整呢?

    一般有哪些要修改的地方

    一般來(lái)說(shuō),照片不滿意就是因?yàn)檎掌雌饋?lái)顏色并不通透。具體表現(xiàn)為:

    曝光不準(zhǔn)確:一種是因?yàn)榄h(huán)境光太暗導(dǎo)致的照片太暗,一種是因?yàn)槠毓膺^(guò)度導(dǎo)致的照片過(guò)亮,失去細(xì)節(jié)。

    飽和度不夠:因?yàn)楣饩€太暗,顏色飽和度不夠,看上去灰灰的。

    對(duì)比度不夠:光線不夠明亮導(dǎo)致的發(fā)灰。

    以下面這張照片來(lái)具體分享下怎么去解決這三個(gè)問(wèn)題。

    1、使用【曲線工具】來(lái)提亮,點(diǎn)擊ps中的曲線工具

    2、將曲線向上提,照片就可以變亮了

    3、相同的道理,將曲線向下拉就可以讓照片變暗(這張更適合變亮,具體根據(jù)你的照片情況來(lái)定)

    4、點(diǎn)擊【色相/飽和度】工具,提高照片飽和度

    5、將飽和度滑塊往右邊滑動(dòng)就可以增加飽和度了

    6、最后是增加對(duì)比度,增加對(duì)比度有兩個(gè)方法-【曲線工具】和【亮度/飽和度】工具

    打開【曲線工具】將曲線拉成s型可以增加對(duì)比度

    打開【亮度/對(duì)比度】工具將對(duì)比度滑塊往右滑也可以增加對(duì)比度

    對(duì)比圖

    以上,希望對(duì)您有幫助~

    @人像攝影精選 分享ps后期技術(shù) | 分享攝影教程 | 分享拍攝心得

    歡迎關(guān)注噢~

    4. ps人像修圖攝影后期

    就是專業(yè)的數(shù)碼后期修圖師。這個(gè)范圍比較廣。比如說(shuō)像婚紗攝影或者寫真攝影都需要后期修圖師。主要是按照客人的要求,對(duì)原始的照片進(jìn)行修飾。比如有些客人想把自己修得苗條點(diǎn)瘦一些,臉上的瑕疵把它修掉,這些都屬于很基本的修圖。如果是商業(yè)型的修圖要求應(yīng)該會(huì)更高。

    5. 人像攝影入門技巧

    一、更多讓人物呈現(xiàn)最佳狀態(tài)的技巧

    人物攝影要獲得專業(yè)效果比你想象中更難,原因很簡(jiǎn)單:專業(yè)攝影師雇傭令人賞心悅目的模特,而你也知道,模特之所以是模特,原因也只有一個(gè)——他們廢寢忘食。當(dāng)然,我是開玩笑。他們之所以成為模特是因?yàn)樗麄兎浅I乡R。所以,讓我們的工作更有難度的是:我們不是被迷人的模特環(huán)繞著。我們通常是為朋友,或者是為很多長(zhǎng)相介于憨豆先生和赫特人賈巴之間的人拍攝。這也是作為一名人物攝影師,其工作比經(jīng)驗(yàn)豐富的職業(yè)攝影師更有挑戰(zhàn)的原因——我要從非模特相的人身上獲得魔術(shù)般的效果。這也正是我們常常對(duì)我們的人物照片感到失望的原因(當(dāng)然是在不是我們的過(guò)錯(cuò)時(shí))。本章我們將會(huì)看到兩種經(jīng)過(guò)力證的方法,可以幫助我們每次都獲得更好、更專業(yè)的照片。

    (1)如何跟長(zhǎng)相更好的人交朋友(如果你很富有,這非常有幫助)。

    (2)學(xué)習(xí)控制燈光和控制被攝體的姿勢(shì)。關(guān)鍵是要使用戲劇化的燈光,我所說(shuō)的“戲劇化的燈光”其實(shí)是指沒(méi)有光。這些非模特出身的被攝體被打亮得越少,最終的照片效果越好。實(shí)際上,考慮剪影或者長(zhǎng)距離夜間拍攝,也就是距離被攝體100~200碼拍攝——在這個(gè)距離上任何人都看起來(lái)非常不錯(cuò)(這也是距離產(chǎn)生美的原因)。不管如何,本章將告訴大家拍攝人物的方法,并提供一個(gè)地點(diǎn)清單,在這些地方經(jīng)常有穿著比盧森堡的GNP還要貴的牛仔褲而且表情較好的人們游玩。

