1. 佳能6D怎么連接無線麥克風(fēng)

 佳能6dwifi如何連接手機(jī)，佳能6dwifi連接手機(jī)的方法：

1、下載安裝上EOS Remote 

2、啟用相機(jī)的WIFI功能，點(diǎn)擊WIFI功能連接至手機(jī)。

3、選擇連接方法【基礎(chǔ)結(jié)構(gòu)模式】，無線網(wǎng)選擇【尋找網(wǎng)絡(luò)】。

4、在相機(jī)搜索的無線網(wǎng)絡(luò)中找到和手機(jī)WIFI相同的網(wǎng)絡(luò)，點(diǎn)擊確定。

5、輸入WIFI密碼。

 6、相機(jī)顯示在手機(jī)上啟動(dòng)EOS應(yīng)用程序。

7，這時(shí)手機(jī)上的應(yīng)用會(huì)檢測出相機(jī)，點(diǎn)擊配對(duì)。

8，相機(jī)收到相同的配對(duì)信息，點(diǎn)擊確定。

9，相機(jī)和手機(jī)就連接成功了。

 10、在手機(jī)上，可以看到與相機(jī)建立了連接，可以選擇【圖片查看】和【遙控拍攝】。

點(diǎn)擊【遙控拍攝】。在手機(jī)上可以實(shí)事預(yù)覽到相機(jī)畫面進(jìn)行調(diào)整拍攝。

2. 佳能6d怎么連接無線遙控器

佳能相機(jī)打開藍(lán)牙連接手機(jī)步驟如下:

1在相機(jī)設(shè)置中查找并打開無線通信設(shè)置,

2.然后進(jìn)入“WiFi設(shè)置”進(jìn)行網(wǎng)絡(luò)設(shè)置,

3.將WiFi的選項(xiàng)調(diào)整為啟用以查找要連接的網(wǎng)絡(luò),

4.選擇連接到智能手機(jī)的選項(xiàng),

5、進(jìn)入WiFi連接，機(jī)器將顯示用戶名和密碼，

6、手機(jī)的WIFI連接中就會(huì)出現(xiàn)相機(jī)回的SSID，

7、輸入要連接的密碼，然后需要下載一個(gè)名為“Canon Connect”的應(yīng)用程序，就可以在相機(jī)和手機(jī)之間傳輸照片了。

3. 佳能6d怎么外接麥克風(fēng)

插孔按照視頻、攝影、傳輸三部分劃分，上方的“視頻位置”包括耳機(jī)插孔與麥克風(fēng)插孔，這也是為了方便視頻拍攝時(shí)的錄音、監(jiān)聽，開啟保護(hù)蓋后僅有這兩個(gè)插孔，可有效防止錄制視頻時(shí)灰塵進(jìn)入其他插孔，耳機(jī)插孔也是第一次出現(xiàn)在佳能兩位數(shù)機(jī)身上，也說明了佳能對(duì)該機(jī)型視頻能力的重視；下方的“攝影位置”快門線插孔單獨(dú)設(shè)計(jì)，設(shè)計(jì)思路與“視頻位置”相同。

4. 佳能6d外接麥克風(fēng)設(shè)置

佳能750D\760D相機(jī)可以連接ipad。

佳能750D\760D都配備了WIFI功能,所以可以在APP STORE下載 EOS Remote這個(gè)專用軟件,然后用WIFI連接iPad和相機(jī),就可以把相機(jī)中的照片傳送到iPad上了。具體操作步驟：

1、打開佳能相機(jī)，進(jìn)入設(shè)置，開啟WiFi。

2、進(jìn)入功能設(shè)置，選擇遙控EOS Utility。

3、尋找網(wǎng)絡(luò)，ipad和佳能6D相機(jī)連接同一個(gè)WiFi（秘鑰8-63；IP自動(dòng)）。

4、配對(duì)設(shè)備，ipad端打開EOS Utility軟件，點(diǎn)擊確定。

5、EOS Utility軟件檢測到佳能相機(jī)，單擊連接，匹配到之后點(diǎn)擊確定。

6、選擇遙控拍攝，彈出相機(jī)主窗口，選擇“控制相機(jī)”，這樣就完成了。

5. 佳能6d2相機(jī)麥克風(fēng)插哪

佳能6d2外接麥克風(fēng)顯示off 單反相機(jī)外接麥克風(fēng)顯示off,代表關(guān)機(jī),一般off是關(guān)機(jī)鍵。ON 是開 ,OFF是關(guān) 。 目測需要手動(dòng)打開,另外接觸不良,麥克風(fēng)沒開也會(huì)這樣。如果接口是熱靴,麥克風(fēng)本身還需要自己供電

6. 佳能6d如何與手機(jī)無線連接

佳能單反6D沒有藍(lán)牙功能，它有WIFI功能可以和手機(jī)進(jìn)行互聯(lián)的。

7. 佳能6d2怎么連接外置麥克風(fēng)

編曲指的是一首歌的伴奏部分，就是去掉歌手唱的部分，編曲的核心在于用不同樂器進(jìn)行編配。它既不是古典音樂體系中配器法在流行音樂領(lǐng)域中簡單的復(fù)制與模仿，也不是狹隘的電聲樂隊(duì)配器，而是通過對(duì)現(xiàn)代流行音樂配器的分析與總結(jié)。

基礎(chǔ)樂理

“樂理”是所有音樂課程學(xué)習(xí)的基礎(chǔ)內(nèi)容其中包括“音階、樂音體系、調(diào)式、音程”等一系列具有催眠效果的知識(shí)點(diǎn)。作為零基礎(chǔ)初學(xué)者想要學(xué)好編曲所需要的樂理知識(shí)就要從熟記音名和唱名開始到基礎(chǔ)的音程(兩個(gè)音)構(gòu)建再到和弦(三個(gè)音及以上)構(gòu)建。流行歌中常用到的就會(huì)是七和弦、九和弦、十一和弦等高疊和弦學(xué)習(xí)了樂理入門寫作實(shí)戰(zhàn)時(shí)會(huì)更加輕松一些。

下文講解搭配視頻可以更好的學(xué)習(xí)樂理知識(shí)《【基礎(chǔ)樂理入門（共38集）-嗶哩嗶哩】 https://b23.tv/MJz2HsM》

音符

音符由三個(gè)部分組成，即符頭、符干和符尾。

音符的種類有：

1、全音符：沒有符干和符尾的空心的白色音符叫“全音符”；

2、二分音符：帶有符干、沒有符尾的白色音符叫“二分音符”，等于全音符1/2的時(shí)值；

3、四分音符：帶有符干、沒有符尾的黑色音符叫“四分音符”，等于全音符1/4的時(shí)值；

4、八分音符：帶有符干和1條符尾的黑色音符叫“八分音符”，等于全音符1/8的時(shí)值；

5、十六分音符：帶有符干和2條符尾的黑色音符叫“十六分音符”，等于全音符1/16的時(shí)值；

6、三十二分音符：帶有符干和3條符尾的黑色音符叫“三十二分音符”，等于全音符1/32的時(shí)值；

7、六十四分音符：帶有符干4條符尾的黑色音符叫“六十四分音符”，等于全音符1/64的時(shí)值。

調(diào)號(hào)

調(diào)號(hào)就是在五線譜上，譜行開頭的譜號(hào)后面標(biāo)注的變音記號(hào)。這個(gè)變音記號(hào)對(duì)樂譜中所有同名音都有效，也就是說，調(diào)號(hào)中的升降號(hào)標(biāo)在哪個(gè)音的位置，則樂譜中遇見所有這個(gè)音以及它們的同名音（八度的倍音）都要按譜號(hào)中的升降號(hào)升高或降低半音。

升號(hào)調(diào)：C G D A E B #F #C（bD）

降號(hào)調(diào)：F bB bE bA bD bG bC（B）

原理：先看這個(gè)五度圈圖

調(diào)號(hào)上面使用升號(hào)（#）的稱作「升號(hào)調(diào)」；

調(diào)號(hào)上面使用降號(hào)（b）的稱作「降號(hào)調(diào)」；

一個(gè)自然音階里有七個(gè)音，所以升降號(hào)最多能加七個(gè)。

「升號(hào)調(diào)」：

1、比C調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是G調(diào)（G，A，B，C，D，E，F(xiàn)#），所以G調(diào)調(diào)號(hào)有1個(gè)升號(hào)；

2、比G調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是D調(diào)（D，E，F(xiàn)#，G，A，B，C#），所以D調(diào)調(diào)號(hào)有2個(gè)升號(hào)；

3、比D調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是A調(diào)（A，B，C#，D，E，F(xiàn)#，G#），所以A調(diào)調(diào)號(hào)有3個(gè)升號(hào)；

4、比A調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是E調(diào)（E，F(xiàn)#，G#，A，B，C#，D#），所以E調(diào)調(diào)號(hào)有4個(gè)升號(hào)；

5、比E調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是B調(diào)（B，C#，D#，E，F(xiàn)#，G#，A#），所以B調(diào)調(diào)號(hào)有5個(gè)升號(hào)；

6、比B調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是F#調(diào)（F#，G#，A#，B，C#，D#，E#），所以F#調(diào)調(diào)號(hào)有6個(gè)升號(hào)；

7、比F#調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是C#調(diào)（C#，D#，E#，F(xiàn)#，G#，A#，B#），所以C#調(diào)調(diào)號(hào)有7個(gè)升號(hào)；（極不常用）

對(duì)此總結(jié)上述規(guī)律，隨著升號(hào)增加：

C→G→D→A→E→B→F#→C#

恰好相鄰的兩個(gè)音之間構(gòu)成的是純五度關(guān)系。而且隨著升號(hào)的增加，先后被升高的音分別是：

F，C，G，D，A，E，B

相鄰的兩個(gè)音之間也是純五度關(guān)系，升號(hào)調(diào)調(diào)號(hào)上寫升號(hào)的順序也是這個(gè)順序。

「降號(hào)調(diào)」：

1、比C調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是F調(diào)（F，G，A，Bb，C，D，E），所以F調(diào)調(diào)號(hào)有1個(gè)降號(hào)；

2、比F調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Bb調(diào)（Bb，C，D，Eb，F(xiàn)，G，A），所以Bb調(diào)調(diào)號(hào)有2個(gè)降號(hào)；

3、比Bb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Eb調(diào)（Eb，F(xiàn)，G，Ab，Bb，C，D），所以Eb調(diào)調(diào)號(hào)有3個(gè)降號(hào)；

4、比Eb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Ab調(diào)（Ab，Bb，C，Db，Eb，F(xiàn)，G），所以Ab調(diào)調(diào)號(hào)有4個(gè)降號(hào)；

5、比Ab調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Db調(diào)（Db，Eb，F(xiàn)，Gb，Ab，Bb，C），所以Db調(diào)調(diào)號(hào)有5個(gè)降號(hào)；

6、比Db調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Gb調(diào)（Gb，Ab，Bb，Cb，Db，Eb，F(xiàn)），所以Gb調(diào)調(diào)號(hào)有6個(gè)降號(hào)；

7、比Gb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Cb調(diào)（Cb，Db，Eb，F(xiàn)b，Gb，Ab，Bb），所以Cb調(diào)調(diào)號(hào)有7個(gè)降號(hào)；（極不常用）。

對(duì)此總結(jié)上述規(guī)律，隨著降號(hào)增加：

C→F→Bb→Eb→Ab→Db→Gb→Cb

恰好相鄰的兩個(gè)音之間構(gòu)成的是純四度（純五度的轉(zhuǎn)位）關(guān)系。而且隨著降號(hào)的增加，先后被降低的音分別是：

B，E，A，D，G，C，F(xiàn)

相鄰的兩個(gè)音之間也是純五度關(guān)系，降號(hào)調(diào)調(diào)號(hào)上寫降號(hào)的順序也是這個(gè)順序。

在實(shí)際使用時(shí)，由于十二平均率里的等音關(guān)系，為了避免升降號(hào)過多影響讀譜，通常：

B調(diào)代替Cb調(diào)，Db調(diào)代替C#調(diào)。

全音和半音

音名和唱名

節(jié)拍

小節(jié)：小節(jié)與小節(jié)之間，以縱線為界。

節(jié)拍：每隔一定時(shí)間重復(fù)出現(xiàn)的有一定強(qiáng)弱分別的一系列拍。

拍號(hào)：分?jǐn)?shù)表示，分母表示以什么音符為一拍，分子表示一小節(jié)有幾拍。

例：4/4拍，以四分音符為拍，每小節(jié)有四拍。

歌曲速度

以每分鐘節(jié)拍數(shù)計(jì)數(shù)，單位BPM。

例：6OBPM＝每分鐘60拍。

簡譜常用標(biāo)記

升降標(biāo)記

升降調(diào)是用來調(diào)節(jié)旋律的曲調(diào)高低，播放器里的移調(diào)，是以小二度為單位，也就是半音，依次進(jìn)行升降調(diào)。如果要以大調(diào)式為例，E調(diào)的調(diào)號(hào)是4個(gè)升號(hào)，F(xiàn)調(diào)的調(diào)號(hào)是1個(gè)降號(hào)，E調(diào)與F調(diào)的根音的確差半音，那它們的調(diào)號(hào)就相差5個(gè)記號(hào)。G調(diào)調(diào)號(hào)是1個(gè)升號(hào)，根音與F調(diào)差2個(gè)半音，調(diào)號(hào)就差2個(gè)記號(hào)。 一般在樂譜上，移調(diào)是以記號(hào)而不是半音數(shù)為單位的，根音上/下行5度，就增加一個(gè)升/降記號(hào)。

唱名法

唱名法，有固定唱名法和首調(diào)唱名法。

1、固定調(diào)唱名法／C調(diào)唱名法

以絕對(duì)音高為基礎(chǔ)，任何調(diào)下永遠(yuǎn)不變。

即1234567=CDEFGAB，音名唱名任何調(diào)下不變。固定調(diào)對(duì)于需要根據(jù)五線譜視奏的樂器更方便，如提琴。

2、首調(diào)唱名法

以相對(duì)音高為基礎(chǔ)，不同調(diào)下的唱名對(duì)應(yīng)音名變化。先確定主音，再按照調(diào)式／音階排列規(guī)律得到具體音名。

如：G大調(diào)，以G為主音，按照大調(diào)調(diào)式1234567排列，得到GABCDEF#

唱名，以什么調(diào)為主音的，就以主音為do。

如：C調(diào)，1=C；A調(diào)，1=A

首調(diào)更注重主音，以及其他音級(jí)和主音的關(guān)系。

首調(diào)在即興伴奏，流行／爵士即興等情況下更方便。自然大調(diào)的唱名1、2、3、4、5、6、7。

自然小調(diào)的唱名1、2、b3、45、b6、b7，為方便使用，自然小調(diào)以6為主音的唱名6、7、1、2、3、4、5。

3、調(diào)式

以一個(gè)音為主，按照一定規(guī)律排列構(gòu)成的音階，就是調(diào)式。為為主的音，叫做主音。

調(diào)式中各音之間的關(guān)系，就是穩(wěn)定與不穩(wěn)定。

在三個(gè)穩(wěn)定音中，其穩(wěn)定程度也是不同的，其中最穩(wěn)定的音，就叫做主音。

根音

音程中的較低音叫做“根音”(root)，位于原位和弦最下面，根音上的三度音稱為三音，根音上的五度音稱為五音。任何音階中的任意音級(jí)均可作為根音，于其上方加入三音與五音而構(gòu)成三和弦，每個(gè)和弦視其根音在音階上的名稱或音級(jí)數(shù)而命名。在和弦的基本形態(tài)中是最下端的一音。

根音的具體規(guī)則：

規(guī)則一

根音必須是和弦基本形態(tài)中最下方的音；

規(guī)則二

英文字就是根音，例如：C的根音是C，Cm的根音也是C，C7的根音一樣是C。同理：Em根音就是E，G根音就是G，D7根音就是D；

規(guī)則三

俗稱的“分?jǐn)?shù)和弦”，“分子”是根音，“分母”是最低音，C/G則是C為根音G為最低音，C/E是C為根音最低音是E。同理，G/B就是G為根音B為最低音。

音程

音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱叫做度。

音程由屬性、數(shù)字、單位組成，例如純五度、大三度。

如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。

音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱叫做度。

音程由屬性、數(shù)字、單位組成，例如純五度、大三度。

如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。

屬性總共包含7種：純、大、小、增、減、倍增、倍減。純，只能在一四五八度出現(xiàn)；大/小只能在二三六七度出現(xiàn)，其他的屬性共用。

屬性：純、大、小、增、減、倍增、倍減一、四、五、八度：純（增、減、倍增、倍減）二、三、六、七度：大小（增、減、倍增、倍減）

八個(gè)標(biāo)準(zhǔn)音程

標(biāo)準(zhǔn)音程包含的白鍵和黑鍵總和是固定的，1到1是純一度，有一個(gè)鍵；1到2是大二度，有3個(gè)鍵；1到3是大三度，有5個(gè)鍵。

節(jié)奏

音樂節(jié)奏有：切分、三連音。

三連音

三連音，即是三等分1拍、2拍或4拍，每個(gè)音唱（奏）1/3拍、2/3拍或4/3拍。也可以理解成三個(gè)音唱（奏）兩個(gè)音的長度，如4/4拍中三個(gè)四分音符組成的三連音唱（奏）兩個(gè)四分音符的長度即兩拍。

這是一種典型的節(jié)奏變化，樂曲進(jìn)行時(shí)，突然的三連音將給人節(jié)奏“錯(cuò)位”、不穩(wěn)定的感覺。樂譜表示為連音線中間有個(gè)“3”的標(biāo)記。

大切分

切分節(jié)奏是旋律在進(jìn)行當(dāng)中，由于音樂的需要，改變常規(guī)的節(jié)奏規(guī)律，音符的強(qiáng)拍和弱拍發(fā)生了變化和強(qiáng)調(diào)，而出現(xiàn)的節(jié)奏變化。

三個(gè)音符A、B、C，他們的排序是ABC，這時(shí)，A+C=B，AC被B所切分。這只是眾多切分形式中的一種特殊形式。還可以1個(gè)音符被多個(gè)音符所切分，如：1/8、1/4、1/4、1/8；1/2、1、1、1、1/2等。

擴(kuò)展資料：

節(jié)奏與節(jié)拍在音樂中，永遠(yuǎn)是同時(shí)并存的，并以音的長短、強(qiáng)弱及其相互關(guān)系的固定性和準(zhǔn)確性來組織音樂。節(jié)拍就好像列隊(duì)行進(jìn)中整齊的步伐；節(jié)奏就好像千變?nèi)f化的鼓點(diǎn)。

用強(qiáng)弱組織起來的音的長短關(guān)系，就叫做“節(jié)奏”。

有強(qiáng)有弱的相同的時(shí)間片段，按照一定的次序循環(huán)重復(fù)，就叫做“節(jié)拍”。

和聲

靜態(tài)和動(dòng)態(tài)

和聲樂器的織體表現(xiàn)形態(tài)分為兩種：靜態(tài)和動(dòng)態(tài)。

靜態(tài)，也稱和聲形態(tài)，樂器主要是以持續(xù)性的和弦長音演奏，很多歌曲中用到的pad鋪底、弦樂等就是這種形態(tài)，可以根據(jù)實(shí)際情況選擇演奏單音、音程或是和弦，這主要取決于對(duì)織體厚度的要求（當(dāng)然總的原則是上秘下疏中不空）。和聲樂器主要用于融合各種音色，增加氛圍感和立體空間感。

動(dòng)態(tài)，也稱節(jié)奏形態(tài)，樂器主要是以柱式、分解等變化較快的演奏方式填充織體的內(nèi)聲部層，使音樂獲得前進(jìn)的推動(dòng)力，節(jié)奏型的適當(dāng)變化可以使音樂增加活力和感染力，更好地表達(dá)情緒的變化。

Bass

Bass的寫作力求得到的是一個(gè)清晰流暢、旋律感強(qiáng)的BASS聲部。

從和聲上講，注意好音程關(guān)系，而作為低音樂器，跳進(jìn)往往比級(jí)進(jìn)更能得到清晰明朗的效果，若使用級(jí)進(jìn)，則連續(xù)下行效果會(huì)比較好。

從織體上講，應(yīng)處理好Bass和底鼓的關(guān)系，盡量避免低頻碰撞。

從音色上講，注意搭配底鼓和Bass的音色就行。

從音區(qū)上講，低音下潛越深越好，但也要注意Bass的音域，保持音色的清晰度。

在和弦音的重復(fù)中，低音重復(fù)也是要注意的，如果和聲樂器的低音音區(qū)與Bass演奏音區(qū)相接近，這時(shí)，兩者的低音最好相同（其他低音樂器也是一樣），這樣可以加強(qiáng)低音聲部，反之容易混淆，織體表達(dá)不清晰。

和聲樂器處理

和聲樂器的一些處理，當(dāng)內(nèi)聲部中填充有多個(gè)樂器且比較接近時(shí)，那么可以使用以下一些技巧達(dá)到更好的效果。

首先，可以采用不同的排列法（密集和開放排列）相互補(bǔ)充，一來得到了更飽滿的音響效果，二來避免和弦音完全重復(fù)抹殺了特定樂器的音色。其次，可以通過調(diào)節(jié)聲像方位來分散平衡內(nèi)聲部的堆砌感。再次，可以適當(dāng)處理音色，從而避免同音區(qū)音響上的堆砌。

聲音的色彩

再來說說關(guān)于聲音的“色彩”。其實(shí)聲音也可以分成冷和暖的。高頻尖銳的聲音（如鋼琴）就是偏向冷色調(diào)的，而低頻樂器的聲音就比較溫暖。音色冷暖的合理搭配也是織體編寫中需要適當(dāng)斟酌的。

當(dāng)幾個(gè)音共同發(fā)出音響并且形成了連續(xù)的進(jìn)行這時(shí)它們就構(gòu)成了和聲的關(guān)系。相比橫向的旋律走向和聲講究的是音的縱向分布與排列。它對(duì)于音樂作品的發(fā)展對(duì)于加深和豐富音樂作品的表現(xiàn)力具有非常重要意義。流行歌寫作中最常用到的幾種經(jīng)典和聲走向舉例如下：

第一種：C–Am–F–G(“爛大街走向”：1645)；

第二種：F–G–Em–Am–Dm–G–C(經(jīng)典副歌走向：4536251)；

第三種：C–G/B–Am–G–F–C/E–Dm–G(經(jīng)典卡農(nóng)走向：17654325)。

綜上所述建議零基礎(chǔ)初學(xué)者建議掌握和弦的基本用法和聲掌握經(jīng)典走向后嘗試用高級(jí)和弦來替代基礎(chǔ)和弦。

和聲方面推薦的學(xué)習(xí)資料有《流行音樂與爵士樂和聲學(xué)（第2版）》（任達(dá)敏），《爵士和聲》（陳云強(qiáng)）。

和弦

和弦是指有一定音程關(guān)系的一組聲音，即將三個(gè)或以上的音，按照三度或非三度的疊置關(guān)系，在縱向上加以結(jié)合，就稱為和弦。

和弦屬性

根據(jù)和弦屬性，三和弦有：大三和弦、小三和弦、增三和弦、減三和弦。

大三和弦：

根音到三音是大三度，三音到五音是小三度。

有：一級(jí)和弦、四級(jí)和弦、五級(jí)和弦(1、4、5)

小三和弦：

根音到三音是小三度，三音到五音是大三度。

有：二級(jí)和弦、三級(jí)和弦、六級(jí)和弦(2、3、6)

減三和弦：

根音到三音是小三度，三音到五音是小三度。

只有：七級(jí)和弦。

和弦標(biāo)記方式

大三和弦：Major，標(biāo)記方法可省略，如：C和弦

小三和弦：Minor，標(biāo)記方法可簡寫m，如：Am和弦

減三和弦：Diminish，標(biāo)記方法可簡寫dim，如：Bdim和弦

普通和弦

三和弦

由三個(gè)音按照三度關(guān)系疊置起來的和弦，叫做三和弦。三和弦各音由下而上稱為根音、三音、五音，分別以1、3、5標(biāo)記。

七和弦

由四個(gè)音按照三度關(guān)系疊置起來的和弦，叫做七和弦。七和弦各音由下而上稱為根音、三音、五音、七音，分別以1、3、5、7標(biāo)記。

常用和弦

（1）卡農(nóng)進(jìn)行

鋼琴曲《卡農(nóng)》中使用的和弦進(jìn)行

1—V—Vlm—Illm—IV—I—IV—V；15634145

l—V—Vlm—Illm—IV—I—Ilm—V;15634125

情感/色彩：抒情、敘事感

曲式

常見的曲式結(jié)構(gòu)如下：

1、單一部曲式：這種曲式結(jié)構(gòu)最簡單，它一般由幾個(gè)樂句構(gòu)成，沒有明顯的重復(fù)段落，沒有第二主題，也沒有副歌。

2、單二部曲式：由兩個(gè)樂段構(gòu)成的曲式，叫做單二部曲式，結(jié)構(gòu)為A+B。

3、單三部曲式：由三個(gè)樂段構(gòu)成，其中第一段和第三段是一樣的材料，結(jié)構(gòu)為A+B+A。

4、復(fù)三部曲式：這種曲式的大結(jié)構(gòu)與單三部曲式完全一樣，只是在這里的三個(gè)段落中，每個(gè)段落還包含一個(gè)獨(dú)立的曲式結(jié)構(gòu)，可能為單二部曲式，可能為單三部曲式。

5、回旋曲式：這種曲式由兩種部分構(gòu)成，為主部與副部。回旋曲式的產(chǎn)生源于聲樂性的輪舞曲，在輪舞曲中有分節(jié)歌與副歌，分節(jié)歌通常是獨(dú)唱，副歌是合唱，每次獨(dú)唱完成后都會(huì)回到合唱，每次的合唱部分都是相同的。

6、變奏曲式：變奏曲一開始會(huì)有一個(gè)完整的主題段落，在后面的段落中，都是這個(gè)主題的發(fā)展變化。

編曲設(shè)備

宿主選擇

我們在挑選電腦之前，首先得挑選一下我們想要在哪個(gè)平臺(tái)進(jìn)行編曲工作，常見的就是win平臺(tái)與Mac平臺(tái)。隨后就要選擇自己主要會(huì)用到的宿主。

編曲軟件很多，但實(shí)際上，不同的軟件有著不同的特點(diǎn)，而不同音樂編曲軟件的選用，和大家的作品風(fēng)格、使用習(xí)慣等息息相關(guān)。了解不同軟件的特點(diǎn)，了解它們最適合的音樂風(fēng)格，了解它們的長處與缺點(diǎn)，可以幫助大家更快更順暢地踏上音樂編曲的道路。

目前網(wǎng)絡(luò)上有很多宿主軟件教學(xué)同樣我們需要學(xué)習(xí)的是共性而不是逐個(gè)軟件學(xué)習(xí)過去。先嘗試精通其中一款經(jīng)典軟件后從個(gè)性中總結(jié)出共性再嘗試其他軟件因此這一款軟件的選擇就顯得十分重要。為大家推薦幾款常用的宿主軟件。

Cubase

作為新手這款軟件最容易上手。配合這個(gè)視頻和我在下文整理的筆記可更有效地學(xué)習(xí)。《【B站最全最詳細(xì)的Cubase教程（117集），從零到精通！編曲混音、錄音修音、音頻后期、音樂制作必備！-嗶哩嗶哩】 https://b23.tv/tN1lPPc》

Cubase（酷貝斯）具有MIDI音序、音頻編輯處理、多軌錄音縮混、視頻配樂、環(huán)繞聲處理等功能。Cubase的強(qiáng)大，在于它的一切參數(shù)都需要自己控制，它常常是工業(yè)化制作的必備軟件，但也正因?yàn)槿绱?，Cubase這款軟件擁有編曲、錄音、混音三體合一的強(qiáng)大功能。Cubase在輸出時(shí)不對(duì)聲音著色，這也是Cubase受到各方面音樂人歡迎的原因之一。

Cubase官網(wǎng)：點(diǎn)擊進(jìn)入

https://www.steinberg-cn.com/

快捷鍵

功能鍵

1、F2功能鍵：顯示／隱藏走帶控制條

2、F3功能鍵：打開／關(guān)閉Mixer（調(diào)音臺(tái)）窗

3、F4功能鍵：打開／關(guān)閉音頻輸出窗口

4、F9/F10功能鍵：鼠標(biāo)工具選擇

單指鍵

1、Q鍵：量化MIDI音符

2、I鍵：打開／關(guān)閉插入錄音模式

3、0鍵：打開／關(guān)閉穿出錄音模式

4、S鍵：使當(dāng)前選中音軌獨(dú)奏

5、F鍵：打開／關(guān)閉自動(dòng)光標(biāo)跟隨模式

6、G鍵：橫向縮小窗口顯示比例

7、H鍵：橫向放大窗口顯示比例

8、J鍵：打開／關(guān)閉對(duì)齊模式

9、Z鍵：縱向放大窗口顯示比例

10、C鍵：打開／關(guān)閉節(jié)拍器

11、B鍵：使播放指針移動(dòng)到前一個(gè)小節(jié)