    二、不要留太多頭部空間

    當(dāng)一般人拍攝快照時(shí),他們總是在被攝體頭頂上方留有太多空間(如上圖所示)。這是大多數(shù)業(yè)余愛(ài)好者常犯的錯(cuò)誤,但幸運(yùn)的是非常容易修正。但千萬(wàn)不要這么做 ——不要留太多空間。如果你記得本書第一卷中的人物構(gòu)圖技巧(被攝體的眼睛在景框上方1/3的地方),那么你就可以避免這種“太多頭部空間”的問(wèn)題。

    三、人物方向

    大多數(shù)圖片都是水平方向拍攝(風(fēng)光攝影),這也創(chuàng)造了最完美的感覺(jué),因?yàn)橄鄼C(jī)就是以此種方式設(shè)計(jì)——水平支撐,這是快門按鍵在右上方的原因,正好手指可以自然地放在那里。

    但是,專業(yè)肖像攝影通常都是垂直方向拍攝(這也是被稱作“人物方向”的原因,但這個(gè)術(shù)語(yǔ)大多數(shù)時(shí)候都用在電腦打印圖片的情形——你會(huì)看見(jiàn)一個(gè)風(fēng)光片(橫向)或者肖像(縱向)的按鍵)。所以,如果你想獲得更專業(yè)的人物肖像,那么相機(jī)垂直放置,按照人物方向拍攝(當(dāng)然,像其他規(guī)則一樣總是有例外的,本章稍后會(huì)討論這些例外情形)。

    四、拍攝人物?一定要有電池手柄

    如果拍攝很多人物,那么你將花費(fèi)很多時(shí)間在相機(jī)上下翻轉(zhuǎn)上,很快就會(huì)對(duì)按下相機(jī)最上面的快門鍵感到疲憊不堪。

    此時(shí),你需要一個(gè)豎拍電池手柄。除了可以讓你使用兩塊電池,無(wú)需更換電池就可以拍攝更長(zhǎng)時(shí)間,另外一個(gè)好處就是大多數(shù)電池手柄都包含垂直方向快門鍵和設(shè)置光圈和快門速度的旋鈕,這樣豎拍就跟水平拍攝一樣手感舒適。除了這些好處,我所認(rèn)識(shí)的大多數(shù)攝影師都認(rèn)為這樣讓整個(gè)相機(jī)拿在手上更舒服、更牢固,甚至水平拍攝時(shí)也是如此(相機(jī)在手中的感覺(jué)非常重要)。更好的消息是這些電池手柄可以用于大多數(shù)單反相機(jī),相對(duì)于其優(yōu)點(diǎn),電池手柄比想象中要便宜(一般是700元人民幣以上)。

    五、偽規(guī)則——“肩膀上的太陽(yáng)”

    你可能已經(jīng)聽說(shuō)過(guò)“肩膀上的太陽(yáng)”規(guī)則,其大意是說(shuō)戶外拍攝人物時(shí),你應(yīng)該背對(duì)太陽(yáng)(在你的肩膀上面),這樣被攝體的臉部被照亮。這對(duì)于拍攝快照來(lái)說(shuō)是非常完美的規(guī)則,但是對(duì)于集體人物照來(lái)說(shuō)卻是最糟糕的(除了“高大人士站在后面”這樣的情形)。

    如果你想使戶外人像攝影具備專業(yè)品質(zhì),那么別讓太陽(yáng)直接照射在臉部(雖然一般人都是這樣操作),這樣會(huì)使每個(gè)人都斜瞇著眼睛,眼睛無(wú)法睜開,而且無(wú)法面對(duì)相機(jī)。更糟糕的是,他們的臉上有刺眼、直射、令人討厭的光。

    如果被攝體背對(duì)太陽(yáng)(不是你背對(duì)太陽(yáng)),這樣他們的周圍就有不錯(cuò)的邊緣光效果(勾出頭發(fā)輪廓),然后略微使用閃光燈(保持閃光燈的較低亮度),讓他們的臉部有足夠的光線,這樣他們就與周圍的自然光融為一體了。

    訂購(gòu)電池手柄時(shí)只需尋找一件東西:不是所有的電池手柄都有垂直快門鍵,所以一定要確認(rèn)你所訂購(gòu)的電池手柄具有這項(xiàng)功能。

    六、拉近廣角鏡頭

    這個(gè)概念是指現(xiàn)場(chǎng)用廣角鏡頭拍攝——由于一直備受推崇的規(guī)則——不要用廣角鏡頭拍攝,因?yàn)樗麄儠?huì)失真,看起來(lái)很奇怪,所以很多年我都未考慮過(guò)這個(gè)方法。

    但是世界上最頂級(jí)的攝影師,優(yōu)秀的Joe McNally 完全顛覆了這個(gè)神話,徹底改變了我拍攝環(huán)境肖像的方式——用廣角鏡頭拍攝,拉近鏡頭。當(dāng)用廣角鏡頭拍攝時(shí),你可以真正接近被攝體(你可以拉近),它們也不會(huì)失真,只是景框邊緣的景物看起來(lái)有點(diǎn)“寬”,但是景框邊緣的景物展示了拍攝環(huán)境。我一直都對(duì)此方法感到懷疑,直到Joe向我挑戰(zhàn),看看People雜志,大多數(shù)圖片都是拉近廣角鏡頭拍攝的。我感到非常震驚,不僅是People雜志,幾乎一切地方都是如此——從雜志到廣告牌,到打印廣告、網(wǎng)絡(luò)。專業(yè)攝影師拉近廣角鏡頭拍攝,你也可以!

    七、橫拍人物側(cè)面

    現(xiàn)在我們已經(jīng)學(xué)習(xí)了豎拍人物肖像的規(guī)則,讓我們打破這一規(guī)則(這是攝影規(guī)則里最有意思的事情——如果你學(xué)習(xí)了這些規(guī)則,就可能打破它們,非??岚?!不過(guò)如果意外打破規(guī)則,就很不明智了,因?yàn)檫@是由于了解得不夠)。不管怎樣,故意打破這個(gè)規(guī)則的地方是我們拍攝被攝體側(cè)面的時(shí)候。原因如下:因?yàn)楸粩z體面對(duì)景框的邊緣,如果豎拍被攝體,他們看起來(lái)就像將人物肖像被限制在一個(gè)框里,視覺(jué)上非常不舒服。所以,打破豎拍規(guī)則,橫拍人物側(cè)面,會(huì)讓被攝體有視覺(jué)呼吸空間,景框中的被攝體看起來(lái)更舒服。

    八、使用長(zhǎng)焦獲得更好的人物肖像

    你在電視上看過(guò)高端照片拍攝(可能是時(shí)裝拍攝或者名人拍攝),并注意到攝影師與被攝體的距離了嗎?這是因?yàn)樗麄兝昧烁L(zhǎng)焦距鏡頭(此種鏡頭非常適合人物肖像拍攝)提供的“鏡頭壓縮”。上面的照片完全告訴了我們整個(gè)秘訣——左圖是用50mm鏡頭拍攝,右圖是用70-200mm鏡頭拍攝,其焦距為 190mm。

    即使所有相機(jī)設(shè)置和燈光都一樣(它們拍攝只間隔幾秒鐘),她在右邊照片中的效果看起來(lái)更讓人喜歡。這也是你會(huì)看見(jiàn)很多專業(yè)攝影師以大范圍焦距拍攝人物肖像的原因。這也就是說(shuō),他們盡量用鏡頭的長(zhǎng)焦端拍攝。所以,如果他們用28-135mm鏡頭拍攝,那么在100mm-135mm的范圍拍攝會(huì)有最佳效果,人物肖像的效果此時(shí)最令人滿意。