12、N鍵：使播放指針移動(dòng)到下一個(gè)小節(jié)

13、M鍵：使當(dāng)前選中音軌靜音

Ctrl鍵

1、Ctrl+N鍵：新建文件

2、Ctrl+0鍵：打開文件

3、Ctrl+W鍵：關(guān)閉文件

4、Ctrl+S鍵：保存文件

5、Ctrl+Z鍵：撤銷

6、Ctrl+X鍵：剪切

7、Ctrl+C鍵：復(fù)制

8、Ctrl+V鍵：粘貼

9、Ctrl+D鍵：加倍

10、Ctrl+G鍵：編組

11、Ctrl+U鍵：取消編組

12、Ctrl+P鍵：打開素材池

13、Ctrl+M鍵：打開標(biāo)記設(shè)置

14、Ctrl+T鍵：打開速度軌

Shift鍵

1、Shift+T鍵：改變速度

2、Shift+S鍵：打開工程設(shè)置

3、Shift+F鍵：橫向縮小窗口顯示比例至最小

4、Shift+B鍵：播放指針移動(dòng)到前一個(gè)標(biāo)記點(diǎn)

5、Shift+N鍵：播放指針移動(dòng)到下一個(gè)標(biāo)記點(diǎn)

小鍵盤鍵

1、數(shù)字0鍵：停止

2、小數(shù)點(diǎn)鍵：播放指針回零點(diǎn)

3、數(shù)字1鍵：左定位指針

4、數(shù)字2鍵：右定位指針

5、數(shù)字3鍵﹣9鍵：分別控制3--9定位標(biāo)記

6、加號(hào)鍵：快進(jìn)

7、減號(hào)鍵：快退

8、乘號(hào)鍵：錄音開始／停止

9、除號(hào)鍵：循環(huán)開關(guān)

縮放鍵

1、Ctrl＋鼠標(biāo)滾輪：橫向縮放

2、Shift＋鼠標(biāo)滾輪：縱向縮放

3、Shift+F：縮放到合理范圍

4、G：橫向縮小

5、H：橫向放大

6、Shift+G：縱向縮小

7、Shift+H：縱向放大

多步驟鍵

1、選擇一個(gè)軌道，按住Shift再選擇另一個(gè)軌道，便能一并選擇兩者之間的所有軌道。

2、AIt按住不放，鼠標(biāo)拖動(dòng)選擇的事件，將復(fù)制出新的內(nèi)容

快捷鍵自定義設(shè)置：菜單欄——編輯——快捷鍵

音符時(shí)值

1、在Cubase如何表示時(shí)值

FL Studio

FL Studio，國人習(xí)慣叫它“水果”。

FL Studio提供了音符編輯器，編輯器可以針對(duì)作曲者的要求編輯出不同音律的節(jié)奏，例如鼓，镲，鑼，鋼琴，笛，大提琴，箏，揚(yáng)琴等等任何樂器的節(jié)奏律動(dòng)。其次提供了音效編輯器，方便快捷的音源輸入。

對(duì)于在音樂中所涉及的特殊樂器聲音，只要通過簡單外部錄音后便可在FL Studio中方便調(diào)用，音源的方便采集和簡單的調(diào)用造就了FL Studio強(qiáng)悍的編輯功能。

FL Studio對(duì)新手十分友好，調(diào)用音色以及素材十分方便，且對(duì)電音類制作效果很好，尤其適合音樂編曲初學(xué)者以及對(duì)電音需求高、依賴素材偏多的人。

點(diǎn)擊視頻學(xué)習(xí)詳細(xì)編曲教程?！丁尽竟俜秸妗縁L studio 20 水果中文快速操作入門教程-嗶哩嗶哩】 https://b23.tv/tH4bHXV》

fl官網(wǎng)：點(diǎn)擊進(jìn)入

https://www.flstudiochina.com/?utm_medium=wm&utm_source=wm.makeding.com&utm_content=FL+Studio&utm_campaign=lm_lillian&utm_term=LM_mingyu&wm_cs_key=f8114741-77cc-452b-8952-3496268478be

編曲步驟

1、導(dǎo)入主旋律

使用水果軟件進(jìn)行編曲之前，需要將主旋律導(dǎo)入到水果軟件。點(diǎn)擊頂部菜單欄“視圖”-“播放列表”，將本地主旋律拖入到播放列表軌道。

2、給主旋律配上和聲

點(diǎn)擊水果編曲軟件頂部菜單欄“文件”-“鋼琴卷簾”。打開鋼琴卷簾窗口，可以看到鋼琴的黑白琴鍵展示在窗口，通過鼠標(biāo)左鍵點(diǎn)擊格子給主旋律配上和聲。詳細(xì)教程可以參考水果編曲軟件教程《如何用鋼琴卷簾功能去進(jìn)行編曲》。

3、添加節(jié)奏樂器

水果編曲軟件主要是通過通道機(jī)架添加節(jié)奏樂器。點(diǎn)擊頂部菜單欄“視圖”-“通道機(jī)架”，即可打開通道機(jī)架。然后點(diǎn)擊其底部“+”添加節(jié)奏樂器，比如添加鼓樂器“bassdrum”。詳細(xì)教程可以參考水果編曲軟件教程《如何用通道機(jī)架功能編輯一段節(jié)奏》。

4、添加混音效果

點(diǎn)擊水果軟件頂部菜單欄“視圖”-“混音器”，即可打開混音器。再點(diǎn)擊右側(cè)插槽，選擇效果器。

混音效果器總共包括壓縮效果器、均衡效果器、混響效果器三類，比如這里添加“Fruity Reeverb2”制造一種回聲的效果。詳細(xì)教程添加混音效果可參考《善用FL Studio的混音效果器，編曲音效更加動(dòng)聽!》。

Logic Pro X

logic Pro X是蘋果公司的一款專業(yè)音頻制作軟件。

點(diǎn)擊視頻詳細(xì)學(xué)習(xí)編曲教程。《【Logic Pro X 中文詳細(xì)使用教程-嗶哩嗶哩】 https://b23.tv/g2b9MmI》

大家喜歡它的所見即所得，喜歡它的自帶音色，喜歡它的曲線和畫面支持。它對(duì)新手也較友好，但對(duì)老手以及鼠標(biāo)黨而言，顯得不給力，組合鍵過多，不便記憶，主要適用于大量畫面音樂制作人以及流行音樂作者。

Logic Pro X官網(wǎng)：點(diǎn)擊進(jìn)入

https://www.apple.com.cn/logic-pro/

以上就是為大家推薦的三款Daw，總的來說，對(duì)于新手而言，F(xiàn)L Studio是最友好，且最具有性價(jià)比的選擇，而對(duì)于在音樂編輯上已經(jīng)逐漸走上正軌的老手而言，F(xiàn)L Stdio中豐富的素材和插件也將成為其不可取代的優(yōu)勢。

快捷鍵

全局

1、全選：?+A

2、撤銷：?+Z

3、取消撤銷（前撤）：?+?+Z

4、開啟關(guān)閉當(dāng)前循環(huán)Looper：C

5、循環(huán)當(dāng)前選中音頻/MIDI：選中音頻/MIDI+U

6、跳過當(dāng)前選中循環(huán)：?+單機(jī)Loop黃條

7、節(jié)拍器開啟關(guān)閉：K

8、打開Track Header：?+T

9、隱藏軌道：H

10、建立新軌道：?+?+N

11、添加新的軟件樂器軌道：?+?+S

12、添加新的音頻軌道：?+?+A

13、復(fù)制當(dāng)前軌道：?+D（D=Double）

14、按照同樣位置/長度復(fù)制當(dāng)前內(nèi)容（MIDI、音頻、MIDI音符）：?+R（R=Repeat）

15、修改當(dāng)前片段名稱：（選中某一段落后）?+N（N=Name）

16、修改軌道名稱后繼續(xù)快速換行修改：Tab

17、打開/隱藏library：Y

18、打開音頻設(shè)置：?+X

19、打開/隱藏Inspector：I（I=Inspector）

20、打開隱藏混音界面：X（X=Mix）

21、放大當(dāng)前區(qū)域：Z（Z=ZOOM）

22、打開Global：G（G=Global）

23、快速打標(biāo)記Marker：?+‘

24、移動(dòng)到：/

25、打開樂段AppleLoop：O（O=Loop）

26、打開文件：F（F=File）

27、導(dǎo)入文件：?+I（I=import）

28、把多個(gè)軌道放入一個(gè)組內(nèi)：（選中所需軌道）?+?+D

29、?+?+G（G=Group）可以直接把選中軌道給Summing

30、在進(jìn)度條處播放：鼠標(biāo)雙擊進(jìn)度條（可以忽視Looper）

31、放大/縮小橫軸縱軸：?+方向鍵

32、拖動(dòng)放大橫軸縱軸：?+鼠標(biāo)左右/上下拖動(dòng)

33、音頻區(qū)域選擇：?+拖動(dòng)選中區(qū)域+點(diǎn)擊選中區(qū)域（音頻段落自動(dòng)剝離出來）

34、在當(dāng)前位置合并為音頻BounceinPlace：選中所需區(qū)域?+B（B=Bounce）

35、打開筆記：?+?+P（超好用的創(chuàng)作記錄工具）

36、打開自動(dòng)化：A（A=Automation）

37、選中自動(dòng)化區(qū)域：?+鼠標(biāo)拖動(dòng)（此時(shí)可以直接拖動(dòng)當(dāng)前區(qū)域的自動(dòng)化參數(shù)）

38、調(diào)整自動(dòng)化曲線：?+?+鼠標(biāo)拖動(dòng)

39、刪除當(dāng)前軌道所有自動(dòng)化：?+?+Delete（無論多亂，一鍵刪除）

40、切換自動(dòng)化參數(shù)：?+Y（配合這個(gè)快捷鍵，切換參數(shù)后，可以一鍵刪除所有不需要的自動(dòng)化參數(shù)）

41、打開F lex按鈕：?+F（F=Flex）

42、調(diào)出工具菜單：T

43、鼠標(biāo)：T+T

44、剪刀：T+I

45、Mute：T+M

46、Fade工具：T+A

47、打開軌道顏色選項(xiàng)：?+C（C=color）

48、現(xiàn)實(shí)隱藏當(dāng)前所有插件窗口：V（像下圖無論多少個(gè)插件，直接V全部隱藏/顯示）

49、打開當(dāng)前軌道插件：選中當(dāng)前軌道后，?+1、2、3、4（數(shù)字代表第幾個(gè)插件）

50、改變MIDI段落總體的時(shí)長：?+邊緣拖動(dòng)（例如2Bar4個(gè)和弦，可以拉長為4Bar4個(gè)和弦）

51、從選中片段的開頭播放Play from region：選中一個(gè)片段+Shift+Space空格

52、合并所選區(qū)域：?+J（J=Join）

53、在指針的位置切割片段：?+T

54、打開去「除音頻之間的靜音部分」功能：?+X

55、給混音「輔助軌」道建立「編輯軌道」（用于自動(dòng)化）：?+T

鋼琴卷簾

1、打開/隱藏鋼琴卷簾：P（P=Piano）

2、打開/隱藏編輯界面：（選中音頻則是音頻編輯界面，選中MIDI則是MIDI編輯界面）E（E=Edit）

3、打開樂譜界面：N

4、MIDI工具欄：（在MIDI編輯區(qū)域內(nèi)）T

5、書寫MIDI：T+P

6、MIDI移動(dòng)半音：?+上下方向鍵

7、MIDI左右移動(dòng)一格：?+左右方向鍵

8、MIDI移動(dòng)八度：?+?+上下方向鍵（賊好用）

9、平均分割MIDI：（在剪刀工具下T+I）?+鼠標(biāo)點(diǎn)擊

10、MIDI自動(dòng)化：（在鋼琴卷簾界面里）A

11、快速拖動(dòng)調(diào)節(jié)MIDI力度：?+?+鼠標(biāo)拖動(dòng)

12、MIDI力度相同：（在力度工具下T+V）?+?+鼠標(biāo)拖動(dòng)

13、統(tǒng)一MIDI長度：（選中所需MIDI）?+?+鼠標(biāo)拖動(dòng)

14、MIDI力度畫線：選中音符后，在力度區(qū)域畫一條線

15、（在不錄音的情況下）將演奏的MIDI記錄下來：?+R

電腦

編曲的電腦主要對(duì)cpu、內(nèi)存、硬盤有要求，音頻電腦其實(shí)和視頻電腦配置差不多，都需要數(shù)據(jù)吞吐量夠大，視頻電腦多集中在高端顯卡上，音頻可以降低顯卡配置。

在進(jìn)行編曲的過程中，主要是通過內(nèi)存的加載與CPU的運(yùn)算，同時(shí)配合硬盤來完成對(duì)音色的使用。因此，主要考慮的是CPU、內(nèi)存與硬盤，顯而易見的就是我們根本不需要顯卡。由于市面上的品牌組裝機(jī)存在著較為明顯的溢價(jià)狀態(tài)，所以比較推薦自己組裝。

大致需要的參數(shù)如下：

推薦電腦

1、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)緊張型建議）

Cpu：I5 7400 7500 7600K，I7 6700

硬盤：500G或500G以上（建議固態(tài)硬盤）

內(nèi)存：8G

預(yù)算范圍：3000—6000

2、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)寬裕型建議，適合到后期）

Cpu：I5 8400 8600K 9500 9600K，I7 7700 8700 8700K

硬盤：1T或1T以上（建議固態(tài)硬盤）

內(nèi)存：16G-32G

預(yù)算范圍：6000—10000

3、筆記本配置建議（經(jīng)濟(jì)緊張型建議）

Cpu：I5 7260u，I7 7560u

硬盤：500G或500G以上

內(nèi)存：8G

預(yù)算范圍：4000—6000

4、筆記本配置建議（經(jīng)濟(jì)寬裕型建議，適合到后期）

Cpu：I5 7300HQ，I7 7700HQ

硬盤：1T或1T以上

內(nèi)存：16G-32G

預(yù)算范圍：6000—15000

推薦筆記本電腦：

1、Macbook Pro和iMac

Macbook Pro跟iMac得益于M1芯片的誕生，在使用Logic進(jìn)行編曲時(shí)，整體的性能直線上升，所以如果是以Logic作為主要制作宿主的話，首當(dāng)其沖的還是M1以上+16G以上的Macbook Pro 或者iMac。

在實(shí)際應(yīng)用中，Macbook Pro適合移動(dòng)處理，方便快捷便攜，不受環(huán)境因素限制。而iMac更加適合在一個(gè)固定的地方進(jìn)行操作?；蛘咧苯右粯右粋€(gè)，Mac生態(tài)下，可以進(jìn)行完美銜接。

蘋果筆記本電腦MacBookPro16英寸2021年新款M1max芯片

Apple iMac 24英寸 4.5K屏 八核M1芯片(8核圖形處理器) 16G 512G SSD 一體式電腦主機(jī)

2、華碩靈耀X

根據(jù)這個(gè)機(jī)器的配置，在進(jìn)行編曲的過程中，兩個(gè)屏幕的效果很顯然要好于單屏幕，這款本的雙屏幕，完全可以把參數(shù)設(shè)置放在下面的屏幕中，同時(shí)兩款屏幕都是觸屏的。

華碩靈耀X13 AMD銳龍八核 2.8K OLED P3色域全面屏 筆記本電腦

音頻接口

音頻接口就是我們常說的聲卡，它的主要功能是對(duì)音頻信號(hào)進(jìn)行轉(zhuǎn)換，直接推薦外置聲卡了，因?yàn)楦鶕?jù)電腦推薦來看，除了組裝機(jī)外，其余的并不適用內(nèi)置聲卡。

推薦接口

1、SSL2+

自帶4000系列模擬效果器，具備著兩種聲音特性，其一，具備音樂性的高頻EQ提升，營造前進(jìn)的感覺。其二，可控微調(diào)的諧波失真，更進(jìn)一步融入信號(hào)鏈中。配合MonitorMix監(jiān)聽控制軟件，帶來了高品質(zhì)的輸出耳放效果，相對(duì)于SSL2來說，SSL2+增加至雙耳機(jī)輸出，同時(shí)配備了MIDI輸入與輸出接口，額外的非平衡RCA蓮花輸出接口方便DJ使用。

2、UA X4

為了方便操作，X4使用了與TwinX相同的傾斜面板，讓操作變的更加的直觀。DSP、Unison、AD/DA模塊高度集成，高性能需要高電壓，而為了應(yīng)對(duì)高電壓帶來的發(fā)熱，X4在兩側(cè)、底部都有設(shè)置開孔以此來增加散熱效果。軟件調(diào)音臺(tái)一直是Apollo聲卡的核心組成部分，X4同樣也具備兩個(gè)新特征，其一，所有通道推子的行程從0dB增加至12dB，通過提升通道輸出電平，擴(kuò)展整體混音動(dòng)態(tài)。其二，全新DSP配對(duì)功能，可以在單一通道條內(nèi)構(gòu)建更大的插件鏈，虛擬通道數(shù)量將會(huì)隨著DSP配對(duì)數(shù)量的增加而減少。

3、Apogee Duet3

作為Apogee Duet系列的最新產(chǎn)品，Duet3的誕生依舊秉承著Apogee最核心的音質(zhì)體驗(yàn)，結(jié)合Apogee的傳奇AD/DA電路設(shè)計(jì)，擁有同類產(chǎn)品中不可比擬的音質(zhì)硬實(shí)力。Duet3擁有2個(gè)輸入接口和4個(gè)輸出接口，并配置世界一流的前級(jí)放大器，能夠自然真實(shí)地再現(xiàn)每一個(gè)聲音細(xì)節(jié)。連接音箱的輸出接口使用真正的全平衡差分電路設(shè)計(jì)，準(zhǔn)確掌握實(shí)時(shí)返聽和混音監(jiān)聽的完整信息，體現(xiàn)聲音的完整深度和細(xì)節(jié)。

Deut3使用了和Symphony Desktop相同的板載DSP處理技術(shù)，能夠完全實(shí)現(xiàn)在聲卡硬件上使用ECS通道條插件進(jìn)行聲音處理的功能，讓零延遲并且?guī)в行Ч幚淼匿浺艉蛯?shí)時(shí)監(jiān)聽成為可能。

4、RME FireFace UCX II

Fireface UCX II是第二代的FirefaceUCX超便攜式音頻接口，可以同時(shí)做20通道錄音和20通道回放，帶有SteadyClock FS高精度時(shí)鐘，有著高性能的話放，內(nèi)置參量均衡、動(dòng)態(tài)處理、回聲、混響DSP效果器，DURec（直接USB錄音），MIDI輸入和輸出接口，強(qiáng)大的耳機(jī)放大器，且完全可以獨(dú)立使用。

MIDI設(shè)備

按鍵的數(shù)量

一般來說，MIDI鍵盤的按鍵數(shù)量在25、32、49、61、88，如果整個(gè)音樂制作的過程中，需要用到較多的八度內(nèi)容，那么使用61、88鍵較為適合。不過25、32鍵也不會(huì)影響太多，因?yàn)镸IDI鍵盤上都有Octave+/-來調(diào)音域范圍。49鍵則更適用于在家工作，因?yàn)橥ǔ砜凑＞幥话?-3個(gè)八度就夠用了，49鍵就很符合。

按鍵的觸感

觸感上一般可以分為合成鍵盤、半配重、全配重。一般如果沒有學(xué)習(xí)過鋼琴的話，使用合成鍵盤或者半配重即可，學(xué)過鋼琴的可以使用全配重。不過也需要考慮的事節(jié)奏速度的內(nèi)容，由于全配重的按鍵回彈比較慢，所以在進(jìn)行鼓組鍵盤錄入的話會(huì)有一定的延遲。（可以配合帶打擊墊的MIDI鍵盤解決問題）

外出的需求

結(jié)合上面提到的按鍵數(shù)量，其中25、32、49比較方便攜帶外出，61、88就比較大了，并不是非常適合拿出去，很重。而且真要是演出的話，多數(shù)情況帶的是舞臺(tái)電鋼或者合成器，比較方便。

功能的順手

有的MIDI鍵盤只有按鍵內(nèi)容，有的則有功能器、推桿、旋鈕、打擊墊等，通過這些附加的功能區(qū)，能夠讓整個(gè)音樂制作的過程變得更加的順暢，不過如果只是想練琴，或者并沒有想做綜合的編曲工作，那么簡單點(diǎn)的就挺好。

推薦MIDI設(shè)備

1、NI Komplete Kontrol S88

擁有全配重的Fatar鍵座，重新定義了電子鋼琴手感，這款88鍵全配重鍵盤，具有先進(jìn)的錘動(dòng)原理、智能的彈簧技術(shù)以及記憶阻尼，能夠帶來真實(shí)的鋼琴手感。S88能夠?qū)⑿枰男畔⑻崆俺尸F(xiàn)：兩塊高分彩屏能夠完整展示當(dāng)前聲音以及工程的基本信息；背光按鍵能夠以其背光亮度及色彩提示多種信息；還可以在鍵盤上通過光導(dǎo)指示燈時(shí)刻清晰地找到所需聲音、鍵區(qū)、切換開關(guān)以及音階等等——不用回到電腦屏幕，即可完成音色的選擇、參數(shù)調(diào)節(jié)、工程控制以及混音。

2、Arturia Keylab Mk2

KeyLab mkII采用Fartar鍵床，跟Arturia MatrixBrute模擬合成器用的鍵床是完全一樣的，全配重，帶觸后，5個(gè)踏板輸入。KeyLab mkII不僅可以輸出鍵盤演奏所產(chǎn)生的音高CV和琴鍵開閉的Gate信息，還可以自定義輸出兩個(gè)Mod CV。當(dāng)處于創(chuàng)作區(qū)時(shí)，需要受到的音樂工具激發(fā)。Keylab88mk2就是這樣的一臺(tái)產(chǎn)片，每一個(gè)方面都經(jīng)過精心設(shè)計(jì)，以盡量減少干擾，并提供省時(shí)快捷方式，讓您在演奏中保持頭腦清醒。Keylab88 mk2有三種不同的模式可以在這三種模式之間進(jìn)行即時(shí)切換，從而實(shí)現(xiàn)極其高效的工作流程。

3、Nektar Impact GXP88

流線型設(shè)計(jì)，琴體細(xì)長、邊角圓潤、結(jié)構(gòu)緊湊，外殼采用工程塑料材質(zhì)，堅(jiān)固而輕便，雖然體積較大，但總體質(zhì)量控制得比較合理。極簡風(fēng)格的控制面板以可分配RGB照明按鈕為主，并輔以彎音和調(diào)制輪、一個(gè)旋鈕無極編碼器以及一個(gè)傳統(tǒng)電位器用于各種控制功能選擇。其鍵盤部分采用了全新設(shè)計(jì)且精心平衡的鍵盤系統(tǒng)，是整個(gè)硬件的核心。實(shí)際彈奏時(shí)，下鍵流暢，指尖阻礙感適中，鍵噪極低。用于輸入打擊樂時(shí)有效降低了來自鍵盤本身的咔噠聲。

4、Novation Launchkey49

具備8個(gè)旋鈕編碼器，全部都是無極旋轉(zhuǎn)式。面板有16個(gè)打擊墊，全部代有敏感的力度顯示，還有不同顏色加持顯示不同功能。49和61鍵版本多出9個(gè)推子可分配設(shè)置。除了面板功能外，NovationLaunchkey Mk3還提供了音階、和弦和琶音器功能。讓MIDI鍵盤搖身一變成為自動(dòng)伴奏編曲鍵盤，因?yàn)樵诤拖夷Ｊ较率强梢砸绘I彈奏出自己想要的和弦組合。琶音器功能也是相當(dāng)豐富的，帶有節(jié)奏設(shè)置和琶音變化可以為音樂錦上添花，做出有特色的有十足表現(xiàn)力的旋律。因?yàn)橛蠱IDI輸出功能，讓琶音器可以輕松創(chuàng)建并生成琶音MIDI。

監(jiān)聽耳機(jī)

監(jiān)聽過程中，人聲、樂器聲高度清晰，能聽辨出音樂中的每個(gè)細(xì)小聲音，讓整個(gè)監(jiān)聽過程細(xì)膩且真實(shí)。三頻均衡中高音清晰、低音量足同時(shí)音質(zhì)純美，可以接觸到音樂中的靈魂。

推薦耳機(jī)

1、鐵三角 M50x

M50X的使用感受，其一，可換線設(shè)計(jì)，增加線材可玩性。其二，180度旋轉(zhuǎn)的耳罩，可以用作單耳監(jiān)聽，滿足錄音師的監(jiān)聽需求。

頻率響應(yīng)：15～28kHz，額定抗阻：38歐姆。

2、AKG K702

耳罩式設(shè)計(jì)舒適、準(zhǔn)確塑形的3D泡棉耳墊，以及一個(gè)皮質(zhì)頭箍，確保貼合頭部。高解析少音染，耳機(jī)的聲音風(fēng)格適合小提琴等古典樂器的獨(dú)奏，非常適合監(jiān)聽愛好者。拆卸方便，單邊可拆卸耳機(jī)線，提供專業(yè)的迷你XLR接頭，方便單邊監(jiān)聽使用。

頻率響應(yīng)：10～39.8kHz，額定抗阻：62歐姆。

3、拜亞 DT770 PRO

DT770Pro保證對(duì)信號(hào)的解釋達(dá)到高精確水準(zhǔn)。封閉式結(jié)構(gòu)使其對(duì)外界噪聲可衰減16dB，即使在主監(jiān)聽揚(yáng)聲器面前，依舊可以不受影響地監(jiān)聽音樂。DT770Pro采用輕量化設(shè)計(jì)，貼合頭部曲線，減輕頭部壓力。舒適佩戴感受，可以長時(shí)間聆聽音樂不傷耳朵。

頻率響應(yīng)：5～35kHz，額定抗阻：32歐姆/80歐姆/250歐姆。

監(jiān)聽音響

推薦音響

1、真力8050

高性能反射導(dǎo)管深入人心的低頻下潛，真力獨(dú)創(chuàng)的流線型反射導(dǎo)管，去除了串竄流噪聲。降低倒向口的空氣流速。實(shí)現(xiàn)無壓縮低頻聲音，使低頻下潛更深，清晰度更高。有源主動(dòng)式分頻技術(shù)，無需額外添置昂貴的功率放大器。電子分頻器將聲音信號(hào)分為不同的頻段，分別路由給對(duì)應(yīng)的功率放大器。

寬闊的聆聽范圍，久聽不累的舒適聽感。高頻單元周圍的優(yōu)雅弧度經(jīng)過精密設(shè)計(jì)，實(shí)現(xiàn)對(duì)聲波的精準(zhǔn)控制，讓最佳監(jiān)聽范圍更加寬闊。不再固定在某個(gè)角度聆聽，久聽不累。

2、KRK V8

KRK Systems V系列近場錄音棚監(jiān)聽，特別為注重精確還原的音頻制作場合而設(shè)計(jì)。KRK與數(shù)百名專業(yè)工程師/制作人/調(diào)音師一起開發(fā)了這些突破性的監(jiān)聽揚(yáng)聲器。錄音棚、演播室以及聲音設(shè)計(jì)和音頻制作室如果選擇了V系列作為監(jiān)聽揚(yáng)聲器，一定會(huì)從中受惠。

V系列包含14種可由用戶選擇的均衡器設(shè)置，確保房間聲學(xué)，位置不規(guī)則以及品味和個(gè)人喜好等因素都得到照顧。KRK設(shè)計(jì)團(tuán)隊(duì)精益求精地以數(shù)百個(gè)監(jiān)聽位置及房間聲學(xué)條件進(jìn)行了建模及分板，保證KRK生產(chǎn)出最實(shí)用的工具，而且只需要小的調(diào)整。

3、雅馬哈 HS8

HS系列采用了新的設(shè)計(jì)方案，高效的1半球形高音單元大大擴(kuò)展了可辨頻段能提供高精度的高音。厚波導(dǎo)設(shè)計(jì)方案可以將振動(dòng)降低至最小程度，因此這款全新設(shè)計(jì)的高音單元能平滑、無失真地再現(xiàn)高達(dá)30kHz的高頻。

具備超高響應(yīng)能力的低音單元同樣經(jīng)過全新設(shè)計(jì)，通過采用精選的大型磁鋼，使HS系列音箱在任何輸出電平下都能釋放低失真，高解析度的低頻聲音，這款強(qiáng)勁單元的音圈和喇叭框架等所有部件嚴(yán)格篩選，保證了HS系列同時(shí)具備震撼的低頻和準(zhǔn)確的中頻。

音頻信號(hào)流程

音頻線種類

設(shè)備連接

1、電腦和MIDI鍵盤、聲卡的連接

2、話筒與聲卡的連接

3、監(jiān)聽音響和聲卡的連接

編曲配器

編曲配器一般是分為鋼琴、吉他、架子鼓、貝斯。

鋼琴

編曲過程

1、樂理層面

當(dāng)然，簡單的和聲學(xué)很簡單，復(fù)雜的和聲學(xué)還是很復(fù)雜的。例如A叔的和聲大部分是歸于“簡單”這一類的，當(dāng)然不是說他的編曲簡單，而是他的和弦配的不難，大部分都是一些七和弦，比較抓耳朵而且也比較容易轉(zhuǎn)調(diào)。A叔用三聲部，但基本不用對(duì)位法。他的三聲部就是正常三聲部，沒有到達(dá)復(fù)雜復(fù)調(diào)的地步。

2、織體層面

有了樂理層面，其實(shí)編曲就入門了。一般寫曲子，首先先把主旋律和和弦擺出來，然后去加花。加花的話，最佳的辦法是模仿。包括也可以模仿人家和聲的寫法。一般是先模仿，慢慢的才能形成自己的風(fēng)格。怎么模仿就看自己需要了。

比如，在A叔的化物語里面，有一段雙手交替主旋律和伴奏的段落，那一段挺適合那種比較明快，但是覺得高音區(qū)有點(diǎn)單薄的曲子。那就可以有意識(shí)的去套用。包括A叔unravel中有不少那種把主旋律隱藏在高速分解和弦中的，這種也是很常見的編曲技巧，也是可以套用的。

在模仿到一定階段后，再形成自己的織體結(jié)構(gòu)。實(shí)際上，這些動(dòng)漫鋼琴家自己寫的織體，也大部分是從古典中模仿而來的。所以說我覺得過程是嘗試模仿—自己有了點(diǎn)想法—對(duì)模仿的段落進(jìn)行修改——修改的越來越多形成自己風(fēng)格。

3、節(jié)奏層面

提到節(jié)奏，主要是目前動(dòng)漫編曲的節(jié)奏大多數(shù)都遵循切分。這個(gè)點(diǎn)可以注意一點(diǎn)把，可以營造一些緊張感和史詩感，這個(gè)來源于爵士編曲。一開始編曲，了解一些爵士的是最高效的。

Keyscape-Collector Keyboard鋼琴這是Spectrasonics繼著名的三巨頭音色(Stylus RMX、Trilian和Omnisphere2)后再出的一款鋼琴音色是目前較熱門的鋼琴音色。

點(diǎn)擊下面這個(gè)鏈接可以一步步學(xué)習(xí)用鋼琴編曲。

《【編曲教程】編不好鋼琴？手把手一步步豐富鋼琴伴奏~-嗶哩嗶哩】 https://b23.tv/pBgDhK2》

吉他

編寫過程

1、指彈譜=伴奏（六線譜）+旋律（簡譜）；

2、以伴奏（六線譜）作為底本，把簡譜的旋律音（音階）填充到六線譜上；

3、旋律音填充規(guī)律是：把原始音升一個(gè)8度填充上去（要知道吉他指板音階位置）；

4、強(qiáng)拍上的前半拍（比如4/4拍的強(qiáng)弱規(guī)律是：強(qiáng)、弱、次強(qiáng)、弱）必須是和聲音程（同時(shí)彈響兩個(gè)音，這兩個(gè)音要綜合兩個(gè)因素考慮：①、按協(xié)和程度排序；②、方便于指法編配）；

5、弱拍上的旋律音不需要配和聲音程；

6、編配完后彈幾遍，小問題進(jìn)行修改。

推薦吉他

Ample guitar M(國產(chǎn)AG系列吉他，音響十分真實(shí))

Real Guitar(技法應(yīng)有盡有掃弦聲音比較真實(shí))

結(jié)合以下這個(gè)視頻更有助于學(xué)習(xí)用吉他編曲。

《【從零實(shí)戰(zhàn)編曲教程！【吉他編寫】全干貨無廢話！-嗶哩嗶哩】 https://b23.tv/2mk8pi5》

架子鼓

編曲技巧

1、底鼓

（1）主要注意與貝斯、和弦的搭配

（2）音色

一般需要找比較扎實(shí)、頭音干凈、很悶很重的音色。

注意其高頻、中頻、低頻，厚度，有沒有落地感。

對(duì)于低頻漫射非常多的音色，一般用在沒有貝斯的主歌部分。

抒情歌的主歌部分，基本都會(huì)用鼓邊來替代軍鼓，或者去掉一部分軍鼓，這樣在副歌使用軍鼓時(shí)，就會(huì)形成一個(gè)由弱轉(zhuǎn)強(qiáng)的對(duì)比

2、節(jié)拍位置

進(jìn)鼓的小節(jié)第一拍一定要有底鼓，但是中間小節(jié)可以靈活處理

和軍鼓不能重拍，也最好不要靠的過于近

靠近下一拍開頭的底鼓，聲音力度可以減小

編寫事項(xiàng)

1、選音色

（1）先選底鼓，再選軍鼓，最后選hihat

（2）軍鼓和底鼓最好是一遠(yuǎn)一近的關(guān)系，底鼓聽起來離耳朵近，則需要軍鼓聽起來較遠(yuǎn)，這樣可以形成縱向聲場

2、編寫的時(shí)候

（1）先用hihat定位速度、節(jié)奏

（2）再在節(jié)拍的中間重拍上加軍鼓，軍鼓是最基礎(chǔ)的節(jié)奏

（3）最后根據(jù)已有的hihat和軍鼓來聯(lián)想底鼓的律動(dòng)感，增加底鼓

3、RMX

（1）注意，如果能找到合適的RMX loop，就不需要自己手寫，除非在換節(jié)奏或者推動(dòng)情緒的關(guān)鍵節(jié)點(diǎn)

（2）連續(xù)的小打，在節(jié)奏中不會(huì)有斷點(diǎn)

推薦

XLN Audio Addictive Drums(ADD鼓)

Studio Drummer需要Kontakt加載喲~(錄音棚實(shí)用鼓)

想要進(jìn)一步學(xué)習(xí)用架子鼓編曲，可參考以下視頻教程。

《【【編曲教程】架子鼓編寫系統(tǒng)教程-嗶哩嗶哩】 https://b23.tv/c0Dg7i0》

貝斯

認(rèn)識(shí)貝斯

入門指法

Trilogy Bass(各種各樣的音色都有很飽滿)

Spectrasonics Trilian(作為三巨頭之一的它音質(zhì)質(zhì)感不錯(cuò)、貝斯種類齊全)

結(jié)合我的講解，點(diǎn)擊下面這個(gè)鏈接可更深度地學(xué)習(xí)用貝斯編曲。

《【【編曲教程】貝斯怎么編寫？貝斯的編寫方法及加花小技巧-嗶哩嗶哩】 https://b23.tv/z7TjUhM》

人聲貼唱處理

混音與錄音

混音是音樂后期制作中的一個(gè)重要步驟，是把多種來源的聲音，整合至一個(gè)立體音軌或單音音軌中。而混音師的工作，就是需要將前面所進(jìn)行制作的一些素材混合成成品。在混音的過程中，混音師會(huì)將每一個(gè)原始信號(hào)的頻率、動(dòng)態(tài)、音質(zhì)、定位、殘響和聲場單獨(dú)進(jìn)行調(diào)整讓各音軌最佳化，之后再疊加于最終成品上。

錄音是當(dāng)確定作詞作曲、編曲之后，把每一軌扎扎實(shí)實(shí)地錄下來，錄音時(shí)需要考究的條件有很多，例如錄音棚的隔音、聲學(xué)空間和反射、演唱者的站位和與話筒的距離和不同的演唱演奏方式。有時(shí)候追求細(xì)節(jié)的錄音過程可能一個(gè)樂甸或者一句歌詞，甚至細(xì)化到每一個(gè)音都要重新錄制和做調(diào)整。

基本流程

混音

推薦一個(gè)比較好的教程，大家可以配合我的講解進(jìn)一步學(xué)習(xí)。

《【20個(gè)混音意想不到的創(chuàng)意技巧，提升你的混音編曲效率-嗶哩嗶哩】 https://b23.tv/65pz5qP》

1、過帶（把多軌MIDI輸出成音頻，輸出時(shí)分立體，單聲輸出）

2、剪切掉不需要的空白部分。

3、試聽全曲，記錄每件樂器的特點(diǎn)和頻率的分布。

4、開始對(duì)底鼓和BASS進(jìn)行處理。

5、再去看樂器而定，一般我都喜歡也去看哪件樂器需要壓縮進(jìn)行處理后才開對(duì)其他樂器進(jìn)行EQ處理。

6、EQ處理完以后開始空間擺設(shè)。

7、對(duì)每個(gè)軌道再進(jìn)行掃頻一次。

錄音

1、在錄音之前將會(huì)有錄音師和您進(jìn)行交流，首先要準(zhǔn)備好伴奏和歌詞。

2、進(jìn)入錄音室準(zhǔn)備之后，調(diào)整話筒與耳麥的距離。

3、第一遍錄音的時(shí)候，歌手要適應(yīng)錄音棚的環(huán)境，調(diào)整伴奏和人聲大小，以使自己適合整個(gè)錄音棚的環(huán)境。

4、在接下來錄歌的時(shí)候歌手們便會(huì)進(jìn)入狀態(tài)，此時(shí)就可以正式錄音了。

5、正式錄音的整個(gè)過程，錄音師將會(huì)指導(dǎo)，要是遇到某個(gè)難的句子會(huì)單獨(dú)錄制。

6、最后完成錄制之后，進(jìn)行后期的制作。

7、后期制作顧名思義就是整個(gè)錄音結(jié)束后，把后期用效果處理一下，調(diào)節(jié)音量之后，在最后導(dǎo)出一個(gè)完整的音樂文件。

后期制作的流程包括：

（1）清除雜音。

（2）調(diào)整音準(zhǔn)，將跑調(diào)的音修正。

（3）節(jié)奏調(diào)整，將沒唱準(zhǔn)的部分對(duì)準(zhǔn)拍子即可。

（4）修剪呼吸口，在唱歌時(shí)歌手是要進(jìn)行呼吸的，沒有呼吸的歌曲會(huì)讓聽眾聽的很累，錄音后氣口會(huì)隨著音樂情緒的變化有所不同。

（5）添加效果器，如壓縮器、均衡器、混響、延遲等等。

（6）母帶處理，簡單的說母帶處理后的音樂會(huì)變得更加飽滿有力度，也適合也在任何放音設(shè)備里進(jìn)行放音。

混音插件

1、Ableton Live compressora一款A(yù)bleton Live自帶的壓縮器，它的重點(diǎn)在于擁有完整的輸入、輸出與增益衰減的數(shù)字電平表，且在各部分還會(huì)同時(shí)顯示峰值（Peak）與均方根（RMS）的信號(hào)，對(duì)于新手而言非常適合參考閾值的設(shè)定范圍。除此之外還帶有側(cè)鏈功能，更能對(duì)側(cè)鏈信號(hào)進(jìn)行頻率處理，另外還可以調(diào)節(jié)前視值（Lookahead)、拓展模式、另外兩種顯示模式、自動(dòng)補(bǔ)益等功能，可謂好用而又全面。

主要特點(diǎn)：

（1）視窗界面由Arrangement View和Session View兩個(gè)組成，Arrangement View提供類似于常規(guī)音樂制作軟件的水平剪輯時(shí)間線，而Session View則提供在一個(gè)實(shí)時(shí)表演中所有剪輯的基于網(wǎng)格的描述。

（2）包含Impulse、Simpler、Instrument Rack和Drum Rack四種基礎(chǔ)樂器，以及各種類型的外部拓展樂器

（3）擁有多種專為Live設(shè)計(jì)或兼容的MIDI控制設(shè)備，例如Akai的APC40 mk II、Novation的Launchpad、Ableton自己的Push。

（4）包含大部分?jǐn)?shù)字音頻領(lǐng)域的常見的MIDI和音頻效果器類型，專為電子音樂制作人和DJ量身定制，也同樣適用于傳統(tǒng)樂器的錄制

（5）更全面的音頻采樣處理功能，包括采樣分析、時(shí)間拉伸、在線素材、MIDI轉(zhuǎn)換等，以更適應(yīng)樂曲全局的需要

（6）幾乎所有參數(shù)都可以通過包絡(luò)來自動(dòng)化，不管是音頻剪輯、音頻設(shè)備的參數(shù)控制還是映射到MIDI控件

（7）大部分界面都適應(yīng)現(xiàn)場表演和制作，用戶界面很少有消息或?qū)υ捒虻膹棾?，可以基于箭頭隨時(shí)隱藏和顯示某些部分

2、Xfer Record OTT aOTT是一款免費(fèi)多段壓縮器插件，使用起來非常方便?？v觀整個(gè)插件，只需調(diào)節(jié)一顆“Depth”旋鈕即可達(dá)到想要的效果，越往右音色就會(huì)越亮，且會(huì)產(chǎn)生更多的壓縮效果。可以算得上是為數(shù)不多的“黑魔法插件”之一，只要加載進(jìn)去用5秒鐘調(diào)一下就會(huì)很好聽。

3、I Heart NY al Heart NY 是一款在業(yè)內(nèi)非常出名的平行壓縮插件，界面十分簡潔，操作也相當(dāng)簡單。用來處理鼓組、樂器音色或人聲都相當(dāng)不錯(cuò)，會(huì)帶來更多亮度與沖擊力，這是傳統(tǒng)的串聯(lián)式壓縮處理所不能做到的效果。

編曲方法

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編曲中加弦樂

在歌曲中加入弦樂能明顯增加抒情性，我個(gè)人也是個(gè)弦樂控，特愛聽弦樂豐滿的曲子，嘻嘻。弦樂的編寫最簡單的就是以和聲填充內(nèi)聲部，不過都這樣寫聽起來會(huì)比較機(jī)械，而富于變化的弦樂編寫會(huì)在不知不覺中給曲子增色不少。弦樂可以演奏歌曲的副旋律，但要注意不能干擾到主旋律。

編寫弦樂通常需要做到與主旋律前呼后應(yīng)、相輔相成，然后點(diǎn)上CB根音進(jìn)行，再填寫內(nèi)聲部，這是個(gè)關(guān)鍵，因?yàn)閮?nèi)聲部不僅要起到和聲的作用，還要有獨(dú)立個(gè)性的旋律性，內(nèi)聲部的編寫是需要功力的，這一點(diǎn)可以慢慢摸索練習(xí)。初寫弦樂可以從長音著手，保持聲部平穩(wěn)流暢，同時(shí)起到豐滿和聲的效果，漸漸熟練后，就可以適當(dāng)加入一些復(fù)調(diào)對(duì)位，增加曲子的推動(dòng)力。

編曲流行配器四大件就是鋼琴、吉他、鼓、貝斯。這四個(gè)樂器也是最常用的。

軌道命名法

很多編曲學(xué)習(xí)者的工程看起來比較雜亂，究其原因，無非是軌道命名沒有統(tǒng)一的規(guī)則，給大家分享一套軌道命名方法。

1、大致的規(guī)則：樂器分組＋樂器名稱（＋特殊技法＋特殊效果＋數(shù)字），

如：DRUM KICK HARD，表示的是：鼓組＋底鼓＋硬的；

STRINGS VIOLIN PIZZ VERB，表示的是：弦樂組＋小提琴＋撥奏＋帶混響效果。

2、樂器分組，常見的有：

DRUM—鼓，PERC—打擊樂，SFX一特殊效果，BASS—低音，KEYS—鍵盤，GUITAR—吉他，SYNTH—合成器，STRINGS—弦樂，WINDS—管樂，VOX—人聲組，SAMPLE一采樣，TONAL﹣音高樂器。

3、合并原則，即某類樂器軌數(shù)較少，可以合并到接近的分類去，

如：打擊樂只有一兩軌，合并到【DRUM﹣鼓組】;合成器只有兩軌，合并到【KEYS﹣鍵盤組】。

4、分組不宜太多，一般控制在10組以內(nèi)，不過太少也不好。

如果吉他、鍵盤、合成器、弦樂、管樂等都只有一兩軌，那么沒有必要強(qiáng)行分組，默認(rèn)它們都是TONAL組即可。

5、盡量使用英文，且所有英文大寫，這樣看起來會(huì)更統(tǒng)一些。多使用英文縮寫，在不影響閱讀的前提下，使用縮寫效率會(huì)更高。

注意事項(xiàng)

1、自學(xué)會(huì)走很多彎路，建議找身邊的有經(jīng)驗(yàn)的編曲老師學(xué)習(xí)，或者網(wǎng)絡(luò)課程。

2、聽具有代表性的音樂，聽它的配器組成，找出與歌曲類似的樂器與織體，研究不同于其他風(fēng)格的編配技巧。

3、如果想成為一名把最終聽覺掌握在自己手中的編曲師，那就要盡量在前期完成大部分的混音。這方面的學(xué)習(xí)，可以直接買書學(xué)習(xí)，也可以上網(wǎng)站與論壇學(xué)習(xí)。

4、不排斥任何有音樂和聲音展現(xiàn)的媒體在觀看視頻時(shí)，多留意音樂和聲音出現(xiàn)時(shí)給自己帶來的情緒上的變化，總結(jié)這些音樂和聲音的模式。

拓展知識(shí)

編曲方向

音樂人專輯、廣告配樂、自媒體、影視配樂、游戲配樂、動(dòng)漫配樂。

編曲風(fēng)格

1、鋼琴為主的Pop流行風(fēng)格。

這個(gè)體系一般是比較柔和抒情的曲子，以鋼琴作為主要的和聲樂器?？梢杂玫街?、分解或者綜合運(yùn)用各種節(jié)奏型，主歌部分的鼓節(jié)奏可以用閉合擊镲的音色支撐，到了副歌部分，為了突出織體，可以使用完整的鼓節(jié)奏?？傮w要求平穩(wěn)，盡量不要切分。Bass的編寫上不用太花哨，跟隨強(qiáng)拍，使用長時(shí)值演奏。此外，為了更好地表現(xiàn)曲子的抒情性，可以加入一個(gè)pad音色進(jìn)行融合，副歌部分可以加入弦樂來加厚織體。

2、吉他為主的Pop流行風(fēng)格。

這個(gè)體系也主要是緩慢抒情的曲子，以吉他為主要和聲樂器?？梢赃x用尼龍弦吉他和鋼絲弦吉他兩種音色，鋼絲弦吉他為主，尼龍弦吉他為輔，聲像一左一右。鼓節(jié)奏可有選擇稍硬朗一些的，有主干節(jié)奏作為骨架，為了增加主歌和副歌的對(duì)比，還可以加入軍鼓的音色，當(dāng)然，節(jié)奏需要加花推進(jìn)的地方一定不要放棄使用。同樣的，在副歌加入弦樂增加織體厚度。

3、16Beat的流動(dòng)織體風(fēng)格。

這種風(fēng)格音符運(yùn)動(dòng)速度加快，音樂流動(dòng)性增強(qiáng)，以十六分音符為基本時(shí)值單位，節(jié)奏平穩(wěn)流暢，也是抒情類的Pop音樂體系?？梢苑謩e用尼龍弦吉他和電鋼琴搭配作為和聲樂器，使織體音樂色彩偏暖，突出音樂的抒情性。其中，尼龍弦吉他主要演奏主體的節(jié)奏音型，電鋼琴則輔以和聲形態(tài)的烘托，相輔相成。Bass同樣是提供長時(shí)值的低音，有時(shí)也可稍加附點(diǎn)變化。鼓節(jié)奏安排上，可以用閉合擊镲進(jìn)行十六分音符的滾動(dòng)式演奏，底鼓和軍鼓進(jìn)行節(jié)拍上的強(qiáng)弱搭配，軍鼓則作為段落對(duì)比的重要手段，如前面可以用擊鼓邊的音色，后面可以用擊鼓的音色。為了增加音樂流動(dòng)感，還可以加入色彩性的打擊樂器如沙球進(jìn)行點(diǎn)綴。

4、傳統(tǒng)的搖滾風(fēng)格。

這種體系主要以原聲音色為主，節(jié)奏輕快，情緒對(duì)比以及爆發(fā)性都不是很強(qiáng)烈。主干織體可用雙吉他模式，木吉他進(jìn)行掃弦式音型演奏，電吉他在二、四拍等弱拍上演奏和弦，以此來改變節(jié)奏的重音，造成搖滾的感覺。Bass可以選用力度強(qiáng)的PeakBass，基本保持與底鼓節(jié)奏一致，以強(qiáng)化強(qiáng)拍。鼓節(jié)奏處理上，軍鼓的節(jié)奏基本固定，底鼓可進(jìn)行不間斷的切分，增加搖滾的感覺，可以使用擊镲邊的音色增加氛圍感。另外，還可以加入一個(gè)合唱人聲音色對(duì)織體進(jìn)行豐富和烘托。

5、重金屬風(fēng)格。

重金屬風(fēng)格的特點(diǎn)是低音部分表現(xiàn)比較突出，因此Bass十分厚重，經(jīng)常用失真電吉他展現(xiàn)激勵(lì)的音響效果，間奏也常用電吉他來演奏大段Solo。為了突出低音，Bass的選擇還是PeakBass，失真吉他音區(qū)選擇也是偏重低音區(qū)，為了突出重金屬感，主干織體可選擇兩把失真吉他作為和聲樂器，掃弦式音型和長音相結(jié)合，凸顯厚重的金屬織體。Bass演奏以平穩(wěn)的強(qiáng)弱節(jié)奏為主，注重音色的顆粒感，鋪滿整個(gè)低聲部層。鼓節(jié)奏與普通搖滾節(jié)奏相似，連接處可進(jìn)行填充加花，突出軍鼓力度以增加搖滾的動(dòng)感。副歌部分還可以加入兩個(gè)色彩性打擊樂器（如沙錘和手鈴）進(jìn)行點(diǎn)綴。

6、迷幻搖滾風(fēng)格。

這類的搖滾風(fēng)格，主要是電子加和聲PAD，像陳奕迅和王菲的后期音樂有很多這樣方面的風(fēng)格編曲.比如香奈兒，再見螢火蟲，浮夸，主旋律.這樣的歌用了很多合成器.但是音色的風(fēng)格來自于英國.像70年代就已經(jīng)存在了.這類的特點(diǎn)就是，效果比較詭異和迷幻.喜歡的朋友可以不妨研究一下.

學(xué)習(xí)小技巧

1、學(xué)會(huì)構(gòu)建體系。編曲學(xué)習(xí)是要建立在體系上的有了一套體系才能有針對(duì)性的選擇性學(xué)習(xí)知識(shí)點(diǎn)完全吸收后再將其填補(bǔ)到它需要到達(dá)的知識(shí)點(diǎn)。

2、適當(dāng)記筆記。在學(xué)習(xí)的過程中一定要養(yǎng)成記筆記的習(xí)慣否則學(xué)習(xí)內(nèi)容就會(huì)變成過眼云煙，可以經(jīng)常翻閱，久而久之，一切流程都會(huì)變得水到渠成。

3、在一階段學(xué)習(xí)后嘗試制作一些東西給自己營造反饋。編曲是需要實(shí)戰(zhàn)的，光靠看視頻學(xué)來的東西都會(huì)被遺忘。必須一步一步、腳踏實(shí)地的做好學(xué)到的每一樣?xùn)|西。百分之百的將知識(shí)點(diǎn)還原才能百分之百的提升自我進(jìn)步的速度取決于平時(shí)練習(xí)的勤快與否。有了每一階段的編曲作品反饋，才能總結(jié)出上一階段哪里沒做好，下一階段需要加強(qiáng)哪一塊知識(shí)點(diǎn)。有方向性的學(xué)習(xí)編曲，實(shí)踐制造反饋后又再次服務(wù)于下一階段的學(xué)習(xí)方向，這樣才能不斷進(jìn)步。

編曲常見誤區(qū)

1、總是想要收集并搞懂所有音源。初學(xué)最好先掌握幾款最重要的主流音源，等了解常用樂器的音色分布特點(diǎn)和彈奏技巧，把基礎(chǔ)的編曲做好后，再慢慢地接觸新音色，一步步完善自己的能力。