    九、戶外人物肖像拍攝需要柔光罩的原因

    當(dāng)拍攝人物肖像,光線非常刺目、不理想時(shí),那么在更糟效果之間可以投幣決定:相機(jī)內(nèi)置彈起閃光燈或者直射光。

    幸運(yùn)的是,如同你在《數(shù)碼攝影手冊(cè)》中所學(xué)過(guò)的,如果戶外拍攝人物肖像,而且附近有一陰涼處,那么你可以在陰涼處拍攝。但如果我們是在沙灘或者沙漠,或者是其他附近沒(méi)有陰涼處的地方拍攝呢?那么你需要擁有下面這些設(shè)備其中之一——33英寸Lastolite TriGrip 1檔柔光罩(我在閃光燈部分也提到過(guò),分散外置閃光燈的刺目光,所以在這里它有雙重任務(wù))。請(qǐng)一個(gè)朋友手持柔光罩于太陽(yáng)和被攝體之間(如上圖所示),你立即就可以獲得柔和、漂亮的自然光。其售價(jià)大約是480元人民幣,離開工作室,你會(huì)對(duì)這種輕便的救生圈愛(ài)不釋手。

    十、為人物肖像選擇更好的背景

    人物肖像攝影獲得理想背景的關(guān)鍵就是“少即是多”。如果在環(huán)境中拍攝(比如某人的家里或者辦公室等),要想獲得專業(yè)效果,不是對(duì)背景精心改善——而是去除背景中的某些景物。你需要盡量少的背景分散主題因素,如果不可能,盡可能多地去除某些偏離主題因素,就像右邊這張照片中我所做的處理一樣。千萬(wàn)不要忽略它 ——為了創(chuàng)建真正理想的人物環(huán)境,它不能只是發(fā)揮作用的前景。整個(gè)照片都要作為一個(gè)整體處理,通過(guò)選擇(或者創(chuàng)建)簡(jiǎn)單、整潔的背景,勝利的可能性就直線上升。

    十一、有新意的構(gòu)圖技巧

    大多數(shù)你看見(jiàn)的照片不是橫拍,就是豎拍,所以拍攝角度應(yīng)該更有新意,對(duì),新意!現(xiàn)在,對(duì)于人物肖像攝影有一個(gè)非常流行的方法:轉(zhuǎn)換相機(jī)角度,這個(gè)角度會(huì)讓被攝體朝向某一角落。這個(gè)方法簡(jiǎn)單得不能再簡(jiǎn)單了——只要將相機(jī)稍稍向右或者向左旋轉(zhuǎn),然后拍攝。你可能需要多嘗試幾次,讓被攝體在你所想要的景框位置,但是這種效果(它已經(jīng)存在多年)將會(huì)更受歡迎。

    十一、裁剪他們的頭部上方

    這是人物肖像攝影中“千萬(wàn)不要讓被攝體的頭部留下太多空間”的下一步驟。在這種構(gòu)圖技巧中,你需要修剪掉被攝體的頭部最上方,讀到這里,你們肯定會(huì)覺(jué)得奇怪。被攝體的頭部填充滿景框是非常流行的專業(yè)技巧。

    像這樣緊湊的構(gòu)圖形成了非常引人注目的效果,如上圖所示,現(xiàn)在它引起了你的注意,你會(huì)發(fā)現(xiàn)這種構(gòu)圖技巧無(wú)處不在,已經(jīng)成為很多頂級(jí)時(shí)裝、美容和人物肖像攝影的主流方法。(注意:雖然裁剪被攝體頭部的最上方,或者手臂的邊緣、肩膀、頭發(fā)等的做法很好,但是你不應(yīng)該裁剪下巴。人們實(shí)際上習(xí)慣看見(jiàn)最上面被修剪,這樣會(huì)看起來(lái)自然,但看見(jiàn)下巴被裁剪的照片視覺(jué)上會(huì)很不舒服。)