2、編得越滿越好聽。不考慮頻段打架，拼命在作品中加各種音色，最后作品結(jié)構(gòu)混亂，主次全無。點(diǎn)綴的樂器蓋過了主旋律的表達(dá)。

3、為了“高級(jí)”亂用各種音。把音階上的音用遍不是本事，用盡可能少的音符表意清晰才是高手。刪掉聲部里不必要的音，修改會(huì)出現(xiàn)不良音響效果的音，把要強(qiáng)調(diào)的音調(diào)節(jié)力度和位置突顯出來。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"編曲指的是一首歌的伴奏部分，就是去掉歌手唱的部分，編曲的核心在于用不同樂器進(jìn)行編配。它既不是古典音樂體系中配器法在流行音樂領(lǐng)域中簡單的復(fù)制與模仿，也不是狹隘的電聲樂隊(duì)配器，而是通過對(duì)現(xiàn)代流行音樂配器的分析與總結(jié)。","id":""}],"text":"","id":"T4ugdOkmSocCy4xILfqcjhm5n17"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"基礎(chǔ)樂理","id":""}],"text":"","id":"FOAEdqGimoasEgxABpucwgEsnnf"},{"type":"paragraph","children":[{"type":"text","text":"“樂理”是所有音樂課程學(xué)習(xí)的基礎(chǔ)內(nèi)容其中包括“音階、樂音體系、調(diào)式、音程”等一系列具有催眠效果的知識(shí)點(diǎn)。作為零基礎(chǔ)初學(xué)者想要學(xué)好編曲所需要的樂理知識(shí)就要從熟記音名和唱名開始到基礎(chǔ)的音程(兩個(gè)音)構(gòu)建再到和弦(三個(gè)音及以上)構(gòu)建。流行歌中常用到的就會(huì)是七和弦、九和弦、十一和弦等高疊和弦學(xué)習(xí)了樂理入門寫作實(shí)戰(zhàn)時(shí)會(huì)更加輕松一些。","id":""}],"text":"","id":"MKQMdMkAIo8yMGxYveTcEsWLnhc"},{"type":"paragraph","children":[{"type":"text","text":"下文講解搭配","id":""},{"type":"text","text":"視頻可以更好的學(xué)習(xí)樂理知識(shí)《【基礎(chǔ)樂理入門（共38集）-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/MJz2HsM"},"children":[{"type":"text","text":"https://b23.tv/MJz2HsM","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"I8Qsdke42o4Aw4xK8FbcOCEGnIh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音符","id":""}],"text":"","id":"P0aodO00Qo2E6sxAZ1gc75swnhf"},{"type":"paragraph","children":[{"type":"text","text":"音符由三個(gè)部分組成，即符頭、符干和符尾。","id":""}],"text":"","id":"Og0YdkmoKoS4yExKYUNcVw8knSc"},{"type":"paragraph","children":[{"type":"text","text":"音符的種類有：","id":""}],"text":"","id":"XYG2d8ug2oUGKaxmg2HcHvNnn2e"},{"type":"paragraph","children":[{"type":"text","text":"1、全音符：沒有符干和符尾的空心的白色音符叫“全音符”；","id":""}],"text":"","id":"G4m2deYWooEGKYxwiB3cM4MHnFt"},{"type":"paragraph","children":[{"type":"text","text":"2、二分音符：帶有符干、沒有符尾的白色音符叫“二分音符”，等于全音符1/2的時(shí)值；","id":""}],"text":"","id":"HUCEdYYGcoCysixOgf9cAzTVnQc"},{"type":"paragraph","children":[{"type":"text","text":"3、四分音符：帶有符干、沒有符尾的黑色音符叫“四分音符”，等于全音符1/4的時(shí)值；","id":""}],"text":"","id":"NyaidOiOooS2YYx8VeHcZLhTnCe"},{"type":"paragraph","children":[{"type":"text","text":"4、八分音符：帶有符干和1條符尾的黑色音符叫“八分音符”，等于全音符1/8的時(shí)值；","id":""}],"text":"","id":"UA8kdgmiso8CAmxILsvcz8asndc"},{"type":"paragraph","children":[{"type":"text","text":"5、十六分音符：帶有符干和2條符尾的黑色音符叫“十六分音符”，等于全音符1/16的時(shí)值；","id":""}],"text":"","id":"RmCwdw88SokIcmxgmsOc84gKncq"},{"type":"paragraph","children":[{"type":"text","text":"6、三十二分音符：帶有符干和3條符尾的黑色音符叫“三十二分音符”，等于全音符1/32的時(shí)值；","id":""}],"text":"","id":"OWeEdKeaWosYWCxsAcTcr6Qknjb"},{"type":"paragraph","children":[{"type":"text","text":"7、六十四分音符：帶有符干4條符尾的黑色音符叫“六十四分音符”，等于全音符1/64的時(shí)值。","id":""}],"text":"","id":"UyWAdGOSmoQuKAxStupcdPVGnWM"},{"type":"imageList","children":[{"type":"image","attrs":{"height":902,"note":[{"type":"text","text":"音符","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/61e74c894fb641c99be277ace23d41ed","width":640},"text":"","id":"EA0wdeWUEokO8OxKAChcjXw4nne"},{"type":"image","attrs":{"height":902,"note":[{"type":"text","text":"音符","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/838a1d43860a4e718725a4a924e0f739","width":640},"text":"","id":"LAs8dUCAYoqSeMxopYzcK84GnXg"}],"text":"","id":"Kce4dKo0wooYiCxohwLc6yZknJc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"調(diào)號(hào)","id":""}],"text":"","id":"Kce4dKo0wooYiCxohwLc6yZknJc"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)就是在五線譜上，譜行開頭的譜號(hào)后面標(biāo)注的變音記號(hào)。這個(gè)變音記號(hào)對(duì)樂譜中所有同名音都有效，也就是說，調(diào)號(hào)中的升降號(hào)標(biāo)在哪個(gè)音的位置，則樂譜中遇見所有這個(gè)音以及它們的同名音（八度的倍音）都要按譜號(hào)中的升降號(hào)升高或降低半音。","id":""}],"text":"","id":"AaoyduA64oQomAxQXyXc1cN0nTg"},{"type":"paragraph","children":[{"type":"text","text":"升號(hào)調(diào)：C G D A E B #F #C（bD）","id":""}],"text":"","id":"OSC8de2YuoWeMIxqYLacRSlFnSh"},{"type":"paragraph","children":[{"type":"text","text":"降號(hào)調(diào)：F bB bE bA bD bG bC（B）","id":""}],"text":"","id":"YykUdyYaQoAOoex0Orfc2ZLmnqf"},{"type":"paragraph","children":[{"type":"text","text":"原理：先看這個(gè)五度圈圖","id":""}],"text":"","id":"C6oIdQaesoKcu6xu8fOcFNfgnzd"},{"type":"image","attrs":{"height":493,"note":[{"type":"text","text":"調(diào)號(hào)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/ac688947cf9a4a8ca1796dda7a9760b4","width":463},"text":"","id":"AS0ud20Cgo4OeMx0WTzcfRHhnhf"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)上面使用升號(hào)（#）的稱作「升號(hào)調(diào)」；","id":""}],"text":"","id":"IqoKdComgo6mKkxWucZczjbpn0c"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)上面使用降號(hào)（b）的稱作「降號(hào)調(diào)」；","id":""}],"text":"","id":"VmCud44Qgowu4ex2VmZchrr3n8e"},{"type":"paragraph","children":[{"type":"text","text":"一個(gè)自然音階里有七個(gè)音，所以升降號(hào)最多能加七個(gè)。","id":""}],"text":"","id":"A4A8diCsao8yqex4YH1cvUuPnAe"},{"type":"paragraph","children":[{"type":"text","text":"「升號(hào)調(diào)」：","id":""}],"text":"","id":"GysQdCk0Wo8G0FxUI2icAKGInII"},{"type":"paragraph","children":[{"type":"text","text":"1、比C調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是G調(diào)（G，A，B，C，D，E，F(xiàn)#），所以G調(diào)調(diào)號(hào)有1個(gè)升號(hào)；","id":""}],"text":"","id":"BmOkdAYAKoGSCMxMfIicvuyYnAc"},{"type":"paragraph","children":[{"type":"text","text":"2、比G調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是D調(diào)（D，E，F(xiàn)#，G，A，B，C#），所以D調(diào)調(diào)號(hào)有2個(gè)升號(hào)；","id":""}],"text":"","id":"ZU6ydqiAkouUKCxcHofc8ywTnEb"},{"type":"paragraph","children":[{"type":"text","text":"3、比D調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是A調(diào)（A，B，C#，D，E，F(xiàn)#，G#），所以A調(diào)調(diào)號(hào)有3個(gè)升號(hào)；","id":""}],"text":"","id":"ZG8SdCsgaoMeO2xoTZTceZf8n3e"},{"type":"paragraph","children":[{"type":"text","text":"4、比A調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是E調(diào)（E，F(xiàn)#，G#，A，B，C#，D#），所以E調(diào)調(diào)號(hào)有4個(gè)升號(hào)；","id":""}],"text":"","id":"FGkIdsqeComOmMxUh2FchgElnYf"},{"type":"paragraph","children":[{"type":"text","text":"5、比E調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是B調(diào)（B，C#，D#，E，F(xiàn)#，G#，A#），所以B調(diào)調(diào)號(hào)有5個(gè)升號(hào)；","id":""}],"text":"","id":"MUQodqSOqoYK8ux87trcuSfIntb"},{"type":"paragraph","children":[{"type":"text","text":"6、比B調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是F#調(diào)（F#，G#，A#，B，C#，D#，E#），所以F#調(diào)調(diào)號(hào)有6個(gè)升號(hào)；","id":""}],"text":"","id":"Sga0dEO42ogAWsxGOIQcSpNpnhe"},{"type":"paragraph","children":[{"type":"text","text":"7、比F#調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是C#調(diào)（C#，D#，E#，F(xiàn)#，G#，A#，B#），所以C#調(diào)調(diào)號(hào)有7個(gè)升號(hào)；（極不常用）","id":""}],"text":"","id":"QYWidq26qoGUqOxMjDlcYewEnHh"},{"type":"image","attrs":{"height":117,"note":[{"type":"text","text":"調(diào)號(hào)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c677577255cd48a79e556d5c68bf537b","width":640},"text":"","id":"VKYEdCw0YoOScsxau49ccwKEnph"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)此總結(jié)上述規(guī)律，隨著升號(hào)增加：","id":""}],"text":"","id":"JS00dmQKAoUm4ExGuCJcS9w4nSb"},{"type":"paragraph","children":[{"type":"text","text":"C→G→D→A→E→B→F#→C#","id":""}],"text":"","id":"QY4CdUsOGo6M6ixwthfcWV3Mn2b"},{"type":"paragraph","children":[{"type":"text","text":"恰好相鄰的兩個(gè)音之間構(gòu)成的是純五度關(guān)系。而且隨著升號(hào)的增加，先后被升高的音分別是：","id":""}],"text":"","id":"S6Cad0SgGo0C8kx4Ad9cKYqcnVe"},{"type":"paragraph","children":[{"type":"text","text":"F，C，G，D，A，E，B","id":""}],"text":"","id":"W2AUdoOq4ooY8Axus5Zczrypnoc"},{"type":"paragraph","children":[{"type":"text","text":"相鄰的兩個(gè)音之間也是純五度關(guān)系，升號(hào)調(diào)調(diào)號(hào)上寫升號(hào)的順序也是這個(gè)順序。","id":""}],"text":"","id":"UYgOduWmco6aOGxgVIUcRNtQnGg"},{"type":"paragraph","children":[{"type":"text","text":"「降號(hào)調(diào)」：","id":""}],"text":"","id":"NccedquAGoMyKGxAKDic6AvDnbT"},{"type":"paragraph","children":[{"type":"text","text":"1、比C調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是F調(diào)（F，G，A，Bb，C，D，E），所以F調(diào)調(diào)號(hào)有1個(gè)降號(hào)；","id":""}],"text":"","id":"UKOcdKIcQoE0KmxQp7ecNYAnn6e"},{"type":"paragraph","children":[{"type":"text","text":"2、比F調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Bb調(diào)（Bb，C，D，Eb，F(xiàn)，G，A），所以Bb調(diào)調(diào)號(hào)有2個(gè)降號(hào)；","id":""}],"text":"","id":"DWqEdaG6eok2yqxI3vDcrZynn4g"},{"type":"paragraph","children":[{"type":"text","text":"3、比Bb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Eb調(diào)（Eb，F(xiàn)，G，Ab，Bb，C，D），所以Eb調(diào)調(diào)號(hào)有3個(gè)降號(hào)；","id":""}],"text":"","id":"QEO0dacGgoo2six4oFicNMmUnTd"},{"type":"paragraph","children":[{"type":"text","text":"4、比Eb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Ab調(diào)（Ab，Bb，C，Db，Eb，F(xiàn)，G），所以Ab調(diào)調(diào)號(hào)有4個(gè)降號(hào)；","id":""}],"text":"","id":"GGyedsIkgokGGYx2YOvcxKMZnab"},{"type":"paragraph","children":[{"type":"text","text":"5、比Ab調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Db調(diào)（Db，Eb，F(xiàn)，Gb，Ab，Bb，C），所以Db調(diào)調(diào)號(hào)有5個(gè)降號(hào)；","id":""}],"text":"","id":"JuA4dwwqqog2o6xSF8WcSjg6n8Q"},{"type":"paragraph","children":[{"type":"text","text":"6、比Db調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Gb調(diào)（Gb，Ab，Bb，Cb，Db，Eb，F(xiàn)），所以Gb調(diào)調(diào)號(hào)有6個(gè)降號(hào)；","id":""}],"text":"","id":"UCMadoImuowKQCxc6q4cklvlnRJ"},{"type":"paragraph","children":[{"type":"text","text":"7、比Gb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Cb調(diào)（Cb，Db，Eb，F(xiàn)b，Gb，Ab，Bb），所以Cb調(diào)調(diào)號(hào)有7個(gè)降號(hào)；（極不常用）。","id":""}],"text":"","id":"MkWGdSWAKoy6U6xAduXcAod8nJc"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)此總結(jié)上述規(guī)律，隨著降號(hào)增加：","id":""}],"text":"","id":"LO4cdKKaAoyCCqxWcXTcq2j7n5b"},{"type":"paragraph","children":[{"type":"text","text":"C→F→Bb→Eb→Ab→Db→Gb→Cb","id":""}],"text":"","id":"QYkodGqcGoIiqGxiwZBcuyWHnJh"},{"type":"paragraph","children":[{"type":"text","text":"恰好相鄰的兩個(gè)音之間構(gòu)成的是純四度（純五度的轉(zhuǎn)位）關(guān)系。而且隨著降號(hào)的增加，先后被降低的音分別是：","id":""}],"text":"","id":"IYWediWYCoKgOaxm0d2cQvYfnzf"},{"type":"paragraph","children":[{"type":"text","text":"B，E，A，D，G，C，F(xiàn)","id":""}],"text":"","id":"NG6GdACqKoIuImxYi1IcCR2mn7T"},{"type":"paragraph","children":[{"type":"text","text":"相鄰的兩個(gè)音之間也是純五度關(guān)系，降號(hào)調(diào)調(diào)號(hào)上寫降號(hào)的順序也是這個(gè)順序。","id":""}],"text":"","id":"Zcm6d2SC0oIqOcxglCscxTXhnBh"},{"type":"paragraph","children":[{"type":"text","text":"在實(shí)際使用時(shí)，由于十二平均率里的等音關(guān)系，為了避免升降號(hào)過多影響讀譜，通常：","id":""}],"text":"","id":"F80gd8ACkouikYx45IRcQhGjnkf"},{"type":"paragraph","children":[{"type":"text","text":"B調(diào)代替Cb調(diào)，Db調(diào)代替C#調(diào)。","id":""}],"text":"","id":"PkowdqQOeou0SGxoJeTcmP1Yn7c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"全音和半音","id":""}],"text":"","id":"VcesdaqUqo4yKIxOWurcIorCnUd"},{"type":"image","attrs":{"height":467,"note":[{"type":"text","text":"全音和半音","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/403b82b5d4144c2b878a6ba11d6947b3","width":636},"text":"","id":"WOQgdwY0SoUIsexC0frc0uBln9c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音名和唱名","id":""}],"text":"","id":"VC0wdy4YgowUUWxemBqciM0onwc"},{"type":"image","attrs":{"height":207,"note":[{"type":"text","text":"音名和唱名","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1bf60512855c4194bd71a72766af1839","width":635},"text":"","id":"UOGedOCIWoU8iwxkP4KcxqN5n3c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"節(jié)拍","id":""}],"text":"","id":"JsMOdiowkoIQw4xiI7Ic2fZsnzf"},{"type":"paragraph","children":[{"type":"text","text":"小節(jié)：小節(jié)與小節(jié)之間，以縱線為界。","id":""}],"text":"","id":"EYSydogQComyiqxOUByc3l3entY"},{"type":"paragraph","children":[{"type":"text","text":"節(jié)拍：每隔一定時(shí)間重復(fù)出現(xiàn)的有一定強(qiáng)弱分別的一系列拍。","id":""}],"text":"","id":"W0UEdO0eioQ4OgxeOygcyMppnIc"},{"type":"paragraph","children":[{"type":"text","text":"拍號(hào)：分?jǐn)?shù)表示，分母表示以什么音符為一拍，分子表示一小節(jié)有幾拍。","id":""}],"text":"","id":"T6wCdkuKYoucQkxIJ1NcB4flnBe"},{"type":"paragraph","children":[{"type":"text","text":"例：4/4拍，以四分音符為拍，每小節(jié)有四拍。","id":""}],"text":"","id":"EUi6d0mQioC0kAx2ANocWit4njb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"歌曲速度","id":""}],"text":"","id":"K4IudGcSYoAQcKxwZKqc942pnth"},{"type":"paragraph","children":[{"type":"text","text":"以每分鐘節(jié)拍數(shù)計(jì)數(shù)，單位BPM。","id":""}],"text":"","id":"VEE2dYAUsomaScx66fvcDhyynsb"},{"type":"paragraph","children":[{"type":"text","text":"例：6OBPM＝每分鐘60拍。","id":""}],"text":"","id":"Hm4OdSGYoo8ESoxPT72cLvednfl"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"簡譜常用標(biāo)記","id":""}],"text":"","id":"Oy00dEgYMo8KIoxgrTocGSYfnub"},{"type":"image","attrs":{"height":352,"note":[{"type":"text","text":"簡譜常用標(biāo)記","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/94cbbafba43143bbbff4006d8371de61","width":734},"text":"","id":"C6CMdu6uCoc6kgxYhNScO0Dgnag"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"升降標(biāo)記","id":""}],"text":"","id":"JYAqdiCMsokQ4YxecejcjlvZnDd"},{"type":"paragraph","children":[{"type":"text","text":"升降調(diào)是用來調(diào)節(jié)旋律的曲調(diào)高低，播放器里的移調(diào)，是以小二度為單位，也就是半音，依次進(jìn)行升降調(diào)。如果要以大調(diào)式為例，E調(diào)的調(diào)號(hào)是4個(gè)升號(hào)，F(xiàn)調(diào)的調(diào)號(hào)是1個(gè)降號(hào)，E調(diào)與F調(diào)的根音的確差半音，那它們的調(diào)號(hào)就相差5個(gè)記號(hào)。G調(diào)調(diào)號(hào)是1個(gè)升號(hào)，根音與F調(diào)差2個(gè)半音，調(diào)號(hào)就差2個(gè)記號(hào)。\\n","id":""},{"type":"text","text":"一般在樂譜上，移調(diào)是以記號(hào)而不是半音數(shù)為單位的，根音上/下行5度，就增加一個(gè)升/降記號(hào)。","id":""}],"text":"","id":"ZgUEdSIMgo6cA2xQDKlcNTXQnkf"},{"type":"image","attrs":{"height":418,"note":[{"type":"text","text":"升降標(biāo)記","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/66be6b44462545c1b468adcd2d1d7b3b","width":651},"text":"","id":"PqUOdEkygo46GwxekyXcu1KRnwe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"唱名法","id":""}],"text":"","id":"SaUadyEcqokWYEx0I8ocQbalnqh"},{"type":"paragraph","children":[{"type":"text","text":"唱名法，有固定唱名法和首調(diào)唱名法。","id":""}],"text":"","id":"HUcMdQq8eo0mwy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5nFh"},{"type":"paragraph","children":[{"type":"text","text":"從和聲上講，注意好音程關(guān)系，而作為低音樂器，跳進(jìn)往往比級(jí)進(jìn)更能得到清晰明朗的效果，若使用級(jí)進(jìn)，則連續(xù)下行效果會(huì)比較好。","id":""}],"text":"","id":"UG8Qdu4gMoi82exEbX2c3zEen6g"},{"type":"paragraph","children":[{"type":"text","text":"從織體上講，應(yīng)處理好Bass和底鼓的關(guān)系，盡量避免低頻碰撞。","id":""}],"text":"","id":"MCQ0dcU0yoImSWx08nCcfcAznsg"},{"type":"paragraph","children":[{"type":"text","text":"從音色上講，注意搭配底鼓和Bass的音色就行。","id":""}],"text":"","id":"EqEUdQeiQo04sYxKQkKc6iBtndf"},{"type":"paragraph","children":[{"type":"text","text":"從音區(qū)上講，低音下潛越深越好，但也要注意Bass的音域，保持音色的清晰度。","id":""}],"text":"","id":"W48Uds2E4o0usUxotgtcLd9unI5"},{"type":"paragraph","children":[{"type":"text","text":"在和弦音的重復(fù)中，低音重復(fù)也是要注意的，如果和聲樂器的低音音區(qū)與Bass演奏音區(qū)相接近，這時(shí)，兩者的低音最好相同（其他低音樂器也是一樣），這樣可以加強(qiáng)低音聲部，反之容易混淆，織體表達(dá)不清晰。","id":""}],"text":"","id":"CmsQd0oKCoqiuaxYJrQcePTMnzf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"和聲樂器處理","id":""}],"text":"","id":"HKAAdwWCaosyu6x4yCTchcOznDe"},{"type":"paragraph","children":[{"type":"text","text":"和聲樂器的一些處理，當(dāng)內(nèi)聲部中填充有多個(gè)樂器且比較接近時(shí)，那么可以使用以下一些技巧達(dá)到更好的效果。","id":""}],"text":"","id":"Sg6sdsyyeoQI8MxsBr2ckDbanZf"},{"type":"paragraph","children":[{"type":"text","text":"首先，可以采用不同的排列法（密集和開放排列）相互補(bǔ)充，一來得到了更飽滿的音響效果，二來避免和弦音完全重復(fù)抹殺了特定樂器的音色。其次，可以通過調(diào)節(jié)聲像方位來分散平衡內(nèi)聲部的堆砌感。再次，可以適當(dāng)處理音色，從而避免同音區(qū)音響上的堆砌。","id":""}],"text":"","id":"CMckdKaUsoCCskxmbd4cRJZdndb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"聲音的色彩","id":""}],"text":"","id":"MuIkdoEsOoYW2SxioLdcFARnncf"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"Eo8CdiWWmoScKaxyw7McPtOvnhq"},{"type":"paragraph","children":[{"type":"text","text":"再來說說關(guān)于聲音的“色彩”。其實(shí)聲音也可以分成冷和暖的。高頻尖銳的聲音（如鋼琴）就是偏向冷色調(diào)的，而低頻樂器的聲音就比較溫暖。音色冷暖的合理搭配也是織體編寫中需要適當(dāng)斟酌的。","id":""}],"text":"","id":"TuEYdSy88oweg4xkbQqc5xMsnmf"},{"type":"paragraph","children":[{"type":"text","text":"當(dāng)幾個(gè)音共同發(fā)出音響并且形成了連續(xù)的進(jìn)行這時(shí)它們就構(gòu)成了和聲的關(guān)系。相比橫向的旋律走向和聲講究的是音的縱向分布與排列。它對(duì)于音樂作品的發(fā)展對(duì)于加深和豐富音樂作品的表現(xiàn)力具有非常重要意義。流行歌寫作中最常用到的幾種經(jīng)典和聲走向舉例如下：","id":""}],"text":"","id":"BAIuduMIio44C2xO6ZWco342nEh"},{"type":"paragraph","children":[{"type":"text","text":"第一種：C–Am–F–G(“爛大街走向”：1645)；","id":""}],"text":"","id":"NGUqdciacoK6CqxqGQ6cs8rlnfc"},{"type":"paragraph","children":[{"type":"text","text":"第二種：F–G–Em–Am–Dm–G–C(經(jīng)典副歌走向：4536251)；","id":""}],"text":"","id":"WqMgdycGuoWUQqxCIe7cm6OUn5g"},{"type":"paragraph","children":[{"type":"text","text":"第三種：C–G/B–Am–G–F–C/E–Dm–G(經(jīng)典卡農(nóng)走向：17654325)。","id":""}],"text":"","id":"SwawdoSoIoYmeEx2dQLcu8TBnve"},{"type":"paragraph","children":[{"type":"text","text":"綜上所述建議零基礎(chǔ)初學(xué)者建議掌握和弦的基本用法和聲掌握經(jīng)典走向后嘗試用高級(jí)和弦來替代基礎(chǔ)和弦。","id":""}],"text":"","id":"UIYmdQek6oC6IGxMlAFchVlZnOd"},{"type":"paragraph","children":[{"type":"text","text":"和聲方面推薦的學(xué)習(xí)資料有《流行音樂與爵士樂和聲學(xué)（第2版）》（任達(dá)敏），《爵士和聲》（陳云強(qiáng)）。","id":""}],"text":"","id":"F2oMdsQyaoWwoMxeSlHcwIWZnLh"},{"type":"image","attrs":{"height":487,"note":[{"type":"text","text":"聲音的色彩","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d7e3f06a16e2470890d57b7f1f5cbbd1","width":720},"text":"","id":"DMwYdaCAGoKya8xygzKcBZbznpf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"和弦","id":""}],"text":"","id":"ZsyodMC6moIq22xmQdXcIBCdntc"},{"type":"paragraph","children":[{"type":"text","text":"和弦是指有一定音程關(guān)系的一組聲音，即將三個(gè)或以上的音，按照三度或非三度的疊置關(guān)系，在縱向上加以結(jié)合，就稱為和弦。","id":""}],"text":"","id":"SGaUdqmMSoOqEmxINTncSXncnWg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"和弦屬性","id":""}],"text":"","id":"Haw2dksQooaKOOxkVLZcNIyon2e"},{"type":"paragraph","children":[{"type":"text","text":"根據(jù)和弦屬性，三和弦有：大三和弦、小三和弦、增三和弦、減三和弦。","id":""}],"text":"","id":"PU0qdwKgWo8EQOxaGrWcziwfnOb"},{"type":"paragraph","children":[{"type":"text","text":"大三和弦：","id":""}],"text":"","id":"AKgQdsYCQok40QxiG34cd9n5nIc"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是大三度，三音到五音是小三度。","id":""}],"text":"","id":"W4KSdi6sQoQWG4xkZxCcqQaCnSe"},{"type":"paragraph","children":[{"type":"text","text":"有：一級(jí)和弦、四級(jí)和弦、五級(jí)和弦(1、4、5)","id":""}],"text":"","id":"HIWCdk0McoQOkIxo4trcXUtpngb"},{"type":"paragraph","children":[{"type":"text","text":"小三和弦：","id":""}],"text":"","id":"DkAmdACU6oo2kox978qcSPMZnqH"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是小三度，三音到五音是大三度。","id":""}],"text":"","id":"TG00doIgKoceAqxgFyocLc60n8d"},{"type":"paragraph","children":[{"type":"text","text":"有：二級(jí)和弦、三級(jí)和弦、六級(jí)和弦(2、3、6)","id":""}],"text":"","id":"Du8Sdkmiio8acyxkhlhcSVyynBf"},{"type":"paragraph","children":[{"type":"text","text":"減三和弦：","id":""}],"text":"","id":"GawQd0QGWo6Aq4x6ngNcGljnnFd"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是小三度，三音到五音是小三度。","id":""}],"text":"","id":"NEs8dKEGuoOcC2xicxFc73J6nye"},{"type":"paragraph","children":[{"type":"text","text":"只有：七級(jí)和弦。","id":""}],"text":"","id":"ReYadqIwoooqAkxaETaclQrqn9d"},{"type":"paragraph","children":[{"type":"text","text":"和弦標(biāo)記方式","id":""}],"text":"","id":"Vag8dUKEwoCwsix2HnScsZ3KnLe"},{"type":"paragraph","children":[{"type":"text","text":"大三和弦：Major，標(biāo)記方法可省略，如：C和弦","id":""}],"text":"","id":"KCg0dk4QioW4AixMRfEcNm0cnIg"},{"type":"paragraph","children":[{"type":"text","text":"小三和弦：Minor，標(biāo)記方法可簡寫m，如：Am和弦","id":""}],"text":"","id":"DqQgdu6EcoIQGox6nKFcv1Pcnye"},{"type":"paragraph","children":[{"type":"text","text":"減三和弦：Diminish，標(biāo)記方法可簡寫dim，如：Bdim和弦","id":""}],"text":"","id":"DQQKdcaCYoAG4kxmKk3cXNZnnIb"},{"type":"image","attrs":{"height":323,"note":[{"type":"text","text":"和弦屬性","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/deab23f3136d4863b17c46311db4ed15","width":564},"text":"","id":"Q82qd02OWo8iWAxm0Y8cuhr6nNc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"普通和弦","id":""}],"text":"","id":"WUKmdEkSwo0I6Uxmcqjc9zzLndg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"三和弦","id":""}],"text":"","id":"AkCId2uCcoqyM6xaFjmciAQfngg"},{"type":"paragraph","children":[{"type":"text","text":"由三個(gè)音按照三度關(guān)系疊置起來的和弦，叫做三和弦。