    十二、戶外拍攝集體照更簡(jiǎn)單

    照亮一張集體照,而且每個(gè)人都有等量的光線無(wú)疑是種挑戰(zhàn),這也是拍攝集體時(shí),通常讓被攝體在戶外以獲得更好效果的原因。使用可用戶外燈光照亮整個(gè)被攝體會(huì)更簡(jiǎn)單,特別是被攝體在陰涼處(不是陰涼深處,只是陰涼處的邊緣,但是沒(méi)有光斑透過(guò)樹枝、窗戶或建筑物之間的間隙投射在被攝體身上)。如果你足夠幸運(yùn),在多云天氣拍攝集體照,那么你的工作非常簡(jiǎn)單——只是讓被攝體走出戶外,多云的天空就會(huì)替你料理好光線問(wèn)題,所以你可以把注意力放在他們?nèi)绾螖[姿勢(shì)上。(順便說(shuō)一句,要想獲得專業(yè)效果的集體照,攝影師絕不會(huì)說(shuō)“現(xiàn)在所有的高個(gè)子都站在最后一排?!保?/p>

    十三、集體照擺姿勢(shì)的技巧

    下一次拍攝集體照時(shí),千萬(wàn)不要讓所有人站成一排(你也知道這種效果看起來(lái)不好),試圖讓他們集結(jié)在某些景物周圍——某些被攝體自己就會(huì)很自然地安排好位置。比如說(shuō),試圖讓人在床上或者床周圍,或者椅子、柱子、汽車、桌子或者任何可以把他們集合成一個(gè)整體的物體上或者周圍擺姿勢(shì),這樣他們就不會(huì)站成一條直線。

    十四、生活集體照的技巧

    想拍攝更吸引人的生活集體照嗎?那么讓被攝體呈緊密的金字塔型(三角形),但是我說(shuō)的緊密是指他們都接觸到——手臂彼此相靠,頭部湊在一起,一個(gè)人在景框的最上方,各有一個(gè)人在金字塔底部的一側(cè)(如下圖所示),其他人都緊密地靠在中間。

    這樣,你會(huì)發(fā)現(xiàn)他們的身體并不是呈一條直線——他們的位置是交錯(cuò)的,但是他們?nèi)夹笨吭谝黄?,這樣讓照片看起來(lái)更有活力和趣味性。我沒(méi)有將這種方法嘗試于人數(shù)眾多的集體照,但如果你已經(jīng)獲得一張趣味橫生的生活集體照,這是對(duì)此種方法的最有力說(shuō)明。

    十五、千萬(wàn)不要均勻照亮整個(gè)被攝體

    人們看照片時(shí),他們首先是被照片中最明亮的景物吸引,所以你只希望最亮的光投射在你希望的位置,對(duì)吧?完全正確!所以,如果拍攝人物肖像,你希望人們關(guān)注被攝體的臉部或者疊錯(cuò)的手臂嗎?當(dāng)然如此。但是大多數(shù)人用相同的光線照亮整個(gè)人物,被攝體兩側(cè)的手部與其臉部的光線幾乎一樣。

    如果你想引導(dǎo)賞圖者的目光焦點(diǎn)落在你希望的位置,那么照亮被攝體,最明亮的光在被攝體臉部,然后逐漸沿著身體向下而變暗。這樣增加趣味、生動(dòng)性,你會(huì)發(fā)現(xiàn)視覺(jué)焦點(diǎn)通常在人物的高端。順便說(shuō)一句,這也是羽化光線的另一范例,這樣光線的邊緣就是被攝體的臉部,臉部以外的光線完美迅速地減暗(但是不要讓它變得太暗——它應(yīng)該仍然很亮,有細(xì)節(jié),只是沒(méi)有臉部亮)。

    十六、想要獲得更好的人物肖像?千萬(wàn)不要報(bào)數(shù)!

    如果你想人物的拍攝姿勢(shì)看起來(lái)不錯(cuò),然后在按下快門鍵之前數(shù)1、2、3。這幾乎保證了你的人物肖像照片不可能具有自然的表情。作為一名攝影師,發(fā)現(xiàn)人物自然的表情時(shí)刻,并及時(shí)捕捉這一瞬間是你的工作。任何人都可以站在那里,數(shù)1、2、3,然后在第四聲按下快門鍵,如果這樣做,你所拍攝的照片任何其他人也可以拍攝。如果你想有些特別的效果,更自然的表情——真誠(chéng)的微笑或者表情,那么摒棄1、2、3這種老套做法,而是與你的被攝體傾談。激發(fā)他們,讓他們開始談笑風(fēng)生,甚至是讓他們打發(fā)時(shí)間,然后時(shí)機(jī)成熟——捕捉這一瞬間。這樣他們的照片不僅僅是布光良好、姿勢(shì)自然,你會(huì)讓他們的圖片變得自然。