三和弦各音由下而上稱為根音、三音、五音，分別以1、3、5標(biāo)記。","id":""}],"text":"","id":"OuMcd0I0SoEIoOxqOemcanR6nPh"},{"type":"image","attrs":{"height":730,"note":[{"type":"text","text":"三和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/725b61f12c89425bb672c362966d459d","width":1073},"text":"","id":"FuWKdcocQoiYCYxiaKac2QgAnle"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"七和弦","id":""}],"text":"","id":"XwMqdiao2ouGyoxWi0icl4IInVf"},{"type":"paragraph","children":[{"type":"text","text":"由四個(gè)音按照三度關(guān)系疊置起來的和弦，叫做七和弦。七和弦各音由下而上稱為根音、三音、五音、七音，分別以1、3、5、7標(biāo)記。","id":""}],"text":"","id":"Vmo8dQGWWoc4ksxItPfcVWmhn9b"},{"type":"image","attrs":{"height":1418,"note":[{"type":"text","text":"七和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/22aa9aeec99b4fa4a17ea3b273a789d9","width":1044},"text":"","id":"JQ4Cd4MCuo8mK0xMXTHcJ6zDnCf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"常用和弦","id":""}],"text":"","id":"GWOwdaK44o8qOOxmuxScVCZ1nmh"},{"type":"paragraph","children":[{"type":"text","text":"（1）卡農(nóng)進(jìn)行","id":""}],"text":"","id":"CQ28dumCsoSEwSxQZlJc8qyFnQe"},{"type":"paragraph","children":[{"type":"text","text":"鋼琴曲《卡農(nóng)》中使用的和弦進(jìn)行","id":""}],"text":"","id":"PKYmdwMS6oECS4xMxO7cceAcnFg"},{"type":"paragraph","children":[{"type":"text","text":"1—V—Vlm—Illm—IV—I—IV—V；15634145","id":""}],"text":"","id":"W2sydQYS8oC242xyqsZcPwITnef"},{"type":"paragraph","children":[{"type":"text","text":"l—V—Vlm—Illm—IV—I—Ilm—V;15634125","id":""}],"text":"","id":"Fk4udOoEEo0AsOx0CtPcnAs3nyg"},{"type":"paragraph","children":[{"type":"text","text":"情感/色彩：抒情、敘事感","id":""}],"text":"","id":"OcOMd2Iomo2qaExHVz3cm8yDnp8"},{"type":"image","attrs":{"height":473,"note":[{"type":"text","text":"常用和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e1c281ba121f4755bbb0d8692063da4d","width":745},"text":"","id":"J8wsd6YiqoSo0qxqUNFcXPF5npf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"曲式","id":""}],"text":"","id":"WQEsdCc2cocaMsxA5KUcmFbWnUc"},{"type":"paragraph","children":[{"type":"text","text":"常見的曲式結(jié)構(gòu)如下：","id":""}],"text":"","id":"YCiCdagamoCKI2xcF2kcnbbbnec"},{"type":"paragraph","children":[{"type":"text","text":"1、單一部曲式：這種曲式結(jié)構(gòu)最簡單，它一般由幾個(gè)樂句構(gòu)成，沒有明顯的重復(fù)段落，沒有第二主題，也沒有副歌。","id":""}],"text":"","id":"VAq2demkKoswmQxYBI2cQkfInTb"},{"type":"paragraph","children":[{"type":"text","text":"2、單二部曲式：由兩個(gè)樂段構(gòu)成的曲式，叫做單二部曲式，結(jié)構(gòu)為A+B。","id":""}],"text":"","id":"K8Acdey8ooAQoOxK2EUc1CaPnvg"},{"type":"paragraph","children":[{"type":"text","text":"3、單三部曲式：由三個(gè)樂段構(gòu)成，其中第一段和第三段是一樣的材料，結(jié)構(gòu)為A+B+A。","id":""}],"text":"","id":"JU0IdGSWQosoUYxgPf2cG7HqnId"},{"type":"paragraph","children":[{"type":"text","text":"4、復(fù)三部曲式：這種曲式的大結(jié)構(gòu)與單三部曲式完全一樣，只是在這里的三個(gè)段落中，每個(gè)段落還包含一個(gè)獨(dú)立的曲式結(jié)構(gòu)，可能為單二部曲式，可能為單三部曲式。","id":""}],"text":"","id":"RCUcdiMoUowG6yxagSBco1mynEc"},{"type":"paragraph","children":[{"type":"text","text":"5、回旋曲式：這種曲式由兩種部分構(gòu)成，為主部與副部?；匦降漠a(chǎn)生源于聲樂性的輪舞曲，在輪舞曲中有分節(jié)歌與副歌，分節(jié)歌通常是獨(dú)唱，副歌是合唱，每次獨(dú)唱完成后都會(huì)回到合唱，每次的合唱部分都是相同的。","id":""}],"text":"","id":"MIkUdUeeOoImqox6LSlcIC1vn0e"},{"type":"paragraph","children":[{"type":"text","text":"6、變奏曲式：變奏曲一開始會(huì)有一個(gè)完整的主題段落，在后面的段落中，都是這個(gè)主題的發(fā)展變化。","id":""}],"text":"","id":"S8IqdC444omqyYxruyTc9exFnjw"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲設(shè)備","id":""}],"text":"","id":"Ic6iduwqgo6co6xazwhcbIx9ntb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"宿主選擇","id":""}],"text":"","id":"GW2udOOIQowwcYxUj5ncwO8onwd"},{"type":"paragraph","children":[{"type":"text","text":"我們在挑選電腦之前，首先得挑選一下我們想要在哪個(gè)平臺(tái)進(jìn)行編曲工作，常見的就是win平臺(tái)與Mac平臺(tái)。隨后就要選擇自己主要會(huì)用到的宿主。","id":""}],"text":"","id":"T2gAdUyAGoyqi6xcZaoc5GqOnub"},{"type":"paragraph","children":[{"type":"text","text":"編曲軟件很多，但實(shí)際上，不同的軟件有著不同的特點(diǎn)，而不同音樂編曲軟件的選用，和大家的作品風(fēng)格、使用習(xí)慣等息息相關(guān)。了解不同軟件的特點(diǎn)，了解它們最適合的音樂風(fēng)格，了解它們的長處與缺點(diǎn)，可以幫助大家更快更順暢地踏上音樂編曲的道路。","id":""}],"text":"","id":"CagsdmGA4oq4wExkv40cp9M4n08"},{"type":"paragraph","children":[{"type":"text","text":"目前網(wǎng)絡(luò)上有很多宿主軟件教學(xué)同樣我們需要學(xué)習(xí)的是共性而不是逐個(gè)軟件學(xué)習(xí)過去。先嘗試精通其中一款經(jīng)典軟件后從個(gè)性中總結(jié)出共性再嘗試其他軟件因此這一款軟件的選擇就顯得十分重要。為大家推薦幾款常用的宿主軟件。","id":""}],"text":"","id":"WycgdwQA8oiq0axMBiKc7f5mnfg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"Cubase","id":""}],"text":"","id":"RyGudGQUiokOUmxYxd5cUp1Gnhc"},{"type":"paragraph","children":[{"type":"text","text":"作為新手這款軟件最容易上手。","id":""},{"type":"text","text":"配合這個(gè)","id":""},{"type":"text","text":"視頻","id":""},{"type":"text","text":"和我在下文整理的筆記可更有效地","id":""},{"type":"text","text":"學(xué)習(xí)?！丁綛站最全最詳細(xì)的Cubase教程（117集），從零到精通！編曲混音、錄音修音、音頻后期、音樂制作必備！-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/tN1lPPc"},"children":[{"type":"text","text":"https://b23.tv/tN1lPPc","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"ZCIKdc8q2oM0EGxqMTHcupjdnqe"},{"type":"paragraph","children":[{"type":"text","text":"Cubase（酷貝斯）具有MIDI音序、音頻編輯處理、多軌錄音縮混、視頻配樂、環(huán)繞聲處理等功能。Cubase的強(qiáng)大，在于它的一切參數(shù)都需要自己控制，它常常是工業(yè)化制作的必備軟件，但也正因?yàn)槿绱耍珻ubase這款軟件擁有編曲、錄音、混音三體合一的強(qiáng)大功能。Cubase在輸出時(shí)不對(duì)聲音著色，這也是Cubase受到各方面音樂人歡迎的原因之一。","id":""}],"text":"","id":"Vm2IdIYC2oIyCWxcZ96cKxP2n8g"},{"type":"paragraph","children":[{"type":"text","text":"Cubase官網(wǎng)：點(diǎn)擊進(jìn)入","id":""}],"text":"","id":"KQkod2MUYoi0akxyOTbcfdhjn1b"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.steinberg-cn.com/"},"children":[{"type":"text","text":"https://www.steinberg-cn.com/","id":""}],"text":"","id":""}],"text":"","id":"BkGqdeYwIoO8gKxee1ecaXLdnYg"},{"type":"image","attrs":{"height":372,"note":[{"type":"text","text":"Cubase","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f6e3ae9c5faa4b1dbadbf5860b1149be","width":729},"text":"","id":"Qa26d6ygYoGsAAx6Lcdcb2BFnWd"},{"type":"paragraph","children":[{"type":"text","text":"快捷鍵","id":""}],"text":"","id":"Y46MdG6iuoksMCxQroacrSzVnEc"},{"type":"paragraph","children":[{"type":"text","text":"功能鍵","id":""}],"text":"","id":"N2sMdcMUKoso4CxCWbec17rEnOc"},{"type":"paragraph","children":[{"type":"text","text":"1、F2功能鍵：顯示／隱藏走帶控制條","id":""}],"text":"","id":"OgEYdMckwoCQImxsxv4c7bCwnBe"},{"type":"paragraph","children":[{"type":"text","text":"2、F3功能鍵：打開／關(guān)閉Mixer（調(diào)音臺(tái)）窗","id":""}],"text":"","id":"PyoodEkwiogmsYxqk5pc5kGYncd"},{"type":"paragraph","children":[{"type":"text","text":"3、F4功能鍵：打開／關(guān)閉音頻輸出窗口","id":""}],"text":"","id":"ToWKdIiwsoYS8Mx2hiZcIN7Mnad"},{"type":"paragraph","children":[{"type":"text","text":"4、F9/F10功能鍵：鼠標(biāo)工具選擇","id":""}],"text":"","id":"Ts8GdWWk4oUw48xusgTc0AD5nFc"},{"type":"paragraph","children":[{"type":"text","text":"單指鍵","id":""}],"text":"","id":"L6mIdUYaIo86Ekx0IwbcCXNdnxh"},{"type":"paragraph","children":[{"type":"text","text":"1、Q鍵：量化MIDI音符","id":""}],"text":"","id":"OY4AdK0M6oQKuKxYlIWcvjLnnBc"},{"type":"paragraph","children":[{"type":"text","text":"2、I鍵：打開／關(guān)閉插入錄音模式","id":""}],"text":"","id":"GigWd6SWeoCQSexyMlRc2MUEnvg"},{"type":"paragraph","children":[{"type":"text","text":"3、0鍵：打開／關(guān)閉穿出錄音模式","id":""}],"text":"","id":"Qkkod6SgWooY6AxsLgCcVyQknGf"},{"type":"paragraph","children":[{"type":"text","text":"4、S鍵：使當(dāng)前選中音軌獨(dú)奏","id":""}],"text":"","id":"P4med6EIKo622mxg1ROcMrrwnse"},{"type":"paragraph","children":[{"type":"text","text":"5、F鍵：打開／關(guān)閉自動(dòng)光標(biāo)跟隨模式","id":""}],"text":"","id":"EocAdkeuqow6sqx23KYcqyWNnpd"},{"type":"paragraph","children":[{"type":"text","text":"6、G鍵：橫向縮小窗口顯示比例","id":""}],"text":"","id":"TmuidsEwoo2Ai2xKQ3IcSHdHnFc"},{"type":"paragraph","children":[{"type":"text","text":"7、H鍵：橫向放大窗口顯示比例","id":""}],"text":"","id":"II4cdy8UqoeGK8x0SjEcnukenTe"},{"type":"paragraph","children":[{"type":"text","text":"8、J鍵：打開／關(guān)閉對(duì)齊模式","id":""}],"text":"","id":"RsgqdwUKwoS2q6xKccXcatOunhf"},{"type":"paragraph","children":[{"type":"text","text":"9、Z鍵：縱向放大窗口顯示比例","id":""}],"text":"","id":"Tsm0dsSaKomOKqxcDIFcNGxWnib"},{"type":"paragraph","children":[{"type":"text","text":"10、C鍵：打開／關(guān)閉節(jié)拍器","id":""}],"text":"","id":"N2GIdmeyEo8UEExLV6TcDDHrnge"},{"type":"paragraph","children":[{"type":"text","text":"11、B鍵：使播放指針移動(dòng)到前一個(gè)小節(jié)","id":""}],"text":"","id":"EwiYdkKSQoQACexMKJpcTPFCnL0"},{"type":"paragraph","children":[{"type":"text","text":"12、N鍵：使播放指針移動(dòng)到下一個(gè)小節(jié)","id":""}],"text":"","id":"NyegdGKUWoEuuexgLM2cSPD0nfc"},{"type":"paragraph","children":[{"type":"text","text":"13、M鍵：使當(dāng)前選中音軌靜音","id":""}],"text":"","id":"F8YqdiWO6ok28cxPmOCcYyFBnlW"},{"type":"paragraph","children":[{"type":"text","text":"Ctrl鍵","id":""}],"text":"","id":"Vu2Gd8o0yoEIumxkpPlc1i2RnAc"},{"type":"paragraph","children":[{"type":"text","text":"1、Ctrl+N鍵：新建文件","id":""}],"text":"","id":"OesEdq2m2oyUMsxEDRAcByYYn1g"},{"type":"paragraph","children":[{"type":"text","text":"2、Ctrl+0鍵：打開文件","id":""}],"text":"","id":"RMOGdkue4oaEmYxIfcschykTnVf"},{"type":"paragraph","children":[{"type":"text","text":"3、Ctrl+W鍵：關(guān)閉文件","id":""}],"text":"","id":"QcgCdK8iQoue8mxas5bc5q6TnIe"},{"type":"paragraph","children":[{"type":"text","text":"4、Ctrl+S鍵：保存文件","id":""}],"text":"","id":"A4u6dWo0ao4gAqxOKWXcZGHLnGb"},{"type":"paragraph","children":[{"type":"text","text":"5、Ctrl+Z鍵：撤銷","id":""}],"text":"","id":"FiWcd24oEoSaqSxAt3Gc86tGnWg"},{"type":"paragraph","children":[{"type":"text","text":"6、Ctrl+X鍵：剪切","id":""}],"text":"","id":"KaYEdKMEooswSmxiGMfcPWuYnad"},{"type":"paragraph","children":[{"type":"text","text":"7、Ctrl+C鍵：復(fù)制","id":""}],"text":"","id":"SeAwdaQu6o88aYxY5Wnc81Vknqd"},{"type":"paragraph","children":[{"type":"text","text":"8、Ctrl+V鍵：粘貼","id":""}],"text":"","id":"XyOAdUiUAoIy2oxKmx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Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/87ebde097b9149b0837f65e8ad6cf090","width":720},"text":"","id":"GEcEdyeaeoKKEgxYFjNcGO57nQg"},{"type":"paragraph","children":[{"type":"text","text":"2、給主旋律配上和聲","id":""}],"text":"","id":"EwyediKmSoWKsYxAnq4cmE2mnTh"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊水果編曲軟件頂部菜單欄“文件”-“鋼琴卷簾”。打開鋼琴卷簾窗口，可以看到鋼琴的黑白琴鍵展示在窗口，通過鼠標(biāo)左鍵點(diǎn)擊格子給主旋律配上和聲。詳細(xì)教程可以參考水果編曲軟件教程《如何用鋼琴卷簾功能去進(jìn)行編曲》。","id":""}],"text":"","id":"S8YUdqUQOoMQ4SxEsd6cqDkXnkb"},{"type":"image","attrs":{"height":446,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/358c026adf58420b8bcd0898b0d5e62f","width":720},"text":"","id":"WMG4dGMsuo4Mo2xM5BMclnbynQg"},{"type":"paragraph","children":[{"type":"text","text":"3、添加節(jié)奏樂器","id":""}],"text":"","id":"BiqCdUYIEo6msAxGxpUcNkCTn6I"},{"type":"paragraph","children":[{"type":"text","text":"水果編曲軟件主要是通過通道機(jī)架添加節(jié)奏樂器。點(diǎn)擊頂部菜單欄“視圖”-“通道機(jī)架”，即可打開通道機(jī)架。然后點(diǎn)擊其底部“+”添加節(jié)奏樂器，比如添加鼓樂器“bassdrum”。詳細(xì)教程可以參考水果編曲軟件教程《如何用通道機(jī)架功能編輯一段節(jié)奏》。","id":""}],"text":"","id":"HGE8dKY2Sogcg8xwbpmc3Wninee"},{"type":"image","attrs":{"height":368,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/5decca10a4934c728528c14fa3c1dfe3","width":706},"text":"","id":"WQYYdCmIcoUiw8xA7Z0cDyKdnye"},{"type":"paragraph","children":[{"type":"text","text":"4、添加混音效果","id":""}],"text":"","id":"BkmWdMKAooMqKSxekmMcGXgcnjg"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊水果軟件頂部菜單欄“視圖”-“混音器”，即可打開混音器。再點(diǎn)擊右側(cè)插槽，選擇效果器。","id":""}],"text":"","id":"IwwqdOEc0ogySsxmMUmcrAtVnrc"},{"type":"image","attrs":{"height":760,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/bc5355b450e64d5e89e90856231d903a","width":720},"text":"","id":"MoqmdQOAsok4MOx2hNMc2xuNnlb"},{"type":"paragraph","children":[{"type":"text","text":"混音效果器總共包括壓縮效果器、均衡效果器、混響效果器三類，比如這里添加“Fruity Reeverb2”制造一種回聲的效果。詳細(xì)教程添加混音效果可參考《善用FL Studio的混音效果器，編曲音效更加動(dòng)聽!》。","id":""}],"text":"","id":"A0CCdcccSoyUyKxwPb5crWcVnPd"},{"type":"image","attrs":{"height":244,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b0ee713bd15146b783e4bc66020e6862","width":679},"text":"","id":"OwKid0osOoa6gaxgX1ZcAQUAnYf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"Logic Pro X","id":""}],"text":"","id":"LoukdUcgmogQYyxSkm5clRRBnph"},{"type":"paragraph","children":[{"type":"text","text":"logic Pro X是蘋果公司的一款專業(yè)音頻制作軟件。","id":""}],"text":"","id":"BK4GdiUyyoCEqKxFcI8c33Wunwr"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊視頻詳細(xì)學(xué)習(xí)編曲教程?！丁綥ogic Pro X 中文詳細(xì)使用教程-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/g2b9MmI"},"children":[{"type":"text","text":"https://b23.tv/g2b9MmI","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"CUyadiMUao2KcoxWUpWcRXL6nxg"},{"type":"paragraph","children":[{"type":"text","text":"大家喜歡它的所見即所得，喜歡它的自帶音色，喜歡它的曲線和畫面支持。它對(duì)新手也較友好，但對(duì)老手以及鼠標(biāo)黨而言，顯得不給力，組合鍵過多，不便記憶，主要適用于大量畫面音樂制作人以及流行音樂作者。","id":""}],"text":"","id":"FuOOdK4uGoSQwwxkbQrcADo7nRd"},{"type":"paragraph","children":[{"type":"text","text":"Logic Pro X官網(wǎng)：點(diǎn)擊進(jìn)入","id":""}],"text":"","id":"KAGqd8sUqoi8GsxoJincFEFenYf"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.apple.com.cn/logic-pro/"},"children":[{"type":"text","text":"https://www.apple.com.cn/logic-pro/","id":""}],"text":"","id":""}],"text":"","id":"NUIEdO4kCoiIw4xmg3Qct12unDb"},{"type":"image","attrs":{"height":442,"note":[{"type":"text","text":"Logic Pro X","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f0f57da259fe4150ab3e9d87e5dac2c6","width":671},"text":"","id":"JSModw6W8o8GoCxaYdRcYny3nnf"},{"type":"paragraph","children":[{"type":"text","text":"以上就是為大家推薦的三款Daw，總的來說，對(duì)于新手而言，F(xiàn)L Studio是最友好，且最具有性價(jià)比的選擇，而對(duì)于在音樂編輯上已經(jīng)逐漸走上正軌的老手而言，F(xiàn)L Stdio中豐富的素材和插件也將成為其不可取代的優(yōu)勢。","id":""}],"text":"","id":"TIiCduE0goK8iAx62cNcVZv2nIh"},{"type":"paragraph","children":[{"type":"text","text":"快捷鍵","id":""}],"text":"","id":"QiiodAc0Wos0mkxiyOccK0u1nge"},{"type":"paragraph","children":[{"type":"text","text":"全局","id":""}],"text":"","id":"IsqUdg0mwoY4A0x6idPcDFDTnKh"},{"type":"paragraph","children":[{"type":"text","text":"1、全選：?+A","id":""}],"text":"","id":"Cukkd2uCKo8GGgxSQqrcFb8dnUg"},{"type":"paragraph","children":[{"type":"text","text":"2、撤銷：?+Z","id":""}],"text":"","id":"ZMAId2wKsoAUICxAj8JcdkpWnxb"},{"type":"paragraph","children":[{"type":"text","text":"3、取消撤銷（前撤）：?+?+Z","id":""}],"text":"","id":"CEIqdcKQqocAO8xUrppczkY0nzg"},{"type":"paragraph","children":[{"type":"text","text":"4、開啟關(guān)閉當(dāng)前循環(huán)Looper：C","id":""}],"text":"","id":"F2yOdyMWIoKKQOxI9EgcU6Dnn7g"},{"type":"paragraph","children":[{"type":"text","text":"5、循環(huán)當(dāng)前選中音頻/MIDI：選中音頻/MIDI+U","id":""}],"text":"","id":"IOWydAsU4o2SY4xYPozcPAhsn9g"},{"type":"paragraph","children":[{"type":"text","text":"6、跳過當(dāng)前選中循環(huán)：?+單機(jī)Loop黃條","id":""}],"text":"","id":"EoQmdYo4OoYm4CxMmcJc1e7XnMB"},{"type":"paragraph","children":[{"type":"text","text":"7、節(jié)拍器開啟關(guān)閉：K","id":""}],"text":"","id":"UG6YdI06GoYYAKxIzyUcT7TPn4d"},{"type":"paragraph","children":[{"type":"text","text":"8、打開Track Header：?+T","id":""}],"text":"","id":"DKCYdkuyIoyCeKxiSuKcZetYn4f"},{"type":"paragraph","children":[{"type":"text","text":"9、隱藏軌道：H","id":""}],"text":"","id":"ZYIwdeG4co8g0Oxas2yccYYSnQ9"},{"type":"paragraph","children":[{"type":"text","text":"10、建立新軌道：?+?+N","id":""}],"text":"","id":"IQ6KdkGosoaGoqxwTjrcARbdnkI"},{"type":"paragraph","children":[{"type":"text","text":"11、添加新的軟件樂器軌道：?+?+S","id":""}],"text":"","id":"RygkdeiKIo6S8Qxy4GrcLEmVn4f"},{"type":"paragraph","children":[{"type":"text","text":"12、添加新的音頻軌道：?+?+A","id":""}],"text":"","id":"ZE0wdm2qyooAs2xCyl0c6ZjFnJe"},{"type":"paragraph","children":[{"type":"text","text":"13、復(fù)制當(dāng)前軌道：?+D（D=Double）","id":""}],"text":"","id":"Kow2dS6wqooOEexqQ7Rc5HW2n1e"},{"type":"paragraph","children":[{"type":"text","text":"14、按照同樣位置/長度復(fù)制當(dāng)前內(nèi)容（MIDI、音頻、MIDI音符）：?+R（R=Repeat）","id":""}],"text":"","id":"Luq4dIggGoaOaMxCmf5cGnDXnQd"},{"type":"paragraph","children":[{"type":"text","text":"15、修改當(dāng)前片段名稱：（選中某一段落后）?+N（N=Name）","id":""}],"text":"","id":"WMmmdKMGsogKqkxoMZhcLUpGn4C"},{"type":"paragraph","children":[{"type":"text","text":"16、修改軌道名稱后繼續(xù)快速換行修改：Tab","id":""}],"text":"","id":"VIWcdKuAOoOUQUxgtUEcDkwhn3d"},{"type":"paragraph","children":[{"type":"text","text":"17、打開/隱藏library：Y","id":""}],"text":"","id":"EaEydSCO0ou48gxgZdncU4UinDb"},{"type":"paragraph","children":[{"type":"text","text":"18、打開音頻設(shè)置：?+X","id":""}],"text":"","id":"NSeKdEggOo8e68xW1kEcA49Kn0d"},{"type":"paragraph","children":[{"type":"text","text":"19、打開/隱藏Inspector：I（I=Inspector）","id":""}],"text":"","id":"K0Y6dAGuqoE22gxC8DTczZ6unHe"},{"type":"paragraph","children":[{"type":"text","text":"20、打開隱藏混音界面：X（X=Mix）","id":""}],"text":"","id":"QA0udYm22ogMsSxFoP2cPSNOnuR"},{"type":"paragraph","children":[{"type":"text","text":"21、放大當(dāng)前區(qū)域：Z（Z=ZOOM）","id":""}],"text":"","id":"LOq8dUeOuoY2ekxGUrWccOMynxe"},{"type":"paragraph","children":[{"type":"text","text":"22、打開Global：G（G=Global）","id":""}],"text":"","id":"T2iudoGUEoUM2axu6I1cWmW1nZe"},{"type":"paragraph","children":[{"type":"text","text":"23、快速打標(biāo)記Marker：?+‘","id":""}],"text":"","id":"AG4EdqMQQoQ0oyxAjutcrkT9nwd"},{"type":"paragraph","children":[{"type":"text","text":"24、移動(dòng)到：/","id":""}],"text":"","id":"G0WkdqWC0o6sskxM91VcwaAbnme"},{"type":"paragraph","children":[{"type":"text","text":"25、打開樂段AppleLoop：O（O=Loop）","id":""}],"text":"","id":"BSUedYEWcoiIIqxcVtbcc4xNnDd"},{"type":"paragraph","children":[{"type":"text","text":"26、打開文件：F（F=File）","id":""}],"text":"","id":"Ecged8O8KosOOaxWUbXcjbZknTd"},{"type":"paragraph","children":[{"type":"text","text":"27、導(dǎo)入文件：?+I（I=import）","id":""}],"text":"","id":"VKeAdOKiEoQ8gYxEvz5cD36cn5f"},{"type":"paragraph","children":[{"type":"text","text":"28、把多個(gè)軌道放入一個(gè)組內(nèi)：（選中所需軌道）?+?+D","id":""}],"text":"","id":"ZMAmdUM6koew06xG0wqcDFjGnFe"},{"type":"paragraph","children":[{"type":"text","text":"29、?+?+G（G=Group）可以直接把選中軌道給Summing","id":""}],"text":"","id":"MO84d82yYoqEkmxs9IWcq9sinHg"},{"type":"paragraph","children":[{"type":"text","text":"30、在進(jìn)度條處播放：鼠標(biāo)雙擊進(jìn)度條（可以忽視Looper）","id":""}],"text":"","id":"EYW2dSsyqoA0wWxvKbJcsSqKnJz"},{"type":"paragraph","children":[{"type":"text","text":"31、放大/縮小橫軸縱軸：?+方向鍵","id":""}],"text":"","id":"XGI4dQWsKoQsAgxIzYdcaSMVnug"},{"type":"paragraph","children":[{"type":"text","text":"32、拖動(dòng)放大橫軸縱軸：?+鼠標(biāo)左右/上下拖動(dòng)","id":""}],"text":"","id":"Wqk2d2acMoS8Wkx6cKQcBojsnsb"},{"type":"paragraph","children":[{"type":"text","text":"33、音頻區(qū)域選擇：?+拖動(dòng)選中區(qū)域+點(diǎn)擊選中區(qū)域（音頻段落自動(dòng)剝離出來）","id":""}],"text":"","id":"PEmmd4aAaosi88xiekTcWViEnjc"},{"type":"paragraph","children":[{"type":"text","text":"34、在當(dāng)前位置合并為音頻BounceinPlace：選中所需區(qū)域?+B（B=Bounce）","id":""}],"text":"","id":"M822diEceoi08wxewpzcm5UBnhc"},{"type":"paragraph","children":[{"type":"text","text":"35、打開筆記：?+?+P（超好用的創(chuàng)作記錄工具）","id":""}],"text":"","id":"PyYydqE8yoUC4UxMPTCcToW6nSe"},{"type":"paragraph","children":[{"type":"text","text":"36、打開自動(dòng)化：A（A=Automation）","id":""}],"text":"","id":"Cc82dwKoUo8sgwxV0vIczNUcnty"},{"type":"paragraph","children":[{"type":"text","text":"37、選中自動(dòng)化區(qū)域：?+鼠標(biāo)拖動(dòng)（此時(shí)可以直接拖動(dòng)當(dāng)前區(qū)域的自動(dòng)化參數(shù)）","id":""}],"text":"","id":"Xmiqd28ywoo6e4xCerxceaZgnDg"},{"type":"paragraph","children":[{"type":"text","text":"38、調(diào)整自動(dòng)化曲線：?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"PEGMd2uOaosEgcxAthwcai6rnef"},{"type":"paragraph","children":[{"type":"text","text":"39、刪除當(dāng)前軌道所有自動(dòng)化：?+?+Delete（無論多亂，一鍵刪除）","id":""}],"text":"","id":"D2qKdg6o8oo6CKxWEwPc7TzVnRb"},{"type":"paragraph","children":[{"type":"text","text":"40、切換自動(dòng)化參數(shù)：?+Y（配合這個(gè)快捷鍵，切換參數(shù)后，可以一鍵刪除所有不需要的自動(dòng)化參數(shù)）","id":""}],"text":"","id":"EYWSdgASio4IkSxzJpVcOTFhnAt"},{"type":"paragraph","children":[{"type":"text","text":"41、打開F lex按鈕：?+F（F=Flex）","id":""}],"text":"","id":"C46Adm8WSowiEyx6mXTczupVnKg"},{"type":"paragraph","children":[{"type":"text","text":"42、調(diào)出工具菜單：T","id":""}],"text":"","id":"ZKI4dcCOSo4MyYxK6k7cQJaJnCf"},{"type":"paragraph","children":[{"type":"text","text":"43、鼠標(biāo)：T+T","id":""}],"text":"","id":"Pe0qdGQO4oYmCAxGxNecQighnQZ"},{"type":"paragraph","children":[{"type":"text","text":"44、剪刀：T+I","id":""}],"text":"","id":"KEiydYUk8oWwUix0EnZcpw7Qnrb"},{"type":"paragraph","children":[{"type":"text","text":"45、Mute：T+M","id":""}],"text":"","id":"EqY0deKuko84o2xUrQXcHIvjnIc"},{"type":"paragraph","children":[{"type":"text","text":"46、Fade工具：T+A","id":""}],"text":"","id":"PUm2d4Sg8ocASixohxDc4TqinqO"},{"type":"paragraph","children":[{"type":"text","text":"47、打開軌道顏色選項(xiàng)：?+C（C=color）","id":""}],"text":"","id":"WiSedgeUUoaUe6xKW7IcW5d7nih"},{"type":"paragraph","children":[{"type":"text","text":"48、現(xiàn)實(shí)隱藏當(dāng)前所有插件窗口：V（像下圖無論多少個(gè)插件，直接V全部隱藏/顯示）","id":""}],"text":"","id":"N2mcdSqUWouYkYx6R7Dc5QLLnJb"},{"type":"paragraph","children":[{"type":"text","text":"49、打開當(dāng)前軌道插件：選中當(dāng)前軌道后，?+1、2、3、4（數(shù)字代表第幾個(gè)插件）","id":""}],"text":"","id":"L44OdoYQwoeMYixgPxScHQxCnEg"},{"type":"paragraph","children":[{"type":"text","text":"50、改變MIDI段落總體的時(shí)長：?+邊緣拖動(dòng)（例如2Bar4個(gè)和弦，可以拉長為4Bar4個(gè)和弦）","id":""}],"text":"","id":"DagUd0KCOoY6kExOY7sc5CdLnsg"},{"type":"paragraph","children":[{"type":"text","text":"51、從選中片段的開頭播放Play from region：選中一個(gè)片段+Shift+Space空格","id":""}],"text":"","id":"ZokudcaGqokI0Axi47RcYjg1nec"},{"type":"paragraph","children":[{"type":"text","text":"52、合并所選區(qū)域：?+J（J=Join）","id":""}],"text":"","id":"WM0CdEcwGoqIQSx8xKncijtynte"},{"type":"paragraph","children":[{"type":"text","text":"53、在指針的位置切割片段：?+T","id":""}],"text":"","id":"JoGyd0aaYoSw48xao7gcsJ44nee"},{"type":"paragraph","children":[{"type":"text","text":"54、打開去「除音頻之間的靜音部分」功能：?+X","id":""}],"text":"","id":"Ieu8dcw4qoMOuYxSa3ocwSvfn4e"},{"type":"paragraph","children":[{"type":"text","text":"55、給混音「輔助軌」道建立「編輯軌道」（用于自動(dòng)化）：?+T","id":""}],"text":"","id":"T4YydEWMuoYE8GxU1d6cJv7Dnyd"},{"type":"paragraph","children":[{"type":"text","text":"鋼琴卷簾","id":""}],"text":"","id":"QOSQdMUk4o8GoexwxarcQgHcnNd"},{"type":"paragraph","children":[{"type":"text","text":"1、打開/隱藏鋼琴卷簾：P（P=Piano）","id":""}],"text":"","id":"YK6gdEkyAoImu4xoRi3cgp3PnRd"},{"type":"paragraph","children":[{"type":"text","text":"2、打開/隱藏編輯界面：（選中音頻則是音頻編輯界面，選中MIDI則是MIDI編輯界面）E（E=Edit）","id":""}],"text":"","id":"OkOIdeI2Co0WuSxIrCSck1ejnTg"},{"type":"paragraph","children":[{"type":"text","text":"3、打開樂譜界面：N","id":""}],"text":"","id":"PkAkdOkCmowO6kxSp2ocXxifnTZ"},{"type":"paragraph","children":[{"type":"text","text":"4、MIDI工具欄：（在MIDI編輯區(qū)域內(nèi)）T","id":""}],"text":"","id":"XSkSdOmaooEA4CxSe5fcrrW8nlg"},{"type":"paragraph","children":[{"type":"text","text":"5、書寫MIDI：T+P","id":""}],"text":"","id":"R2y4dMwesoUgkUxondZcnScDnsf"},{"type":"paragraph","children":[{"type":"text","text":"6、MIDI移動(dòng)半音：?+上下方向鍵","id":""}],"text":"","id":"OswMdWOaco8AE4xkTkTc9Fianxh"},{"type":"paragraph","children":[{"type":"text","text":"7、MIDI左右移動(dòng)一格：?+左右方向鍵","id":""}],"text":"","id":"QKYMd4AceoOQ0oxkHGOcKdPXn8c"},{"type":"paragraph","children":[{"type":"text","text":"8、MIDI移動(dòng)八度：?+?+上下方向鍵（賊好用）","id":""}],"text":"","id":"H8A0dKsKaoOsOaxGMzjcBLI0nkd"},{"type":"paragraph","children":[{"type":"text","text":"9、平均分割MIDI：（在剪刀工具下T+I）?+鼠標(biāo)點(diǎn)擊","id":""}],"text":"","id":"WioYdiC48ooGSexg5ERc3zadnec"},{"type":"paragraph","children":[{"type":"text","text":"10、MIDI自動(dòng)化：（在鋼琴卷簾界面里）A","id":""}],"text":"","id":"P6GAdoaSyoSKEUxofhCcJGfsnbg"},{"type":"paragraph","children":[{"type":"text","text":"11、快速拖動(dòng)調(diào)節(jié)MIDI力度：?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"JOOedUYoCocewIxyWcEcAmT6nwe"},{"type":"paragraph","children":[{"type":"text","text":"12、MIDI力度相同：（在力度工具下T+V）?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"L4eOdgyc8oqCq2xkhlNcX0f2nwg"},{"type":"paragraph","children":[{"type":"text","text":"13、統(tǒng)一MIDI長度：（選中所需MIDI）?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"YwI2dyAAoo2WKAxwhEwcidEFnTd"},{"type":"paragraph","children":[{"type":"text","text":"14、MIDI力度畫線：選中音符后，在力度區(qū)域畫一條線","id":""}],"text":"","id":"SsqAdQY0aocAuwx8Y9IcVMginCc"},{"type":"paragraph","children":[{"type":"text","text":"15、（在不錄音的情況下）將演奏的MIDI記錄下來：?+R","id":""}],"text":"","id":"IuoSdCImMocEsKx8nzJc4rgqnqf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"電腦","id":""}],"text":"","id":"ByqsdKwSSocyqExGy8icp7xwnVg"},{"type":"paragraph","children":[{"type":"text","text":"編曲的電腦主要對(duì)cpu、內(nèi)存、硬盤有要求，音頻電腦其實(shí)和視頻電腦配置差不多，都需要數(shù)據(jù)吞吐量夠大，視頻電腦多集中在高端顯卡上，音頻可以降低顯卡配置。","id":""}],"text":"","id":"MMksdOi26oGsQYxMrHRchd9xnoh"},{"type":"paragraph","children":[{"type":"text","text":"在進(jìn)行編曲的過程中，主要是通過內(nèi)存的加載與CPU的運(yùn)算，同時(shí)配合硬盤來完成對(duì)音色的使用。因此，主要考慮的是CPU、內(nèi)存與硬盤，顯而易見的就是我們根本不需要顯卡。由于市面上的品牌組裝機(jī)存在著較為明顯的溢價(jià)狀態(tài)，所以比較推薦自己組裝。","id":""}],"text":"","id":"OoasdKSUyog60kxdda1c76STnyN"},{"type":"paragraph","children":[{"type":"text","text":"大致需要的參數(shù)如下：","id":""}],"text":"","id":"TqkqdiACuoOCuqxWghPchtWUnZb"},{"type":"image","attrs":{"height":157,"note":[{"type":"text","text":"電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/739336ed6da34111b74add8c49c47735","width":322},"text":"","id":"IYe8dMOe6okSOkxPks1cZ6TKnyL"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦電腦","id":""}],"text":"","id":"BmywdoSIQoK4yux8nDAcsdByn9e"},{"type":"paragraph","children":[{"type":"text","text":"1、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)緊張型建議）","id":""}],"text":"","id":"Qy8IduWCQoUg0sxAprqcjj92nxf"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7400 7500 7600K，I7 6700","id":""}],"text":"","id":"U60sdm2aIoMUOexsX2XcGAjWnEe"},{"type":"paragraph","children":[{"type":"text","text":"硬盤：500G或500G以上（建議固態(tài)硬盤）","id":""}],"text":"","id":"BMY4d68MGowc6GxgXrhc0rQpnQg"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：8G","id":""}],"text":"","id":"W8eqd4KKUoi4QWxwpINctXConrd"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：3000—6000","id":""}],"text":"","id":"WKo6d8cYwoeYsMxOetZcmHmrn9b"},{"type":"paragraph","children":[{"type":"text","text":"2、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)寬裕型建議，適合到后期）","id":""}],"text":"","id":"UwUkd4sEkowgK8xETp8cyemFnVg"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 8400 8600K 9500 9600K，I7 7700 8700 8700K","id":""}],"text":"","id":"CGGediGeUoiSQqxU1r0cm3Yynre"},{"type":"paragraph","children":[{"type":"text","text":"硬盤：1T或1T以上（建議固態(tài)硬盤）","id":""}],"text":"","id":"VYiedq8aioQgIixgb5Ecju1Mnsd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：16G-32G","id":""}],"text":"","id":"Q8eAdaCqeoa44YxGHvJc0HC0nMG"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：6000—10000","id":""}],"text":"","id":"C4uidU46eoUAo2xc1oTc5IiPngd"},{"type":"paragraph","children":[{"type":"text","text":"3、筆記本配置建議（經(jīng)濟(jì)緊張型建議）","id":""}],"text":"","id":"EeSGdg0Ikoo8IUxItRjcdVkOnNh"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7260u，I7 7560u","id":""}],"text":"","id":"JC84d2I0koUKaYxqMfKcUZu5nzb"},{"type":"paragraph","children":[{"type":"text","text":"硬盤：500G或500G以上","id":""}],"text":"","id":"YSqCdCq6goWUwIxE95PcJ61DnRd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：8G","id":""}],"text":"","id":"Y6U0doGu2o2gkoxkTcmcT0nDnhb"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：4000—6000","id":""}],"text":"","id":"Vmoodm6ego6m2OxWYBWcMCinngd"},{"type":"paragraph","children":[{"type":"text","text":"4、筆記本配置建議（經(jīng)濟(jì)寬裕型建議，適合到后期）","id":""}],"text":"","id":"EOMWd2Ia0ogis6xAvMlcDacMnSh"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7300HQ，I7 7700HQ","id":""}],"text":"","id":"A4EudYyEOoKMe0xc1l7c9JBensc"},{"type":"paragraph","children":[{"type":"text","text":"硬盤：1T或1T以上","id":""}],"text":"","id":"W6oyd2AEUokeGWxE7OOcFpDindd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：16G-32G","id":""}],"text":"","id":"RM4UdkW2woSGCGxYbcPcEABtnMg"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：6000—15000","id":""}],"text":"","id":"Mmcudyywioo4wIxmGTQcyOyjngg"},{"type":"paragraph","children":[{"type":"text","text":"推薦筆記本電腦：","id":""}],"text":"","id":"TIkedWA2EoMEUkxKiM5cMXCknFb"},{"type":"paragraph","children":[{"type":"text","text":"1、Macbook Pro和iMac","id":""}],"text":"","id":"HooAdgmy2o6gqkxM3WBcO07XnIh"},{"type":"paragraph","children":[{"type":"text","text":"Macbook Pro跟iMac得益于M1芯片的誕生，在使用Logic進(jìn)行編曲時(shí)，整體的性能直線上升，所以如果是以Logic作為主要制作宿主的話，首當(dāng)其沖的還是M1以上+16G以上的Macbook Pro 或者iMac。","id":""}],"text":"","id":"GQSYdoAaioQweoxKS1LcPf6AnTe"},{"type":"paragraph","children":[{"type":"text","text":"在實(shí)際應(yīng)用中，Macbook Pro適合移動(dòng)處理，方便快捷便攜，不受環(huán)境因素限制。而iMac更加適合在一個(gè)固定的地方進(jìn)行操作。或者直接一樣一個(gè)，Mac生態(tài)下，可以進(jìn)行完美銜接。","id":""}],"text":"","id":"Gk4Id6guMow0kqxMLjzcQHp4ns7"},{"type":"image","attrs":{"height":545,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/3c4a5511ce95430796ecd4a612c741e4","width":720},"text":"","id":"SIGUdYcgKoMogOxSi6eczz7bnJc"},{"type":"paragraph","children":[{"type":"text","text":"蘋果筆記本電腦MacBookPro16英寸2021年新款M1max芯片","id":""}],"text":"","id":"TEeedc06Cok24MxCqfcczXK0npd"},{"type":"image","attrs":{"height":548,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4e301da8966e4cdc8505cc715278ffef","width":553},"text":"","id":"Cmkmd2IwgoGymExekwTcvAgxn9b"},{"type":"paragraph","children":[{"type":"text","text":"Apple iMac 24英寸 4.5K屏 八核M1芯片(8核圖形處理器) 16G 512G SSD 一體式電腦主機(jī) ","id":""}],"text":"","id":"S0mMdSwW8oqq2GxA7VKcxzJenYc"},{"type":"paragraph","children":[{"type":"text","text":"2、華碩靈耀X","id":""}],"text":"","id":"A68kdIQgComSCQxAyh4crR5rnjb"},{"type":"paragraph","children":[{"type":"text","text":"根據(jù)這個(gè)機(jī)器的配置，在進(jìn)行編曲的過程中，兩個(gè)屏幕的效果很顯然要好于單屏幕，這款本的雙屏幕，完全可以把參數(shù)設(shè)置放在下面的屏幕中，同時(shí)兩款屏幕都是觸屏的。","id":""}],"text":"","id":"EYaedGu0Aoac6SxOWqgcoLXlnEc"},{"type":"image","attrs":{"height":500,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/52277351f1614af69294621e7d09c670","width":626},"text":"","id":"XAMYdkqGqoQuIsxKybQcotO4nQb"},{"type":"paragraph","children":[{"type":"text","text":"華碩靈耀X13 AMD銳龍八核 2.8K OLED P3色域全面屏 筆記本電腦","id":""}],"text":"","id":"Vsy2dIg8KouKaUxe0rrcmRNbnWc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻接口","id":""}],"text":"","id":"G8uIda0S0ogmsuxqmcrc1Mvknme"},{"type":"paragraph","children":[{"type":"text","text":"音頻接口就是我們常說的聲卡，它的主要功能是對(duì)音頻信號(hào)進(jìn)行轉(zhuǎn)換，直接推薦外置聲卡了，因?yàn)楦鶕?jù)電腦推薦來看，除了組裝機(jī)外，其余的并不適用內(nèi)置聲卡。","id":""}],"text":"","id":"Lm64daaKuoOcgcxsdrWcVpqxnCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦接口","id":""}],"text":"","id":"AYUWdy0WKoaoEIxoilNc4AuInyf"},{"type":"paragraph","children":[{"type":"text","text":"1、SSL2+","id":""}],"text":"","id":"KmYcdG20goOeEAxY1CRcXuEFn5c"},{"type":"paragraph","children":[{"type":"text","text":"自帶4000系列模擬效果器，具備著兩種聲音特性，其一，具備音樂性的高頻EQ提升，營造前進(jìn)的感覺。其二，可控微調(diào)的諧波失真，更進(jìn)一步融入信號(hào)鏈中。配合MonitorMix監(jiān)聽控制軟件，帶來了高品質(zhì)的輸出耳放效果，相對(duì)于SSL2來說，SSL2+增加至雙耳機(jī)輸出，同時(shí)配備了MIDI輸入與輸出接口，額外的非平衡RCA蓮花輸出接口方便DJ使用。","id":""}],"text":"","id":"Zmu2dUoSOoCkAAx81TfcX83Enwg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"VQSodYI2SoAqysxsdhScGRUrnAd"},{"type":"image","attrs":{"height":586,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e3c642c85c60464b99d72506d25aedf2","width":720},"text":"","id":"ZQa2dYMuGoIieGxkLMpcHvDUnYS"},{"type":"paragraph","children":[{"type":"text","text":"2、UA X4","id":""}],"text":"","id":"Foeod8kUgoQ6QGxE53jc5aeinNg"},{"type":"paragraph","children":[{"type":"text","text":"為了方便操作，X4使用了與TwinX相同的傾斜面板，讓操作變的更加的直觀。DSP、Unison、AD/DA模塊高度集成，高性能需要高電壓，而為了應(yīng)對(duì)高電壓帶來的發(fā)熱，X4在兩側(cè)、底部都有設(shè)置開孔以此來增加散熱效果。軟件調(diào)音臺(tái)一直是Apollo聲卡的核心組成部分，X4同樣也具備兩個(gè)新特征，其一，所有通道推子的行程從0dB增加至12dB，通過提升通道輸出電平，擴(kuò)展整體混音動(dòng)態(tài)。其二，全新DSP配對(duì)功能，可以在單一通道條內(nèi)構(gòu)建更大的插件鏈，虛擬通道數(shù)量將會(huì)隨著DSP配對(duì)數(shù)量的增加而減少。","id":""}],"text":"","id":"Zwmcd0Akio2waOxIfERcYWQrnwd"},{"type":"image","attrs":{"height":462,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d9dfe5e61dac4751bab19b9dbbef6bbb","width":720},"text":"","id":"FiUid4Qe6omwG0xm9SWcjEc9ne5"},{"type":"paragraph","children":[{"type":"text","text":"3、Apogee Duet3","id":""}],"text":"","id":"BuWgd2qeeoyWI0xq48zcRPWCn4c"},{"type":"paragraph","children":[{"type":"text","text":"作為Apogee Duet系列的最新產(chǎn)品，Duet3的誕生依舊秉承著Apogee最核心的音質(zhì)體驗(yàn)，結(jié)合Apogee的傳奇AD/DA電路設(shè)計(jì)，擁有同類產(chǎn)品中不可比擬的音質(zhì)硬實(shí)力。Duet3擁有2個(gè)輸入接口和4個(gè)輸出接口，并配置世界一流的前級(jí)放大器，能夠自然真實(shí)地再現(xiàn)每一個(gè)聲音細(xì)節(jié)。連接音箱的輸出接口使用真正的全平衡差分電路設(shè)計(jì)，準(zhǔn)確掌握實(shí)時(shí)返聽和混音監(jiān)聽的完整信息，體現(xiàn)聲音的完整深度和細(xì)節(jié)。","id":""}],"text":"","id":"MIcGdQQMqoAOo2xUHOGcVi96nzc"},{"type":"paragraph","children":[{"type":"text","text":"Deut3使用了和Symphony Desktop相同的板載DSP處理技術(shù)，能夠完全實(shí)現(xiàn)在聲卡硬件上使用ECS通道條插件進(jìn)行聲音處理的功能，讓零延遲并且?guī)в行Ч幚淼匿浺艉蛯?shí)時(shí)監(jiān)聽成為可能。","id":""}],"text":"","id":"A6scdy6ocoUiEcx2NAyct3ECnvh"},{"type":"image","attrs":{"height":554,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d2fc5bb5b46d46b7acf9abe40f2e1f9b","width":720},"text":"","id":"WSC0dsw8yo8IQSxq0QacKmlGneg"},{"type":"paragraph","children":[{"type":"text","text":"4、RME FireFace UCX II","id":""}],"text":"","id":"Mw42dimoGoW2eExOcTVcDwUZnhh"},{"type":"paragraph","children":[{"type":"text","text":"Fireface UCX II是第二代的FirefaceUCX超便攜式音頻接口，可以同時(shí)做20通道錄音和20通道回放，帶有SteadyClock FS高精度時(shí)鐘，有著高性能的話放，內(nèi)置參量均衡、動(dòng)態(tài)處理、回聲、混響DSP效果器，DURec（直接USB錄音），MIDI輸入和輸出接口，強(qiáng)大的耳機(jī)放大器，且完全可以獨(dú)立使用。","id":""}],"text":"","id":"U06Ydcs8UoKusuxuCXtcU5uJn8e"},{"type":"image","attrs":{"height":310,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/61fcc476cee6416eaf3bff94b7a88d3e","width":664},"text":"","id":"Xs8CdAOocoAKgGxeImycAwSznTf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"MIDI設(shè)備","id":""}],"text":"","id":"GgoAdgSK8oSoAkxqgdlcLjfmn6e"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"按鍵的數(shù)量","id":""}],"text":"","id":"GmsAdqqMGoIEssxeQUmcQWalnDb"},{"type":"paragraph","children":[{"type":"text","text":"一般來說，MIDI鍵盤的按鍵數(shù)量在25、32、49、61、88，如果整個(gè)音樂制作的過程中，需要用到較多的八度內(nèi)容，那么使用61、88鍵較為適合。不過25、32鍵也不會(huì)影響太多，因?yàn)镸IDI鍵盤上都有Octave+/-來調(diào)音域范圍。49鍵則更適用于在家工作，因?yàn)橥ǔ砜凑＞幥话?-3個(gè)八度就夠用了，49鍵就很符合。","id":""}],"text":"","id":"GKOAdKGCEoQgyuxSg0JcF2XpnGd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"按鍵的觸感","id":""}],"text":"","id":"Makedg8uWoKCYkxMTfgc9D8fnQf"},{"type":"paragraph","children":[{"type":"text","text":"觸感上一般可以分為合成鍵盤、半配重、全配重。一般如果沒有學(xué)習(xí)過鋼琴的話，使用合成鍵盤或者半配重即可，學(xué)過鋼琴的可以使用全配重。不過也需要考慮的事節(jié)奏速度的內(nèi)容，由于全配重的按鍵回彈比較慢，所以在進(jìn)行鼓組鍵盤錄入的話會(huì)有一定的延遲。（可以配合帶打擊墊的MIDI鍵盤解決問題）","id":""}],"text":"","id":"WcaMdkgyIoQO0SxqETEc0MPon9d"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"外出的需求","id":""}],"text":"","id":"N02udoAAuocSIGxQJvrc0nGWnah"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合上面提到的按鍵數(shù)量，其中25、32、49比較方便攜帶外出，61、88就比較大了，并不是非常適合拿出去，很重。而且真要是演出的話，多數(shù)情況帶的是舞臺(tái)電鋼或者合成器，比較方便。","id":""}],"text":"","id":"ReSYdI8eUoUAquxo5jjcxh2Jnod"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"功能的順手","id":""}],"text":"","id":"VM4edCgWkoeoOAxTAFTcNdvDnqY"},{"type":"paragraph","children":[{"type":"text","text":"有的MIDI鍵盤只有按鍵內(nèi)容，有的則有功能器、推桿、旋鈕、打擊墊等，通過這些附加的功能區(qū)，能夠讓整個(gè)音樂制作的過程變得更加的順暢，不過如果只是想練琴，或者并沒有想做綜合的編曲工作，那么簡單點(diǎn)的就挺好。","id":""}],"text":"","id":"EAAadMkg2oSOSOxcrKkcFQ6EnOh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"text":"","id":"BEK8dIEkGous0sxBZjYcaGwYnvM"},{"type":"paragraph","children":[{"type":"text","text":"1、NI Komplete Kontrol S88","id":""}],"text":"","id":"H0c2d4W2yoYGCkxk0hZc6zMZn2n"},{"type":"paragraph","children":[{"type":"text","text":"擁有全配重的Fatar鍵座，重新定義了電子鋼琴手感，這款88鍵全配重鍵盤，具有先進(jìn)的錘動(dòng)原理、智能的彈簧技術(shù)以及記憶阻尼，能夠帶來真實(shí)的鋼琴手感。S88能夠?qū)⑿枰男畔⑻崆俺尸F(xiàn)：兩塊高分彩屏能夠完整展示當(dāng)前聲音以及工程的基本信息；背光按鍵能夠以其背光亮度及色彩提示多種信息；還可以在鍵盤上通過光導(dǎo)指示燈時(shí)刻清晰地找到所需聲音、鍵區(qū)、切換開關(guān)以及音階等等——不用回到電腦屏幕，即可完成音色的選擇、參數(shù)調(diào)節(jié)、工程控制以及混音。","id":""}],"text":"","id":"SKGKdGU8EoqG2yx81Zychg0onOd"},{"type":"image","attrs":{"height":321,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0681526fa8c94c169aee30238556b35f","width":720},"text":"","id":"JGYGdCCC0oo0WWxWSOLcX2ednqg"},{"type":"paragraph","children":[{"type":"text","text":"2、Arturia Keylab Mk2","id":""}],"text":"","id":"BiumdAycCoCoSIx2tSicxIf0n1b"},{"type":"paragraph","children":[{"type":"text","text":"KeyLab mkII采用Fartar鍵床，跟Arturia MatrixBrute模擬合成器用的鍵床是完全一樣的，全配重，帶觸后，5個(gè)踏板輸入。KeyLab mkII不僅可以輸出鍵盤演奏所產(chǎn)生的音高CV和琴鍵開閉的Gate信息，還可以自定義輸出兩個(gè)Mod CV。當(dāng)處于創(chuàng)作區(qū)時(shí)，需要受到的音樂工具激發(fā)。Keylab88mk2就是這樣的一臺(tái)產(chǎn)片，每一個(gè)方面都經(jīng)過精心設(shè)計(jì)，以盡量減少干擾，并提供省時(shí)快捷方式，讓您在演奏中保持頭腦清醒。Keylab88 mk2有三種不同的模式可以在這三種模式之間進(jìn)行即時(shí)切換，從而實(shí)現(xiàn)極其高效的工作流程。","id":""}],"text":"","id":"RIakdOYC8oiWmyx2XvRco7s3noh"},{"type":"image","attrs":{"height":271,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0b73ed0e45644f50a1ccd0adf7ae98e8","width":720},"text":"","id":"SCW4dAYEgoOKiexGIVdcUh7Nnag"},{"type":"paragraph","children":[{"type":"text","text":"3、Nektar Impact GXP88","id":""}],"text":"","id":"UQE8d0QuuowiSWxWcPicNz1fn5f"},{"type":"paragraph","children":[{"type":"text","text":"流線型設(shè)計(jì)，琴體細(xì)長、邊角圓潤、結(jié)構(gòu)緊湊，外殼采用工程塑料材質(zhì)，堅(jiān)固而輕便，雖然體積較大，但總體質(zhì)量控制得比較合理。極簡風(fēng)格的控制面板以可分配RGB照明按鈕為主，并輔以彎音和調(diào)制輪、一個(gè)旋鈕無極編碼器以及一個(gè)傳統(tǒng)電位器用于各種控制功能選擇。其鍵盤部分采用了全新設(shè)計(jì)且精心平衡的鍵盤系統(tǒng)，是整個(gè)硬件的核心。實(shí)際彈奏時(shí)，下鍵流暢，指尖阻礙感適中，鍵噪極低。用于輸入打擊樂時(shí)有效降低了來自鍵盤本身的咔噠聲。","id":""}],"text":"","id":"GcCyd8AyaogQscx2KBLcdqXenTm"},{"type":"image","attrs":{"height":131,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/44a150c1d9844fedb165713fb5618eaa","width":720},"text":"","id":"C8u4d8gcIoM8yCxmw8qc0oWfn2b"},{"type":"paragraph","children":[{"type":"text","text":"4、Novation Launchkey49","id":""}],"text":"","id":"LsuUdkkQ6oeSG2xiaggcTafdnZg"},{"type":"paragraph","children":[{"type":"text","text":"具備8個(gè)旋鈕編碼器，全部都是無極旋轉(zhuǎn)式。面板有16個(gè)打擊墊，全部代有敏感的力度顯示，還有不同顏色加持顯示不同功能。49和61鍵版本多出9個(gè)推子可分配設(shè)置。