    窗戶光,特別是任何地方的北面窗戶光源是人物肖像最美的光之一(事實(shí)上,某些專業(yè)攝影師堅(jiān)持只使用自然窗戶光拍攝所有人物肖像)。窗戶分散了流入的光,窗戶越大,光線越柔和、分散。所以,如果你已經(jīng)獲得某些不錯(cuò)的窗戶光,那么被攝體應(yīng)該在哪里,光線才會(huì)最美呢?你希望被攝體及其肩膀面對(duì)窗戶(這樣光線就穿越過(guò)被攝體,臉部一側(cè)會(huì)有柔和的陰影)。

    然后,讓被攝體距離窗戶1.8米,這樣光線就非常柔和,而且縈繞在被攝體周圍(如果讓他們之間的距離更近,那么柔和的光線會(huì)變化很快)。而且,讓被攝體稍稍在窗戶后面,這樣他們就能接觸到窗戶光的邊緣,而不是直射太陽(yáng)光。這種邊緣光非常柔和,會(huì)讓你獲得很多專業(yè)攝影師夢(mèng)寐以求的完美的、魔幻般的光線。

    十七、處理面部挑戰(zhàn)的6個(gè)快捷方法

    通過(guò)擺姿勢(shì)和給被攝體打光,你可以隱藏或者減少很多典型的面部問(wèn)題(比如大鼻子,圓臉,皺紋,大耳朵等)。下面有6種快捷方法,幫助你讓被攝體面部表情看起來(lái)最佳。

    (1)如果被攝體是禿頂,那么從較低角度拍攝,千萬(wàn)不要使用頭發(fā)照明燈之類的東西。

    (2)如果被攝體皺紋叢生,那么嘗試直接照亮它們,因?yàn)閭?cè)光會(huì)強(qiáng)調(diào)陰影,讓皺紋更明顯。

    (3)如果被攝體的耳朵較大,那么讓他們擺姿勢(shì),這樣只顯示出一只耳朵,然后照亮它們,這樣一只耳朵就會(huì)出現(xiàn)在臉部的陰影側(cè)(所以基本上,只出現(xiàn)一只耳朵,而另一只隱藏在陰影中)。

    (4)如果被攝體長(zhǎng)著白人的大鼻子(這只是技術(shù)術(shù)語(yǔ)),那么讓他們轉(zhuǎn)過(guò)頭,直接對(duì)著相機(jī),讓他們的下巴略微抬高,然后從一個(gè)較低角度拍攝,這個(gè)角度不會(huì)強(qiáng)調(diào)鼻子。

    (5)如果被攝體有雙下巴,那么讓他們直接看著相機(jī),然后他們的頭部朝相機(jī)前方稍稍延伸。這樣就拉伸并緊固下巴的皮膚。而且,如果直接照亮他們(把燈直接放在拍攝者所在地點(diǎn)的上方),這樣在下巴下面增加了陰影,隱藏了雙下巴。

    (6)如果被攝體是圓臉或者臉部較胖,你可以嘲笑他們,讓他們減掉幾磅。然后當(dāng)他們的眼中飽含淚水時(shí),你就會(huì)有他們一天中最自然的表情。當(dāng)然你也可以讓他們的臉朝左或者朝右,只拍攝臉部的3/4,這樣他們的臉看起來(lái)不會(huì)那么圓,盡管事實(shí)上當(dāng)然是很圓的。

    6. Photoshop人像攝影后期處理技法100問(wèn)

    攝影后期有兩大神器。

    一個(gè)是Lightroom,一個(gè)是Camera raw

    兩者都可以對(duì)相片進(jìn)行顏色修繕,畫面裁剪,污點(diǎn)修復(fù),鏡頭校正,等等操作,基本上可以修復(fù)拍攝后樣片大部分需要修飾的顏色,曝光等等修飾需求。

    之后還可以用Photoshop 對(duì)相片進(jìn)一步的人物調(diào)整,字體添加,效果修飾和畫面處理。

     
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