除了面板功能外，NovationLaunchkey Mk3還提供了音階、和弦和琶音器功能。讓MIDI鍵盤搖身一變成為自動(dòng)伴奏編曲鍵盤，因?yàn)樵诤拖夷Ｊ较率强梢砸绘I彈奏出自己想要的和弦組合。琶音器功能也是相當(dāng)豐富的，帶有節(jié)奏設(shè)置和琶音變化可以為音樂錦上添花，做出有特色的有十足表現(xiàn)力的旋律。因?yàn)橛蠱IDI輸出功能，讓琶音器可以輕松創(chuàng)建并生成琶音MIDI。","id":""}],"text":"","id":"Te6EdESgcookQQxCMW6cpMpxn8g"},{"type":"image","attrs":{"height":212,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a5779c2e20424b9ab3b08e93096be5a5","width":636},"text":"","id":"UI6wdOm2woeOaSxSyTMcV7Dtnpg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"監(jiān)聽耳機(jī)","id":""}],"text":"","id":"DCiWdOQCGoyEc6xa8ebcHRmvnDh"},{"type":"paragraph","children":[{"type":"text","text":"監(jiān)聽過程中，人聲、樂器聲高度清晰，能聽辨出音樂中的每個(gè)細(xì)小聲音，讓整個(gè)監(jiān)聽過程細(xì)膩且真實(shí)。三頻均衡中高音清晰、低音量足同時(shí)音質(zhì)純美，可以接觸到音樂中的靈魂。","id":""}],"text":"","id":"SyKAdYYEGoEksExQnOEcjFfSnNg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦耳機(jī)","id":""}],"text":"","id":"H8umds2e6ooekYxykVjcsRGHn1d"},{"type":"paragraph","children":[{"type":"text","text":"1、鐵三角 M50x","id":""}],"text":"","id":"JyeIdA6COockOQxMTvrcGlZznEd"},{"type":"paragraph","children":[{"type":"text","text":"M50X的使用感受，其一，可換線設(shè)計(jì)，增加線材可玩性。其二，180度旋轉(zhuǎn)的耳罩，可以用作單耳監(jiān)聽，滿足錄音師的監(jiān)聽需求。","id":""}],"text":"","id":"AaICdSEu2oi0IexKC9qcWF51nLf"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：15～28kHz，額定抗阻：38歐姆。","id":""}],"text":"","id":"Dg6Kd8oseouwUgx2Ny9cwfKrn6f"},{"type":"image","attrs":{"height":664,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/057a6baea83f4660a2f78103561c9260","width":652},"text":"","id":"CWuidKEuKoMsimxQN3CcP9VLnqd"},{"type":"paragraph","children":[{"type":"text","text":"2、AKG K702","id":""}],"text":"","id":"SQA4dMEoQoQqgAx7HFxceEyInkB"},{"type":"paragraph","children":[{"type":"text","text":"耳罩式設(shè)計(jì)舒適、準(zhǔn)確塑形的3D泡棉耳墊，以及一個(gè)皮質(zhì)頭箍，確保貼合頭部。高解析少音染，耳機(jī)的聲音風(fēng)格適合小提琴等古典樂器的獨(dú)奏，非常適合監(jiān)聽愛好者。拆卸方便，單邊可拆卸耳機(jī)線，提供專業(yè)的迷你XLR接頭，方便單邊監(jiān)聽使用。","id":""}],"text":"","id":"OOCcdGyQYosq2Sxs5YLchFztnxg"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：10～39.8kHz，額定抗阻：62歐姆。","id":""}],"text":"","id":"O6GedswCioiwqoxodUhcgG9FnAb"},{"type":"image","attrs":{"height":690,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e2db398cbc3348a0b8f4e78100ae708b","width":624},"text":"","id":"PsM4dSIAkoaAoaxoR0xcJk2enMg"},{"type":"paragraph","children":[{"type":"text","text":"3、拜亞 DT770 PRO","id":""}],"text":"","id":"G2GUdqEIOosqyYxeCr4czBj9nwf"},{"type":"paragraph","children":[{"type":"text","text":"DT770Pro保證對(duì)信號(hào)的解釋達(dá)到高精確水準(zhǔn)。封閉式結(jié)構(gòu)使其對(duì)外界噪聲可衰減16dB，即使在主監(jiān)聽揚(yáng)聲器面前，依舊可以不受影響地監(jiān)聽音樂。DT770Pro采用輕量化設(shè)計(jì)，貼合頭部曲線，減輕頭部壓力。舒適佩戴感受，可以長時(shí)間聆聽音樂不傷耳朵。","id":""}],"text":"","id":"PquMdwouAoKmyOxYx5acpIhbnYc"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：5～35kHz，額定抗阻：32歐姆/80歐姆/250歐姆。","id":""}],"text":"","id":"P48adyYSyoAwwExqQ7HcXMTtnPz"},{"type":"image","attrs":{"height":678,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/360c726355d64db7bb06571431f23988","width":606},"text":"","id":"Zo4Idy4EKokSSyxeacOc2VzVnrb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"監(jiān)聽音響","id":""}],"text":"","id":"QqOqdA8GWoSAsOxCkw2cYos5nGh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦音響","id":""}],"text":"","id":"VSO2dY8KioMYmcx27wxcGoRenWd"},{"type":"paragraph","children":[{"type":"text","text":"1、真力8050","id":""}],"text":"","id":"RMSQdwQEEoEwMsx29N6cIUqwnId"},{"type":"paragraph","children":[{"type":"text","text":"高性能反射導(dǎo)管深入人心的低頻下潛，真力獨(dú)創(chuàng)的流線型反射導(dǎo)管，去除了串竄流噪聲。降低倒向口的空氣流速。實(shí)現(xiàn)無壓縮低頻聲音，使低頻下潛更深，清晰度更高。有源主動(dòng)式分頻技術(shù)，無需額外添置昂貴的功率放大器。電子分頻器將聲音信號(hào)分為不同的頻段，分別路由給對(duì)應(yīng)的功率放大器。","id":""}],"text":"","id":"FM2mdgyUooU8sAxQyZrcFsbSnZL"},{"type":"paragraph","children":[{"type":"text","text":"寬闊的聆聽范圍，久聽不累的舒適聽感。高頻單元周圍的優(yōu)雅弧度經(jīng)過精密設(shè)計(jì)，實(shí)現(xiàn)對(duì)聲波的精準(zhǔn)控制，讓最佳監(jiān)聽范圍更加寬闊。不再固定在某個(gè)角度聆聽，久聽不累。","id":""}],"text":"","id":"NIUcd0O0SoesMYx04dOcXbV0nPg"},{"type":"image","attrs":{"height":406,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b61fcb719b53474c8bf69c9660765a62","width":720},"text":"","id":"HIq8d2EWKoWoSaxcjkHcnT85nmh"},{"type":"paragraph","children":[{"type":"text","text":"2、KRK V8","id":""}],"text":"","id":"WwYUdMi6GouE6Gxc5OOcAyJbnKb"},{"type":"paragraph","children":[{"type":"text","text":"KRK Systems V系列近場錄音棚監(jiān)聽，特別為注重精確還原的音頻制作場合而設(shè)計(jì)。KRK與數(shù)百名專業(yè)工程師/制作人/調(diào)音師一起開發(fā)了這些突破性的監(jiān)聽揚(yáng)聲器。錄音棚、演播室以及聲音設(shè)計(jì)和音頻制作室如果選擇了V系列作為監(jiān)聽揚(yáng)聲器，一定會(huì)從中受惠。","id":""}],"text":"","id":"PUc8dcYeqoeiSoxuu9tcq1Vtnge"},{"type":"paragraph","children":[{"type":"text","text":"V系列包含14種可由用戶選擇的均衡器設(shè)置，確保房間聲學(xué)，位置不規(guī)則以及品味和個(gè)人喜好等因素都得到照顧。KRK設(shè)計(jì)團(tuán)隊(duì)精益求精地以數(shù)百個(gè)監(jiān)聽位置及房間聲學(xué)條件進(jìn)行了建模及分板，保證KRK生產(chǎn)出最實(shí)用的工具，而且只需要小的調(diào)整。","id":""}],"text":"","id":"K4Mmd0MWWowsqQxCC5XchewQn6g"},{"type":"image","attrs":{"height":412,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/9b741557c4f24809bab0b96c9eb31485","width":650},"text":"","id":"BciUd0yako0SiUxeCx4cHyD2nTE"},{"type":"paragraph","children":[{"type":"text","text":"3、雅馬哈 HS8","id":""}],"text":"","id":"ZgU4dSYwwosaguxQzEzc095Jn8e"},{"type":"paragraph","children":[{"type":"text","text":"HS系列采用了新的設(shè)計(jì)方案，高效的1半球形高音單元大大擴(kuò)展了可辨頻段能提供高精度的高音。厚波導(dǎo)設(shè)計(jì)方案可以將振動(dòng)降低至最小程度，因此這款全新設(shè)計(jì)的高音單元能平滑、無失真地再現(xiàn)高達(dá)30kHz的高頻。","id":""}],"text":"","id":"WyKSdaScKog6qSxUNwTcOsqCnbh"},{"type":"paragraph","children":[{"type":"text","text":"具備超高響應(yīng)能力的低音單元同樣經(jīng)過全新設(shè)計(jì)，通過采用精選的大型磁鋼，使HS系列音箱在任何輸出電平下都能釋放低失真，高解析度的低頻聲音，這款強(qiáng)勁單元的音圈和喇叭框架等所有部件嚴(yán)格篩選，保證了HS系列同時(shí)具備震撼的低頻和準(zhǔn)確的中頻。","id":""}],"text":"","id":"BysId6YqQo60OUxgb9ZcXOXcnMh"},{"type":"image","attrs":{"height":662,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f6193c68fa8747b3a685ac553cea2272","width":548},"text":"","id":"AK6CdksgsoCUmoxiCihcD9QwnPb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻信號(hào)流程","id":""}],"text":"","id":"XwqOd44CmoOyIqxCuLuc6iyNnXc"},{"type":"image","attrs":{"height":579,"note":[{"type":"text","text":"音頻信號(hào)流程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f3711483e5a84e5d962f7b0ad490aa47","width":1080},"text":"","id":"GmwUdCOWeoy4qyxkLcxcWUmYnHf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻線種類","id":""}],"text":"","id":"NEYWd4y0coME0OxaQzpcKskOnEd"},{"type":"image","attrs":{"height":483,"note":[{"type":"text","text":"音頻線種類","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/52a1488408144ea9bb8a7181ee4cb476","width":1080},"text":"","id":"NqegdwyIkog4qcxUBoyctUIWnwh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"設(shè)備連接","id":""}],"text":"","id":"RMC8dYauQo8oO0xGuphckaFfnfc"},{"type":"paragraph","children":[{"type":"text","text":"1、電腦和MIDI鍵盤、聲卡的連接","id":""}],"text":"","id":"Q46wd6cSqoEaI2x4EbPcu2VSnme"},{"type":"image","attrs":{"height":584,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/845ef5e9ece84965843e1e0c9a0f0626","width":1080},"text":"","id":"I0aqdYyeWoW6YQxGkK1cMr8pnDb"},{"type":"paragraph","children":[{"type":"text","text":"2、話筒與聲卡的連接","id":""}],"text":"","id":"ZUgsdsCAGoIY0CxIB7TcmF9bnqd"},{"type":"image","attrs":{"height":651,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/8b7bac68216c41fd8086494aaacf8127","width":1080},"text":"","id":"JmWUdG6W0oWIKExysPbcgInznQg"},{"type":"paragraph","children":[{"type":"text","text":"3、監(jiān)聽音響和聲卡的連接","id":""}],"text":"","id":"LeSmdK26YoqGw4xbyPDcF3hlnMP"},{"type":"image","attrs":{"height":593,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/fa0f00fb9fe041b382a03407057252d2","width":1080},"text":"","id":"Yqasdco8SocGMcxgZSUc2LBSnuc"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲配器","id":""}],"text":"","id":"XcuOdcaY4oMuCYxIVFHcyOfdnHb"},{"type":"paragraph","children":[{"type":"text","text":"編曲配器一般是分為鋼琴、吉他、架子鼓、貝斯。","id":""}],"text":"","id":"GyCKdWM28oU2oOxWAbzcCdEknTe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"鋼琴","id":""}],"text":"","id":"SWUWdc2AQoiwGMxuk4ucVAK8n1f"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編曲過程","id":""}],"text":"","id":"FiCSdOwwWoUMUAxk9B8cfUdRnCb"},{"type":"paragraph","children":[{"type":"text","text":"1、樂理層面","id":""}],"text":"","id":"FoaMdO0Gaoc2i2xymYFc5tWfnvf"},{"type":"paragraph","children":[{"type":"text","text":"當(dāng)然，簡單的和聲學(xué)很簡單，復(fù)雜的和聲學(xué)還是很復(fù)雜的。例如A叔的和聲大部分是歸于“簡單”這一類的，當(dāng)然不是說他的編曲簡單，而是他的和弦配的不難，大部分都是一些七和弦，比較抓耳朵而且也比較容易轉(zhuǎn)調(diào)。A叔用三聲部，但基本不用對(duì)位法。他的三聲部就是正常三聲部，沒有到達(dá)復(fù)雜復(fù)調(diào)的地步。","id":""}],"text":"","id":"OKEMds8uaogemmxq0IfcKGOfnfe"},{"type":"paragraph","children":[{"type":"text","text":"2、織體層面","id":""}],"text":"","id":"RWaIdAEQYoGMsaxwDPIclBMRnAd"},{"type":"paragraph","children":[{"type":"text","text":"有了樂理層面，其實(shí)編曲就入門了。一般寫曲子，首先先把主旋律和和弦擺出來，然后去加花。加花的話，最佳的辦法是模仿。包括也可以模仿人家和聲的寫法。一般是先模仿，慢慢的才能形成自己的風(fēng)格。怎么模仿就看自己需要了。","id":""}],"text":"","id":"X8EadQcQOogkM2xMtqTc22ljnrd"},{"type":"paragraph","children":[{"type":"text","text":"比如，在A叔的化物語里面，有一段雙手交替主旋律和伴奏的段落，那一段挺適合那種比較明快，但是覺得高音區(qū)有點(diǎn)單薄的曲子。那就可以有意識(shí)的去套用。包括A叔unravel中有不少那種把主旋律隱藏在高速分解和弦中的，這種也是很常見的編曲技巧，也是可以套用的。","id":""}],"text":"","id":"R0emdSW2Sow2EOxhPqGcaralnAx"},{"type":"paragraph","children":[{"type":"text","text":"在模仿到一定階段后，再形成自己的織體結(jié)構(gòu)。實(shí)際上，這些動(dòng)漫鋼琴家自己寫的織體，也大部分是從古典中模仿而來的。所以說我覺得過程是嘗試模仿—自己有了點(diǎn)想法—對(duì)模仿的段落進(jìn)行修改——修改的越來越多形成自己風(fēng)格。","id":""}],"text":"","id":"EQewdqgCYom20mxueZucLeT1nwe"},{"type":"paragraph","children":[{"type":"text","text":"3、節(jié)奏層面","id":""}],"text":"","id":"VMYodUWGIoMk4ixWwR1cCWVnn1e"},{"type":"paragraph","children":[{"type":"text","text":"提到節(jié)奏，主要是目前動(dòng)漫編曲的節(jié)奏大多數(shù)都遵循切分。這個(gè)點(diǎn)可以注意一點(diǎn)把，可以營造一些緊張感和史詩感，這個(gè)來源于爵士編曲。一開始編曲，了解一些爵士的是最高效的。","id":""}],"text":"","id":"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Keyboard鋼琴這是Spectrasonics繼著名的三巨頭音色(Stylus RMX、Trilian和Omnisphere2)后再出的一款鋼琴音色是目前較熱門的鋼琴音色。","id":""}],"text":"","id":"P6Yody2AaoAUO8xQjqpcSs9Hnqc"},{"type":"image","attrs":{"height":374,"note":[{"type":"text","text":"編曲過程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c737499871a144c8a77b2c0a663f88e4","width":620},"text":"","id":"MGg8dMKcQoW0sCxsup3cmN4SnQs"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊下面這個(gè)鏈接可以一步步學(xué)習(xí)用鋼琴編曲。","id":""}],"text":"","id":"OOmGdwmm6oMOMaxUvtmcbo8ln2g"},{"type":"paragraph","children":[{"type":"text","text":"《【編曲教程】編不好鋼琴？手把手一步步豐富鋼琴伴奏~-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/pBgDhK2"},"children":[{"type":"text","text":"https://b23.tv/pBgDhK2","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"DygcdsSewogYsCx6rqVc3CH0nfc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"吉他","id":""}],"text":"","id":"MasCdW6K4oUa6GxmaXscv0qEnbe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編寫過程","id":""}],"text":"","id":"MSOMdUiKeoa4CaxIN3mcBClqnkh"},{"type":"paragraph","children":[{"type":"text","text":"1、指彈譜=伴奏（六線譜）+旋律（簡譜）；","id":""}],"text":"","id":"DagOdcs4cogyI4xM1PYcxDhKnNf"},{"type":"paragraph","children":[{"type":"text","text":"2、以伴奏（六線譜）作為底本，把簡譜的旋律音（音階）填充到六線譜上；","id":""}],"text":"","id":"TU8adwSUuoMuOExhU3tcPPxSnoW"},{"type":"paragraph","children":[{"type":"text","text":"3、旋律音填充規(guī)律是：把原始音升一個(gè)8度填充上去（要知道吉他指板音階位置）；","id":""}],"text":"","id":"BgysdeEc8o8uUMxOElRc1RRtngd"},{"type":"paragraph","children":[{"type":"text","text":"4、強(qiáng)拍上的前半拍（比如4/4拍的強(qiáng)弱規(guī)律是：強(qiáng)、弱、次強(qiáng)、弱）必須是和聲音程（同時(shí)彈響兩個(gè)音，這兩個(gè)音要綜合兩個(gè)因素考慮：①、按協(xié)和程度排序；②、方便于指法編配）；","id":""}],"text":"","id":"QieAdumoooWcCOxwNeicKCcWnlf"},{"type":"paragraph","children":[{"type":"text","text":"5、弱拍上的旋律音不需要配和聲音程；","id":""}],"text":"","id":"HM0adWEogoUcwMxS6FscXscVn7b"},{"type":"paragraph","children":[{"type":"text","text":"6、編配完后彈幾遍，小問題進(jìn)行修改。","id":""}],"text":"","id":"M4SqdM0QcoAO6OxcZxIcrtBlnSc"},{"type":"paragraph","children":[{"type":"text","text":"推薦吉他","id":""}],"text":"","id":"REOadasUQoc0I8x8N0wcLUX1nWh"},{"type":"paragraph","children":[{"type":"text","text":"Ample guitar M(國產(chǎn)AG系列吉他，音響十分真實(shí))","id":""}],"text":"","id":"DWS4dcUocoKKckx87iqcCArIn5d"},{"type":"image","attrs":{"height":407,"note":[{"type":"text","text":"編寫過程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/cac3a0379e7141ddbc4462487e0a22f2","width":800},"text":"","id":"S6wcdca2eoawmexqawTcuus2nEf"},{"type":"paragraph","children":[{"type":"text","text":"Real Guitar(技法應(yīng)有盡有掃弦聲音比較真實(shí))","id":""}],"text":"","id":"Pmwgdskceom84UxwTNVcd9pvnXf"},{"type":"image","attrs":{"height":588,"note":[{"type":"text","text":"編寫過程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/2a404b4a8e5148f3bf53019dacba54e7","width":800},"text":"","id":"UaEAd6mO2oksCuxYnuacQqG8nid"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合以下這個(gè)視頻更有助于","id":""},{"type":"text","text":"學(xué)習(xí)用吉他編曲。","id":""}],"text":"","id":"JGOwdAsSQo6SoKxkGgkceaYxnZx"},{"type":"paragraph","children":[{"type":"text","text":"《【從零實(shí)戰(zhàn)編曲教程！【吉他編寫】全干貨無廢話！-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/2mk8pi5"},"children":[{"type":"text","text":"https://b23.tv/2mk8pi5","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"EI6WdY00Moo6C8x4shYciEgvnLc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"架子鼓","id":""}],"text":"","id":"YOqcdwY0UoMAwYxg4RPcRHuKnob"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編曲技巧","id":""}],"text":"","id":"GGwEdU8WOoCg6UxAd1Fc4WDbnsg"},{"type":"paragraph","children":[{"type":"text","text":"1、底鼓","id":""}],"text":"","id":"Jm4cdeIiYoqiEYxyie6cpcRxnyb"},{"type":"paragraph","children":[{"type":"text","text":"（1）主要注意與貝斯、和弦的搭配","id":""}],"text":"","id":"DGwwdQ0C2oosymxagnyc4j8vnre"},{"type":"paragraph","children":[{"type":"text","text":"（2）音色","id":""}],"text":"","id":"HuKMdwySgoIEGMxwHhgcH98un4f"},{"type":"paragraph","children":[{"type":"text","text":"一般需要找比較扎實(shí)、頭音干凈、很悶很重的音色。","id":""}],"text":"","id":"R4MmdCqaMo0CUCxU7g6cfQ2KnJc"},{"type":"paragraph","children":[{"type":"text","text":"注意其高頻、中頻、低頻，厚度，有沒有落地感。","id":""}],"text":"","id":"U06Qd8QQso80gixqoJRcgGKznje"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)于低頻漫射非常多的音色，一般用在沒有貝斯的主歌部分。","id":""}],"text":"","id":"K2EgdEqESoS4OOxUZYycCsGLnfg"},{"type":"paragraph","children":[{"type":"text","text":"抒情歌的主歌部分，基本都會(huì)用鼓邊來替代軍鼓，或者去掉一部分軍鼓，這樣在副歌使用軍鼓時(shí)，就會(huì)形成一個(gè)由弱轉(zhuǎn)強(qiáng)的對(duì)比","id":""}],"text":"","id":"KQMMdaKekoU8WmxuImrczsuSn8b"},{"type":"paragraph","children":[{"type":"text","text":"2、節(jié)拍位置","id":""}],"text":"","id":"XGCidacCEoSyiMxqa8kckhSQnAe"},{"type":"paragraph","children":[{"type":"text","text":"進(jìn)鼓的小節(jié)第一拍一定要有底鼓，但是中間小節(jié)可以靈活處理","id":""}],"text":"","id":"S8EOdI0CQoyiCgxawGkcckY9nBc"},{"type":"paragraph","children":[{"type":"text","text":"和軍鼓不能重拍，也最好不要靠的過于近","id":""}],"text":"","id":"WgesdOcmkosw0mxc5OvcMT7hnOd"},{"type":"paragraph","children":[{"type":"text","text":"靠近下一拍開頭的底鼓，聲音力度可以減小","id":""}],"text":"","id":"WQAUdYoSEo6AO4xSAgycrSNXn5g"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編寫事項(xiàng)","id":""}],"text":"","id":"ImcSdi2kQo0oWexo3SqcrXb9nOg"},{"type":"paragraph","children":[{"type":"text","text":"1、選音色","id":""}],"text":"","id":"FcWIdauqSo0G8kxQ9kacx9vhnWd"},{"type":"paragraph","children":[{"type":"text","text":"（1）先選底鼓，再選軍鼓，最后選hihat","id":""}],"text":"","id":"VmEidIkM4oM68OxcdajcMapinzb"},{"type":"paragraph","children":[{"type":"text","text":"（2）軍鼓和底鼓最好是一遠(yuǎn)一近的關(guān)系，底鼓聽起來離耳朵近，則需要軍鼓聽起來較遠(yuǎn)，這樣可以形成縱向聲場","id":""}],"text":"","id":"UugCdcUUoo8IQKxiUHacynHbndf"},{"type":"paragraph","children":[{"type":"text","text":"2、編寫的時(shí)候","id":""}],"text":"","id":"NOqOdkAASoKYuExY7pvcCr5kn5f"},{"type":"paragraph","children":[{"type":"text","text":"（1）先用hihat定位速度、節(jié)奏","id":""}],"text":"","id":"Sy0udm8Q0oK8ugxmyRLcQLyYnjf"},{"type":"paragraph","children":[{"type":"text","text":"（2）再在節(jié)拍的中間重拍上加軍鼓，軍鼓是最基礎(chǔ)的節(jié)奏","id":""}],"text":"","id":"WSqIdoeYyoUaKCxm3iycbosenV0"},{"type":"paragraph","children":[{"type":"text","text":"（3）最后根據(jù)已有的hihat和軍鼓來聯(lián)想底鼓的律動(dòng)感，增加底鼓","id":""}],"text":"","id":"JcIidYYamoi2YYxAnGJcDCpHn0d"},{"type":"paragraph","children":[{"type":"text","text":"3、RMX","id":""}],"text":"","id":"NiaEdaG6uoUKYmxQJX0csnwRnXb"},{"type":"paragraph","children":[{"type":"text","text":"（1）注意，如果能找到合適的RMX loop，就不需要自己手寫，除非在換節(jié)奏或者推動(dòng)情緒的關(guān)鍵節(jié)點(diǎn)","id":""}],"text":"","id":"KgaCdMcMaogaU0xYn6lcnxocnve"},{"type":"paragraph","children":[{"type":"text","text":"（2）連續(xù)的小打，在節(jié)奏中不會(huì)有斷點(diǎn)","id":""}],"text":"","id":"LS24dGyUqoyGC4xqk5OcGmQznug"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦","id":""}],"text":"","id":"A4WOdMcaaoyWusxviVhcELpgnA0"},{"type":"paragraph","children":[{"type":"text","text":"XLN Audio Addictive Drums(ADD鼓)","id":""}],"text":"","id":"O2Q6d2QGsoAWUmxc9wMcri7Mnhg"},{"type":"image","attrs":{"height":516,"note":[{"type":"text","text":"推薦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b4548e58d143466fbfb1e810e397c6a2","width":800},"text":"","id":"CMCIdgUuKoW2QuxqOagcWU6UnHg"},{"type":"paragraph","children":[{"type":"text","text":"Studio Drummer需要Kontakt加載喲~(錄音棚實(shí)用鼓)","id":""}],"text":"","id":"LUyOd4cmioiSqyx4pBDcbVR1nWg"},{"type":"image","attrs":{"height":555,"note":[{"type":"text","text":"推薦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/6eda730aa36d45849a2be688ce9e21f2","width":800},"text":"","id":"KGkKdaIk2oesmmxckYecH57Vnlb"},{"type":"paragraph","children":[{"type":"text","text":"想要進(jìn)一步","id":""},{"type":"text","text":"學(xué)習(xí)用架子鼓編曲","id":""},{"type":"text","text":"，可參考以下視頻教程","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"L60EduySkow2A0xuBRBcDo4EngT"},{"type":"paragraph","children":[{"type":"text","text":"《【【編曲教程】架子鼓編寫系統(tǒng)教程-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/c0Dg7i0"},"children":[{"type":"text","text":"https://b23.tv/c0Dg7i0","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"Fm6udakwSoGACWxkfoVc0lrMn1g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"貝斯","id":""}],"text":"","id":"GcACdwoksokosex0GrfcNAAHnYe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"認(rèn)識(shí)貝斯","id":""}],"text":"","id":"TiwadOCckoYem0xg9yec9kbGnRb"},{"type":"image","attrs":{"height":1126,"note":[{"type":"text","text":"認(rèn)識(shí)貝斯","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1821469adb6e4971930dc997e86400ee","width":1080},"text":"","id":"U2MmdIwayom8IWxyiSRcoNlSnGg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"入門指法","id":""}],"text":"","id":"FmsYdqWOyoUsw8xakB9cZsETnUe"},{"type":"image","attrs":{"height":1060,"note":[{"type":"text","text":"入門指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/ee1ecfcfdab146758c44654766cdf7e8","width":1079},"text":"","id":"G4e0dQ6O8oEgS0xk5WFcGejinrh"},{"type":"paragraph","children":[{"type":"text","text":"Trilogy Bass(各種各樣的音色都有很飽滿)","id":""}],"text":"","id":"KECwdqSqqoyk04xc7bGcXuNmnth"},{"type":"image","attrs":{"height":411,"note":[{"type":"text","text":"入門指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4a687ada4dcc40158fcfabab83053688","width":800},"text":"","id":"XQyWd4CQUoyESmxEvlWcEEzJndg"},{"type":"paragraph","children":[{"type":"text","text":"Spectrasonics Trilian(作為三巨頭之一的它音質(zhì)質(zhì)感不錯(cuò)、貝斯種類齊全)","id":""}],"text":"","id":"Ms26dsGOKo2awqxAVpwcInTXnDI"},{"type":"image","attrs":{"height":342,"note":[{"type":"text","text":"入門指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/3a72b799ce814379bdc782848c28f4fc","width":480},"text":"","id":"UQeWdAMq4oOIOIxFvpockinWnkI"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合我的講解，","id":""},{"type":"text","text":"點(diǎn)擊下面這個(gè)鏈接","id":""},{"type":"text","text":"可更深度地","id":""},{"type":"text","text":"學(xué)習(xí)用貝斯編曲。","id":""}],"text":"","id":"CskkdqMuyowCOYxkPGNcYtZtnDh"},{"type":"paragraph","children":[{"type":"text","text":"《【【編曲教程】貝斯怎么編寫？貝斯的編寫方法及加花小技巧-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/z7TjUhM"},"children":[{"type":"text","text":"https://b23.tv/z7TjUhM","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"I8w2du4YooGuusxSoI8cHhN0nFe"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"人聲貼唱處理","id":""}],"text":"","id":"WY0adYkwUoo2OcxY5uWcBNgsnYf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"混音與錄音","id":""}],"text":"","id":"Ji0cdkSM0ok0aIxC8FOcNpZunWe"},{"type":"paragraph","children":[{"type":"text","text":"混音是音樂后期制作中的一個(gè)重要步驟，是把多種來源的聲音，整合至一個(gè)立體音軌或單音音軌中。而混音師的工作，就是需要將前面所進(jìn)行制作的一些素材混合成成品。在混音的過程中，混音師會(huì)將每一個(gè)原始信號(hào)的頻率、動(dòng)態(tài)、音質(zhì)、定位、殘響和聲場單獨(dú)進(jìn)行調(diào)整讓各音軌最佳化，之后再疊加于最終成品上。","id":""}],"text":"","id":"DG8udgSywoW84ixo3G7coZ2dnbf"},{"type":"paragraph","children":[{"type":"text","text":"錄音是當(dāng)確定作詞作曲、編曲之后，把每一軌扎扎實(shí)實(shí)地錄下來，錄音時(shí)需要考究的條件有很多，例如錄音棚的隔音、聲學(xué)空間和反射、演唱者的站位和與話筒的距離和不同的演唱演奏方式。有時(shí)候追求細(xì)節(jié)的錄音過程可能一個(gè)樂甸或者一句歌詞，甚至細(xì)化到每一個(gè)音都要重新錄制和做調(diào)整。","id":""}],"text":"","id":"IMoKd244aos66exCCRwcwOk5nId"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"基本流程","id":""}],"text":"","id":"RyA4dKmaQoUmOgx4cWucDqGXnbb"},{"type":"paragraph","children":[{"type":"text","text":"混音","id":""}],"text":"","id":"Msm0dgYSaoKaqoxD3Spco5Q5nsW"},{"type":"paragraph","children":[{"type":"text","text":"推薦一個(gè)比較好的教程，大家可以配合我的講解進(jìn)一步學(xué)習(xí)","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"UUUGdkOSYoMuuOxw1i9cbh09nYw"},{"type":"paragraph","children":[{"type":"text","text":"《【20個(gè)混音意想不到的創(chuàng)意技巧，提升你的混音編曲效率-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/65pz5qP"},"children":[{"type":"text","text":"https://b23.tv/65pz5qP","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"IqoAdYoSuoQSQOxWqMMcoIgYnJe"},{"type":"paragraph","children":[{"type":"text","text":"1、過帶（把多軌MIDI輸出成音頻，輸出時(shí)分立體，單聲輸出）","id":""}],"text":"","id":"OGEidyQWioIYWexiSe6cPkG8neg"},{"type":"paragraph","children":[{"type":"text","text":"2、剪切掉不需要的空白部分。","id":""}],"text":"","id":"AwU6dyEIgookUWxyKw4c3mh0nXe"},{"type":"paragraph","children":[{"type":"text","text":"3、試聽全曲，記錄每件樂器的特點(diǎn)和頻率的分布。","id":""}],"text":"","id":"A4A2demquoGQKsxCksCc0mSXnZg"},{"type":"paragraph","children":[{"type":"text","text":"4、開始對(duì)底鼓和BASS進(jìn)行處理。","id":""}],"text":"","id":"RgS2dAs2EoYCSKxkFPgcfSePnig"},{"type":"paragraph","children":[{"type":"text","text":"5、再去看樂器而定，一般我都喜歡也去看哪件樂器需要壓縮進(jìn)行處理后才開對(duì)其他樂器進(jìn)行EQ處理。","id":""}],"text":"","id":"G2S6dUc2UoCaeOxiqLtc3qaunbb"},{"type":"paragraph","children":[{"type":"text","text":"6、EQ處理完以后開始空間擺設(shè)。","id":""}],"text":"","id":"WyyYdmcuCoK06MxCUiQcKjl5ndg"},{"type":"paragraph","children":[{"type":"text","text":"7、對(duì)每個(gè)軌道再進(jìn)行掃頻一次。","id":""}],"text":"","id":"NQGGd40O2ocoSqxqAnNcluU7n6d"},{"type":"paragraph","children":[{"type":"text","text":"錄音","id":""}],"text":"","id":"PsKwdAAmOoQ4kuxyC38cBapXnlc"},{"type":"paragraph","children":[{"type":"text","text":"1、在錄音之前將會(huì)有錄音師和您進(jìn)行交流，首先要準(zhǔn)備好伴奏和歌詞。","id":""}],"text":"","id":"BqyodAysQokCQ0xPfpWcSjzqnnn"},{"type":"paragraph","children":[{"type":"text","text":"2、進(jìn)入錄音室準(zhǔn)備之后，調(diào)整話筒與耳麥的距離。","id":""}],"text":"","id":"CAe8d60MQoISKKxS4rec3UjXnpf"},{"type":"paragraph","children":[{"type":"text","text":"3、第一遍錄音的時(shí)候，歌手要適應(yīng)錄音棚的環(huán)境，調(diào)整伴奏和人聲大小，以使自己適合整個(gè)錄音棚的環(huán)境。","id":""}],"text":"","id":"DgIQdmkqYoQSSKxQHEqchWv9nef"},{"type":"paragraph","children":[{"type":"text","text":"4、在接下來錄歌的時(shí)候歌手們便會(huì)進(jìn)入狀態(tài)，此時(shí)就可以正式錄音了。","id":""}],"text":"","id":"QI2MdUMqComw26xKu1ucFf9endf"},{"type":"paragraph","children":[{"type":"text","text":"5、正式錄音的整個(gè)過程，錄音師將會(huì)指導(dǎo)，要是遇到某個(gè)難的句子會(huì)單獨(dú)錄制。","id":""}],"text":"","id":"D04sdeWOKoi4mqxcdlScYEVcnA3"},{"type":"paragraph","children":[{"type":"text","text":"6、最后完成錄制之后，進(jìn)行后期的制作。","id":""}],"text":"","id":"DyyGdeOi0oIcokxOWH7cp2itnnc"},{"type":"paragraph","children":[{"type":"text","text":"7、后期制作顧名思義就是整個(gè)錄音結(jié)束后，把后期用效果處理一下，調(diào)節(jié)音量之后，在最后導(dǎo)出一個(gè)完整的音樂文件。","id":""}],"text":"","id":"YmIEdC20ioEGUixs1Cpcwg0CnNg"},{"type":"paragraph","children":[{"type":"text","text":"后期制作的流程包括：","id":""}],"text":"","id":"W02UdA2YOo6euCxqoBWczfqrneh"},{"type":"paragraph","children":[{"type":"text","text":"（1）清除雜音。","id":""}],"text":"","id":"Keg0duaIioeuaUxwtYUcD3Yvn6e"},{"type":"paragraph","children":[{"type":"text","text":"（2）調(diào)整音準(zhǔn)，將跑調(diào)的音修正。","id":""}],"text":"","id":"XEQYd6i64omgA4xUh6tc74TznCe"},{"type":"paragraph","children":[{"type":"text","text":"（3）節(jié)奏調(diào)整，將沒唱準(zhǔn)的部分對(duì)準(zhǔn)拍子即可。","id":""}],"text":"","id":"I6uAdmsoEo6QWWxusk4cs1rlnnf"},{"type":"paragraph","children":[{"type":"text","text":"（4）修剪呼吸口，在唱歌時(shí)歌手是要進(jìn)行呼吸的，沒有呼吸的歌曲會(huì)讓聽眾聽的很累，錄音后氣口會(huì)隨著音樂情緒的變化有所不同。","id":""}],"text":"","id":"EmKadGQaioQQk2xSerAcMIXpnXc"},{"type":"paragraph","children":[{"type":"text","text":"（5）添加效果器，如壓縮器、均衡器、混響、延遲等等。","id":""}],"text":"","id":"Hs86dSYwoo0uqGxANT0cD5Dtnuh"},{"type":"paragraph","children":[{"type":"text","text":"（6）母帶處理，簡單的說母帶處理后的音樂會(huì)變得更加飽滿有力度，也適合也在任何放音設(shè)備里進(jìn)行放音。","id":""}],"text":"","id":"Fm0Ydu02OoIEqgxUVcpciirjnZg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"混音插件","id":""}],"text":"","id":"Y866ds028ocGugx4xJ3cqiwpnIh"},{"type":"paragraph","children":[{"type":"text","text":"1、Ableton Live compressora一款A(yù)bleton Live自帶的壓縮器，它的重點(diǎn)在于擁有完整的輸入、輸出與增益衰減的數(shù)字電平表，且在各部分還會(huì)同時(shí)顯示峰值（Peak）與均方根（RMS）的信號(hào)，對(duì)于新手而言非常適合參考閾值的設(shè)定范圍。除此之外還帶有側(cè)鏈功能，更能對(duì)側(cè)鏈信號(hào)進(jìn)行頻率處理，另外還可以調(diào)節(jié)前視值（Lookahead)、拓展模式、另外兩種顯示模式、自動(dòng)補(bǔ)益等功能，可謂好用而又全面。","id":""}],"text":"","id":"UgSSdWk0soMuOCxmFiicG3CAn4G"},{"type":"paragraph","children":[{"type":"text","text":"主要特點(diǎn)：","id":""}],"text":"","id":"FA2admO22oCi8AxyeUdcKydSnhd"},{"type":"paragraph","children":[{"type":"text","text":"（1）視窗界面由Arrangement View和Session View兩個(gè)組成，Arrangement View提供類似于常規(guī)音樂制作軟件的水平剪輯時(shí)間線，而Session View則提供在一個(gè)實(shí)時(shí)表演中所有剪輯的基于網(wǎng)格的描述。","id":""}],"text":"","id":"U6kSd804eoCQQsxzchTc6raAnAe"},{"type":"paragraph","children":[{"type":"text","text":"（2）包含Impulse、Simpler、Instrument Rack和Drum Rack四種基礎(chǔ)樂器，以及各種類型的外部拓展樂器","id":""}],"text":"","id":"NO40d4UwMo2OgaxaWkpcf7DnnQg"},{"type":"paragraph","children":[{"type":"text","text":"（3）擁有多種專為Live設(shè)計(jì)或兼容的MIDI控制設(shè)備，例如Akai的APC40 mk II、Novation的Launchpad、Ableton自己的Push。","id":""}],"text":"","id":"JQYcdEgKeo8qY0x8fPpcOW0Znog"},{"type":"paragraph","children":[{"type":"text","text":"（4）包含大部分?jǐn)?shù)字音頻領(lǐng)域的常見的MIDI和音頻效果器類型，專為電子音樂制作人和DJ量身定制，也同樣適用于傳統(tǒng)樂器的錄制","id":""}],"text":"","id":"EGSMdAGC4oKiWMxmy6ycd8funJb"},{"type":"paragraph","children":[{"type":"text","text":"（5）更全面的音頻采樣處理功能，包括采樣分析、時(shí)間拉伸、在線素材、MIDI轉(zhuǎn)換等，以更適應(yīng)樂曲全局的需要","id":""}],"text":"","id":"KQM0dKgqqoM6SYxgL5RcxcS3nVd"},{"type":"paragraph","children":[{"type":"text","text":"（6）幾乎所有參數(shù)都可以通過包絡(luò)來自動(dòng)化，不管是音頻剪輯、音頻設(shè)備的參數(shù)控制還是映射到MIDI控件","id":""}],"text":"","id":"AyaWd4oIYoyQSSxmTj4cqqSen12"},{"type":"paragraph","children":[{"type":"text","text":"（7）大部分界面都適應(yīng)現(xiàn)場表演和制作，用戶界面很少有消息或?qū)υ捒虻膹棾觯梢曰诩^隨時(shí)隱藏和顯示某些部分","id":""}],"text":"","id":"BWkKd28gWo2QUMxc5V7cGu97nHb"},{"type":"image","attrs":{"height":500,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/7cf6fe7d3ddd463c8af6d5f6f3b87dd9","width":983},"text":"","id":"Eig6dQAqioySuGxCc0NcqzkZnlf"},{"type":"paragraph","children":[{"type":"text","text":"2、Xfer Record OTT aOTT是一款免費(fèi)多段壓縮器插件，使用起來非常方便。縱觀整個(gè)插件，只需調(diào)節(jié)一顆“Depth”旋鈕即可達(dá)到想要的效果，越往右音色就會(huì)越亮，且會(huì)產(chǎn)生更多的壓縮效果。可以算得上是為數(shù)不多的“黑魔法插件”之一，只要加載進(jìn)去用5秒鐘調(diào)一下就會(huì)很好聽。","id":""}],"text":"","id":"FSiwdYuC6oqwUIxAdHpc1aA6nzc"},{"type":"image","attrs":{"height":622,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/38fb660a02b84418897aa8163dab9bc3","width":978},"text":"","id":"BGqyd28qMoU6GYx8Lsyc0gctnib"},{"type":"paragraph","children":[{"type":"text","text":"3、I Heart NY al Heart NY 是一款在業(yè)內(nèi)非常出名的平行壓縮插件，界面十分簡潔，操作也相當(dāng)簡單。用來處理鼓組、樂器音色或人聲都相當(dāng)不錯(cuò)，會(huì)帶來更多亮度與沖擊力，這是傳統(tǒng)的串聯(lián)式壓縮處理所不能做到的效果。","id":""}],"text":"","id":"Hoq2dQQGCoYeswxYdPQcFM2fnQg"},{"type":"image","attrs":{"height":686,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/6b2527bff3f746d1ad490a8bd27baee5","width":983},"text":"","id":"LMeidguIMoEgEMxeW3ucJdb5nTe"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲方法","id":""}],"text":"","id":"FIoIdoQsMoEsoAxwvb4cuuognmh"},{"type":"paragraph","children":[{"type":"text","text":"我的講解配合這個(gè)","id":""},{"type":"text","text":"視頻","id":""},{"type":"text","text":"課程，可更有效地","id":""},{"type":"text","text":"從零開始學(xué)習(xí)編曲?！丁灸氵€不會(huì)編曲嗎？】B站首個(gè)從零開始的完整的編曲教程『275P更新完畢』-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/WGmwiIg"},"children":[{"type":"text","text":"https://b23.tv/WGmwiIg","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"U2MCduQEEoAqa0xSMiNc7nOInxe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲中加弦樂","id":""}],"text":"","id":"ACUgdYy6Co6eKcx4hilc99qknhb"},{"type":"paragraph","children":[{"type":"text","text":"在歌曲中加入弦樂能明顯增加抒情性，我個(gè)人也是個(gè)弦樂控，特愛聽弦樂豐滿的曲子，嘻嘻。弦樂的編寫最簡單的就是以和聲填充內(nèi)聲部，不過都這樣寫聽起來會(huì)比較機(jī)械，而富于變化的弦樂編寫會(huì)在不知不覺中給曲子增色不少。弦樂可以演奏歌曲的副旋律，但要注意不能干擾到主旋律。","id":""}],"text":"","id":"PIQ0dcoiWoYySkxANvqca8fhn2f"},{"type":"paragraph","children":[{"type":"text","text":"編寫弦樂通常需要做到與主旋律前呼后應(yīng)、相輔相成，然后點(diǎn)上CB根音進(jìn)行，再填寫內(nèi)聲部，這是個(gè)關(guān)鍵，因?yàn)閮?nèi)聲部不僅要起到和聲的作用，還要有獨(dú)立個(gè)性的旋律性，內(nèi)聲部的編寫是需要功力的，這一點(diǎn)可以慢慢摸索練習(xí)。初寫弦樂可以從長音著手，保持聲部平穩(wěn)流暢，同時(shí)起到豐滿和聲的效果，漸漸熟練后，就可以適當(dāng)加入一些復(fù)調(diào)對(duì)位，增加曲子的推動(dòng)力。","id":""}],"text":"","id":"Scmgdi4YmoQUOYxIJFAcJapenHd"},{"type":"paragraph","children":[{"type":"text","text":"編曲流行配器四大件就是鋼琴、吉他、鼓、貝斯。這四個(gè)樂器也是最常用的。","id":""}],"text":"","id":"Ye6CdOYy2oi6OCx2vRdcpuGjnEg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"軌道命名法","id":""}],"text":"","id":"Iy0Uda4GoocuwUxaI78cVIsnnbd"},{"type":"paragraph","children":[{"type":"text","text":"很多編曲學(xué)習(xí)者的工程看起來比較雜亂，究其原因，無非是軌道命名沒有統(tǒng)一的規(guī)則，給大家分享一套軌道命名方法。","id":""}],"text":"","id":"ViecdcWOaoEGmox0839cNUu1nMf"},{"type":"paragraph","children":[{"type":"text","text":"1、大致的規(guī)則：樂器分組＋樂器名稱（＋特殊技法＋特殊效果＋數(shù)字），","id":""}],"text":"","id":"Qym8dK6okog2sQxuQ79cvzHHnFb"},{"type":"paragraph","children":[{"type":"text","text":"如：DRUM KICK HARD，表示的是：鼓組＋底鼓＋硬的；","id":""}],"text":"","id":"DCUOdMmcWoOCu0xcz9fcYB1onqc"},{"type":"paragraph","children":[{"type":"text","text":"STRINGS VIOLIN PIZZ VERB，表示的是：弦樂組＋小提琴＋撥奏＋帶混響效果。","id":""}],"text":"","id":"O8sSd864AoImWMx27xzcW3jXnRb"},{"type":"paragraph","children":[{"type":"text","text":"2、樂器分組，常見的有：","id":""}],"text":"","id":"LW4YdCAUQo026sxqWkycbU9FnEe"},{"type":"paragraph","children":[{"type":"text","text":"DRUM—鼓，PERC—打擊樂，SFX一特殊效果，BASS—低音，KEYS—鍵盤，GUITAR—吉他，SYNTH—合成器，STRINGS—弦樂，WINDS—管樂，VOX—人聲組，SAMPLE一采樣，TONAL﹣音高樂器。","id":""}],"text":"","id":"I4qedC6c6o2MCmxGkzpcZzljnpc"},{"type":"paragraph","children":[{"type":"text","text":"3、合并原則，即某類樂器軌數(shù)較少，可以合并到接近的分類去，","id":""}],"text":"","id":"TOgUde0o4oUuoKxqGtJcvuGMnxc"},{"type":"paragraph","children":[{"type":"text","text":"如：打擊樂只有一兩軌，合并到【DRUM﹣鼓組】;合成器只有兩軌，合并到【KEYS﹣鍵盤組】。","id":""}],"text":"","id":"IqOedeyMao4Mwkx48P2c1tmhnLb"},{"type":"paragraph","children":[{"type":"text","text":"4、分組不宜太多，一般控制在10組以內(nèi)，不過太少也不好。","id":""}],"text":"","id":"Xi6od4GWeo0cY8x4PqTcapYRnJg"},{"type":"paragraph","children":[{"type":"text","text":"如果吉他、鍵盤、合成器、弦樂、管樂等都只有一兩軌，那么沒有必要強(qiáng)行分組，默認(rèn)它們都是TONAL組即可。","id":""}],"text":"","id":"Fmued2QqUoQIeKxu4tOcOrTKntg"},{"type":"paragraph","children":[{"type":"text","text":"5、盡量使用英文，且所有英文大寫，這樣看起來會(huì)更統(tǒng)一些。多使用英文縮寫，在不影響閱讀的前提下，使用縮寫效率會(huì)更高。","id":""}],"text":"","id":"GaoedSMeEoywwKxiqWnct9O9nFe"},{"type":"image","attrs":{"height":1166,"note":[{"type":"text","text":"軌道命名法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/531fca09c2e741039ab755cedbf31a5b","width":1080},"text":"","id":"RwcEduaOEo0me6xYNRWcnz1Cnhf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"注意事項(xiàng)","id":""}],"text":"","id":"Va6EdIm60oUm2IxUvJ0cgNy9n8f"},{"type":"paragraph","children":[{"type":"text","text":"1、自學(xué)會(huì)走很多彎路，建議找身邊的有經(jīng)驗(yàn)的編曲老師學(xué)習(xí)，或者網(wǎng)絡(luò)課程。","id":""}],"text":"","id":"ACEEdEi2go0QMoxYVfSc2qlZn0b"},{"type":"paragraph","children":[{"type":"text","text":"2、聽具有代表性的音樂，聽它的配器組成，找出與歌曲類似的樂器與織體，研究不同于其他風(fēng)格的編配技巧。","id":""}],"text":"","id":"FwCEdI4meoqmUoxmECLcxF9cnyc"},{"type":"paragraph","children":[{"type":"text","text":"3、如果想成為一名把最終聽覺掌握在自己手中的編曲師，那就要盡量在前期完成大部分的混音。這方面的學(xué)習(xí)，可以直接買書學(xué)習(xí)，也可以上網(wǎng)站與論壇學(xué)習(xí)。","id":""}],"text":"","id":"BU64d6M4wokWkIxymiQcODYwnoh"},{"type":"paragraph","children":[{"type":"text","text":"4、不排斥任何有音樂和聲音展現(xiàn)的媒體在觀看視頻時(shí)，多留意音樂和聲音出現(xiàn)時(shí)給自己帶來的情緒上的變化，總結(jié)這些音樂和聲音的模式。","id":""}],"text":"","id":"H24ydC0cGoKmG4xPUKyczXYtnnn"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"拓展知識(shí)","id":""}],"text":"","id":"HimGdck4mo2oUUxukmlcgsahn8d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲方向","id":""}],"text":"","id":"K00idAUkwow60uxML52csjgLnBg"},{"type":"paragraph","children":[{"type":"text","text":"音樂人專輯、廣告配樂、自媒體、影視配樂、游戲配樂、動(dòng)漫配樂。","id":""}],"text":"","id":"GM4OdE0s2owekgxwlpBcEDBgncb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲風(fēng)格","id":""}],"text":"","id":"ECQYdauieo6U8exYzyCcML11nUf"},{"type":"paragraph","children":[{"type":"text","text":"1、鋼琴為主的Pop流行風(fēng)格。","id":""}],"text":"","id":"CQmgdOCwmoua4ExRow7cyd4enM6"},{"type":"paragraph","children":[{"type":"text","text":"這個(gè)體系一般是比較柔和抒情的曲子，以鋼琴作為主要的和聲樂器?？梢杂玫街?、分解或者綜合運(yùn)用各種節(jié)奏型，主歌部分的鼓節(jié)奏可以用閉合擊镲的音色支撐，到了副歌部分，為了突出織體，可以使用完整的鼓節(jié)奏。總體要求平穩(wěn)，盡量不要切分。Bass的編寫上不用太花哨，跟隨強(qiáng)拍，使用長時(shí)值演奏。此外，為了更好地表現(xiàn)曲子的抒情性，可以加入一個(gè)pad音色進(jìn)行融合，副歌部分可以加入弦樂來加厚織體。","id":""}],"text":"","id":"Oi6ydSIOWoMcCGx21ppcO60gnbc"},{"type":"paragraph","children":[{"type":"text","text":"2、吉他為主的Pop流行風(fēng)格。","id":""}],"text":"","id":"RuswdwOkQoW8OcxgLvGcld6Cn3c"},{"type":"paragraph","children":[{"type":"text","text":"這個(gè)體系也主要是緩慢抒情的曲子，以吉他為主要和聲樂器?？梢赃x用尼龍弦吉他和鋼絲弦吉他兩種音色，鋼絲弦吉他為主，尼龍弦吉他為輔，聲像一左一右。鼓節(jié)奏可有選擇稍硬朗一些的，有主干節(jié)奏作為骨架，為了增加主歌和副歌的對(duì)比，還可以加入軍鼓的音色，當(dāng)然，節(jié)奏需要加花推進(jìn)的地方一定不要放棄使用。同樣的，在副歌加入弦樂增加織體厚度。","id":""}],"text":"","id":"W8iydqiqaoWSgqxqqCrcB4fmnIy"},{"type":"paragraph","children":[{"type":"text","text":"3、16Beat的流動(dòng)織體風(fēng)格。","id":""}],"text":"","id":"N2yMdSyaQo4kquxeKbFcmyJcn1d"},{"type":"paragraph","children":[{"type":"text","text":"這種風(fēng)格音符運(yùn)動(dòng)速度加快，音樂流動(dòng)性增強(qiáng)，以十六分音符為基本時(shí)值單位，節(jié)奏平穩(wěn)流暢，也是抒情類的Pop音樂體系?？梢苑謩e用尼龍弦吉他和電鋼琴搭配作為和聲樂器，使織體音樂色彩偏暖，突出音樂的抒情性。其中，尼龍弦吉他主要演奏主體的節(jié)奏音型，電鋼琴則輔以和聲形態(tài)的烘托，相輔相成。Bass同樣是提供長時(shí)值的低音，有時(shí)也可稍加附點(diǎn)變化。鼓節(jié)奏安排上，可以用閉合擊镲進(jìn)行十六分音符的滾動(dòng)式演奏，底鼓和軍鼓進(jìn)行節(jié)拍上的強(qiáng)弱搭配，軍鼓則作為段落對(duì)比的重要手段，如前面可以用擊鼓邊的音色，后面可以用擊鼓的音色。為了增加音樂流動(dòng)感，還可以加入色彩性的打擊樂器如沙球進(jìn)行點(diǎn)綴。","id":""}],"text":"","id":"SyqWdgWSIoU4sgx8cDbcoTsmnhb"},{"type":"paragraph","children":[{"type":"text","text":"4、傳統(tǒng)的搖滾風(fēng)格。","id":""}],"text":"","id":"JSModG2wmoWmAYx8h2Zc7jDznCg"},{"type":"paragraph","children":[{"type":"text","text":"這種體系主要以原聲音色為主，節(jié)奏輕快，情緒對(duì)比以及爆發(fā)性都不是很強(qiáng)烈。主干織體可用雙吉他模式，木吉他進(jìn)行掃弦式音型演奏，電吉他在二、四拍等弱拍上演奏和弦，以此來改變節(jié)奏的重音，造成搖滾的感覺。Bass可以選用力度強(qiáng)的PeakBass，基本保持與底鼓節(jié)奏一致，以強(qiáng)化強(qiáng)拍。鼓節(jié)奏處理上，軍鼓的節(jié)奏基本固定，底鼓可進(jìn)行不間斷的切分，增加搖滾的感覺，可以使用擊镲邊的音色增加氛圍感。另外，還可以加入一個(gè)合唱人聲音色對(duì)織體進(jìn)行豐富和烘托。","id":""}],"text":"","id":"P6gmdoEcIoMcAKxYV30cKggfnTd"},{"type":"paragraph","children":[{"type":"text","text":"5、重金屬風(fēng)格。","id":""}],"text":"","id":"BeyWdGKMuoi4aAxasSIcjBAEntc"},{"type":"paragraph","children":[{"type":"text","text":"重金屬風(fēng)格的特點(diǎn)是低音部分表現(xiàn)比較突出，因此Bass十分厚重，經(jīng)常用失真電吉他展現(xiàn)激勵(lì)的音響效果，間奏也常用電吉他來演奏大段Solo。為了突出低音，Bass的選擇還是PeakBass，失真吉他音區(qū)選擇也是偏重低音區(qū)，為了突出重金屬感，主干織體可選擇兩把失真吉他作為和聲樂器，掃弦式音型和長音相結(jié)合，凸顯厚重的金屬織體。Bass演奏以平穩(wěn)的強(qiáng)弱節(jié)奏為主，注重音色的顆粒感，鋪滿整個(gè)低聲部層。鼓節(jié)奏與普通搖滾節(jié)奏相似，連接處可進(jìn)行填充加花，突出軍鼓力度以增加搖滾的動(dòng)感。副歌部分還可以加入兩個(gè)色彩性打擊樂器（如沙錘和手鈴）進(jìn)行點(diǎn)綴。","id":""}],"text":"","id":"AG6QdCWosoSkGexqQdhc53yVncd"},{"type":"paragraph","children":[{"type":"text","text":"6、迷幻搖滾風(fēng)格。","id":""}],"text":"","id":"KySCdgey2oUS0yxETZgcbXEBnBf"},{"type":"paragraph","children":[{"type":"text","text":"這類的搖滾風(fēng)格，主要是電子加和聲PAD，像陳奕迅和王菲的后期音樂有很多這樣方面的風(fēng)格編曲.比如香奈兒，再見螢火蟲，浮夸，主旋律.這樣的歌用了很多合成器.但是音色的風(fēng)格來自于英國.像70年代就已經(jīng)存在了.這類的特點(diǎn)就是，效果比較詭異和迷幻.喜歡的朋友可以不妨研究一下.","id":""}],"text":"","id":"WoOGdqYmyoCgsaxuUeFcRqQ2nMc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"學(xué)習(xí)小技巧","id":""}],"text":"","id":"WowwdmgeQo6GcOxkzuxcImzknYf"},{"type":"paragraph","children":[{"type":"text","text":"1、學(xué)會(huì)構(gòu)建體系。編曲學(xué)習(xí)是要建立在體系上的有了一套體系才能有針對(duì)性的選擇性學(xué)習(xí)知識(shí)點(diǎn)完全吸收后再將其填補(bǔ)到它需要到達(dá)的知識(shí)點(diǎn)。","id":""}],"text":"","id":"VCKGda8a6okG0IxkjYmcbGuFnQe"},{"type":"paragraph","children":[{"type":"text","text":"2、適當(dāng)記筆記。在學(xué)習(xí)的過程中一定要養(yǎng)成記筆記的習(xí)慣否則學(xué)習(xí)內(nèi)容就會(huì)變成過眼云煙，可以經(jīng)常翻閱，久而久之，一切流程都會(huì)變得水到渠成。","id":""}],"text":"","id":"OmGudE2yaoY2gUxU7aEcDX7enrc"},{"type":"paragraph","children":[{"type":"text","text":"3、在一階段學(xué)習(xí)后嘗試制作一些東西給自己營造反饋。編曲是需要實(shí)戰(zhàn)的，光靠看視頻學(xué)來的東西都會(huì)被遺忘。必須一步一步、腳踏實(shí)地的做好學(xué)到的每一樣?xùn)|西。百分之百的將知識(shí)點(diǎn)還原才能百分之百的提升自我進(jìn)步的速度取決于平時(shí)練習(xí)的勤快與否。有了每一階段的編曲作品反饋，才能總結(jié)出上一階段哪里沒做好，下一階段需要加強(qiáng)哪一塊知識(shí)點(diǎn)。有方向性的學(xué)習(xí)編曲，實(shí)踐制造反饋后又再次服務(wù)于下一階段的學(xué)習(xí)方向，這樣才能不斷進(jìn)步。","id":""}],"text":"","id":"DAkMdOG4MoGiIOx4ny6cGTern4f"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲常見誤區(qū)","id":""}],"text":"","id":"XiQyd0wU6ocekoxSSrpck1Rrnyg"},{"type":"paragraph","children":[{"type":"text","text":"1、總是想要收集并搞懂所有音源。初學(xué)最好先掌握幾款最重要的主流音源，等了解常用樂器的音色分布特點(diǎn)和彈奏技巧，把基礎(chǔ)的編曲做好后，再慢慢地接觸新音色，一步步完善自己的能力。","id":""}],"text":"","id":"Y4UMdUeWyogcs0xSu3pcf9jcnnd"},{"type":"paragraph","children":[{"type":"text","text":"2、編得越滿越好聽。不考慮頻段打架，拼命在作品中加各種音色，最后作品結(jié)構(gòu)混亂，主次全無。點(diǎn)綴的樂器蓋過了主旋律的表達(dá)。","id":""}],"text":"","id":"RqmSdEYMCooEkqxiqsNcTSFqnId"},{"type":"paragraph","children":[{"type":"text","text":"3、為了“高級(jí)”亂用各種音。把音階上的音用遍不是本事，用盡可能少的音符表意清晰才是高手。刪掉聲部里不必要的音，修改會(huì)出現(xiàn)不良音響效果的音，把要強(qiáng)調(diào)的音調(diào)節(jié)力度和位置突顯出來。","id":""}],"text":"","id":"VygadOG2youkwexeW1Tc3QEonQc"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"XycUd84KYoeoKAx8dmDcLxPHnkb"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"EQySdCsAsoWgmMxygahckZwGnOJ"}]%3C%2Fhowto_content%3E

8. 佳能6d2可以接麥克風(fēng)嗎

你需要在相機(jī)設(shè)置中設(shè)置聲音是外接的設(shè)備還是相機(jī)自身，大學(xué)畢業(yè)太久了，如果沒記錯(cuò)了話，當(dāng)年是可以同時(shí)錄制的，它內(nèi)設(shè)4個(gè)音頻通道，2個(gè)內(nèi)錄，2個(gè)外接設(shè)備錄制。方便你后期視頻新品剪輯合并。